Category Archives: Popular Culture
In the latest issue of the Journal of Behavioral Addictions, there are two papers that I co-authored on muscle dysmorphia as an addiction (see ‘Further reading’ below). The reason I mention this is because in the same issue there was a case study report by Dr. Marie Grall-Bronnec and her colleagues of a woman (Helen) that was ‘addicted’ to fortune tellers. As noted in their paper:
“Clairvoyance consulting, also known as fortune teller consulting, is a behavior that may seem harmless, but can also become excessive. Fortune telling is defined as the practice of predicting information about a person’s life, using for example…astrology, cartomancy or crystallomancy”.
As I have noted in a number of my previous blogs, I subscribe to the view that if there are clinical criteria for addiction and a behaviour fulfils the criteria, it should be classed as an addiction (irrespective of the behaviour). This has led to accusations of me “watering down the concept of addiction” because such criteria have been applied to behaviours as diverse as gardening and chewing gum. According to the authors of the ‘fortune telling addiction’ paper:
“Helen is a 45-year-old woman who declares early on suffering from ‘a clairvoyance addiction’…She has no particular medical history, except for two major depression episodes after romantic breakups, and does not take any medication. She regularly sees a psychiatrist for support psychotherapy because of negative life events (sexual abuse and death in her family). She is divorced and does not have any children. Her career as a manager seems to fully satisfy her. She decides to seek treatment on account of her excessive financial expenditures due to the consultation of fortune tellers. Another motivation that explains her decision is her age. Indeed, she says she is entering a new phase in her life, after renouncing to the idea of becoming a mother one day”.
According to the paper, Helen had been consulting fortune tellers since she was 19 years old. She started using such people for educational and career advice as she claimed that she was poor at reaching important decisions herself and thought the life choices she made would be wrong. The authors noted that her first meeting with a clairvoyant was an event that gave her a feeling of reassurance. In her mid-twenties, her visits to clairvoyants escalated significantly and ended up “losing control of her use of fortune telling”. At that particular time, she was visiting clairvoyants to get relationship advice from them (e.g., “Does he really love me?” and “How long will our relationship last?”). Her current ‘addiction to clairvoyants’ dates back to her mid- to late-30s when she got divorced after the failure of her marriage:
“She repeatedly returned to fortune telling to reassure herself about the future of her relationship, and increasingly so as it deteriorated. The breakup worsened the disorder. Since her divorce, she consults fortune tellers – not always the same person – on the phone or online, in a compulsive way, more and more often (up to every day), for longer and longer periods of time (up to 8 hours a day) and spends each time more and more money (up to 200 euros per session). As she is never satisfied with the fortune tellers’ predictions, she will consult again very soon after the latest call or connection. Every choice she has to make, from the most trivial (going to the movies) to the most important (making relationship decisions), leads her to irrationally consult a fortune teller”
Before each consultation she said he got very excited at the prospect and that the experience relieved all of her psychological discomfort (at least in the short-term). However, not long after consultations she would feel incredibly guilty. The paper also reported that during consultations with the fortune tellers, she was totally convinced that they could see her future and that their predictions would come true. He authors went on to report:
“This excessive behavior gives her some kind of reassurance and allows her to make up for her lack of self-confidence. In that sense, the excessive behavior could be considered as an attempt at self-medication or as a way to cope with negative emotions. However, Helen knows that her belief in the fortune tellers’ ability to predict the future is completely irrational. This brings major adverse consequences, particularly in financial terms: despite a comfortable income, she is indebted. She also says having low self-esteem, due to her in- ability to resist her strong urge to consult fortune tellers, and due to her being isolated from the others because of the time spent consulting fortune tellers. Helen succeeds in limiting the consultation of fortune tellers during short periods of time, when her financial situation becomes too critical”.
The authors of the report also used different sets of addiction criteria to determine whether Helen was truly addicted to consulting clairvoyants. They also used my own six criteria (salience, mood modification, tolerance, withdrawal, conflict, and relapse). Here are the authors own description of the behaviour using my components model:
- Salience: “Consulting fortune tellers becomes the most important activity in Helen’s life and dominates her thinking (preoccupation and cognitive distortions), feelings (cravings) and behavior (she has progressively quit all her leisure activities, particularly going out with friends)”.
- Mood modification: “Helen says feeling excitement before each consultation, but also feels nervous tension and anxiety. This excessive behavior gives her some kind of reassurance and the excessive behavior could be considered as an attempt at self-medication or a way to cope with negative emotions”.
- Tolerance: “Over time, Helen has been feeling a growing need to consult fortune tellers, and the consultations have to last longer to obtain the same effect of relief”.
- Withdrawal: “When she attempts to resist the urge to consult or has to refrain from consulting fortune tellers (in the case of her financial situation being too critical, for example), she feels tense and nervous”.
- Conflict: “Helen knows that her use of fortune telling is problematic, and that it brings very negative consequences. However, she cannot refrain from consulting fortune tellers, leading to an intra-psychic conflict and guilt”.
- Relapse: “Over the years, Helen has made repeated efforts to reduce and stop this problematic behavior. Her clinical course is characterized by relapses and remissions”.
Based on the evidence presented, there is clear evidence that Helen’s behaviour was problematic. Whether it was genuinely addictive is debatable but the authors provided some evidence that (in this case at least) the behaviour appeared to include some addictive aspects. The authors conclude that in addition to individual risk factors, other situational and structural characteristics may have played a role in the development of problematic behaviour concerning Helen’s ‘addiction’:
“Regarding the risk factors related to the object of addiction (i.e. fortune telling use), one might mention, inter alia, the possibility to consult online, which guarantees anonymity. Furthermore, the Internet increases both accessibility and availability. Finally, the money spent during fortune telling sessions seems virtual, which makes it all the more easy to spend. Increased risks related to the Internet have already been described on gambling (Griffiths, Wardle, Orford, Sproston & Erens, 2009). Regarding socio-environmental risk factors, today’s society encourages the need for control and does not give way to uncertainty. In Helen’s case, all the conditions were met for the fortune telling use to become excessive, and we are tempted to conclude that it is an addictive-like phenomenon”.
Dr. Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Foster, A.C., Shorter, G.W. & Griffiths, M.D. (2015). Muscle Dysmorphia: Could it be classified as an Addiction to Body Image? Journal of Behavioral Addictions, 4, 1-5.
Grall-bronnec, M. Bulteau, S., Victorri-Vigneau, C., Bouju, G. & Sauvaget, A. (2015). Fortune telling addiction: Unfortunately a serious topic about a case report. Journal of Behavioral Addiction, 4, 27-31.
Griffiths, M.D. (1996). Behavioural addictions: An issue for everybody? Journal of Workplace Learning, 8(3), 19-25.
Griffiths, M. (2005). A “components” model of addiction within a biopsychosocial framework. Journal of Substance Use, 10, 191–197.
Griffiths, M.D., Foster, A.C. & Shorter, G.W. (2015). Muscle dysmorphia as an addiction: A response to Nieuwoudt (2015) and Grant (2015). Journal of Behavioral Addictions, 4, 11-13.
Griffiths, M., Wardle, H., Orford, J., Sproston, K. & Erens, B. (2009). Sociodemographic correlates of internet gambling: Findings from the 2007 British gambling prevalence survey. CyberPsychology and Behavior, 12, 199–202.
Hughes, M., Behanna, R. & Signorella, M. L. (2001). Perceived ac- curacy of fortune telling and belief in the paranormal. Journal of Social Psychology, 141(1), 159–160.
Shein, P. P., Li, Y. Y. & Huang, T. C. (2014). Relationship between scientific knowledge and fortune-telling. Public Understanding of Science, 23(7), 780–796.
Last week I did an interview with the Daily Mail about disaster tourism and why people flock to see disaster areas. I briefly mentioned the topic in a previous blog that I wrote on people that collect murder memorabilia (‘murderabilia’) and argued that the psychology behind disaster tourism and murderabilia were very similar. According to the Wikipedia entry:
“Disaster tourism is the act of travelling to a disaster area as a matter of curiosity. Disaster tourism took hold in the Greater New Orleans Area in the aftermath of Hurricane Katrina. There are now guided bus tours to neighbourhoods that were severely damaged and/or totally destroyed by the flooding”.
The same article also highlights the March and April 2010 eruptions of the Eyjafjallajökull volcano in Iceland. The article noted that disaster tourism quickly sprang up following the first eruption, with tour companies offering trips to see the volcano. Academically, disaster tourism is closely associated with ‘Dark Tourism’ and also has its own Wikipedia page:
“Dark tourism (also black tourism or grief tourism) has been defined as tourism involving travel to sites historically associated with death and tragedy. More recently it was suggested that the concept should also include reasons tourists visit that site, since the site’s attributes alone may not make a visitor a ‘dark tourist’. Thanatourism, derived from the ancient Greek word thanatos for the personification of death, refers more specifically to violent death; it is used in fewer contexts than the terms ‘dark tourism’ and ‘grief tourism’. The main draw to dark locations is their historical value rather than their associations with death and suffering”.
When I started researching this blog I was quite surprised by the amount of academic writing on the topic (although the vast majority of it is theorizing rather than the collection of empirical data). The academic field appears to have been kick-started by the publication of Malcolm Foley and John Lennon’s 2000 book Dark tourism: The attraction of death and disasters. Most of the papers I read speculated on the many motivations that people have for visiting places associated with death along with typologies of different kinds of dark tourism and what dark tourism means in a wider social and cultural context. In 2012, Dr. Maximiliano Korstanje speculated that “dark tourism could be a mechanism of resiliency helping society to recover after a disaster or catastrophe, a form of domesticating death in a secularized world”. However, many academics have different views and/or explanations. Before looking at some of the academic theorizing, I wanted to share some of the pros and cons of disaster tourism from an article on the WiseGeek site (‘What is disaster tourism?’) as non-academic articles seem to get straight to the point without the caveats and psychosocial babble:
“Disaster tourism is the practice of traveling to areas that have recently experienced natural or man-made disasters. Individuals who participate in this type of travel are typically curious to see the results of the disaster and often travel as part of an organized group. Many people have criticized disaster tourism as exploitation of human misery and a practice that demeans and humiliates local residents. Others argue that tourism to devastated areas can offer a boost to the local economy and raise awareness of the incident, both of which are often needed after a tragedy. When a geographical region suffers a major incident, the media may spend a great deal of time reporting on the situation and the plight of local residents…As a result, some people will actually visit the affected areas so they can experience the situation firsthand. These individuals are typically motivated by curiosity and do not necessarily plan to participate in relief efforts…In some cases, those who participate in disaster tourism will simply travel to an area on their own, while others will purchase a package tour from a travel business”.
Many of the more populist articles on disaster tourism and dark tourism would have readers believe that the phenomenon is new, but it isn’t. Throughout human history there are dozens of examples of people visiting places associated with death and destruction. As I argued in my interview with the Daily Mail, people are intrigued by death and the macabre (and was the subject of a previous blog I wrote on people’s fascination with death).
As a child I remember going on school trips to battlefields, visiting graveyards and cemeteries, and making brass rubbings from burial places in churches and cathedrals. As an adult I have visited Ground Zero in New York and Alcatraz prison island off San Francisco. Is this really that far removed from dark tourism? Many academic writers such as Dr. Philip Stone (who has written paper after paper on dark tourism and has his own ‘Institute for Dark Tourism Research at the University of Central Lancashire, UK) note that war-tourism is a small subset “of the totality of tourist sites associated with death and suffering”. He makes reference to people visiting assassination sites (e.g., the building where President John F. Kennedy was shot in Dallas), Holocaust sites (such as the Auschwitz concentration camp), celebrity death sites (of Elvis Presley, James Dean, Buddy Holly, etc.), terrorism sites, major disaster sites (e.g., plane crash sites, tsunami sites), slavery heritage attractions, and ‘entertainment’ locations (such as Vienna’s Funeral Museum, Whitby’s ‘Dracula Experience’, the Tower of London). In short, he argues that a full categorisation of dark tourism is extremely complex. He also goes on to say that:
“Despite the diverse range of sites and tourist experiences, Tarlow (2005) identifies dark tourism as ‘visitations to places where tragedies or historically noteworthy death has occurred and that continue to impact our lives’ – a characterisation that aligns dark tourism somewhat narrowly to certain sites and that, perhaps, hints at particular motives. However, it excludes many shades of dark sites and attractions related to, but not necessarily the site of, death and disaster…Consequently, Cohen (2011) addresses location aspects of dark tourism through a paradigm of geographical authenticity and sense of victimhood. Meanwhile, Biran, Poria, and Oren (2011) examine sought benefits of dark tourism within a framework of dialogic meaning making…Jamal and Lelo (2011) also explore the conceptual and analytical framing of dark tourism, and suggest notions of darkness in dark tourism are socially constructed, rather than objective fact….dark tourism may be referred to more generally as the ‘act of travel to tourist sites associated with death, suffering or the seemingly macabre’ (Stone, 2006)”
I was also surprised to learn from Dr. Stone and other papers that dark tourism has been given lots of other names in the academic literature including ‘morbid tourism’, ‘fright tourism’, ‘horror tourism’, ‘black spot tourism’, ‘hardship tourism’, ‘grief tourism’, ‘tragedy tourism’, ‘[extreme] thanatourism’, ‘warfare tourism’ and ‘genocide tourism’ all of which concern “milking the macabre” and “dicing with death”.
Dr. Jeffrey Podoshen (2013) has noted that an interest in death is general, and not person-specific and leads to the conclusion that there are a wide variety of potential manifestations related to dark tourism consumption motivations. Various academics have speculated that the motivations for dark tourism include sensation seeking and voyeurism. Citing the work of Dr. Richard Sharpley, he notes that “schadenfreude sparks dark tourism interest and likens these tourists to rubber-neckers who gaze at the tragedy of others”. However, as Philip Stone and Richard Sharpley note in a 2008 issue of the Annals of Tourism:
“The question of why tourists seek out such dark sites has attracted limited attention. Generally, visitors are seen to be driven by differing intensities of interest or fascination in death, in the extreme hinting at tasteless, ghoulish motivations. More specific reasons vary from morbid fascination or ‘rubber-necking’, through empathy with the victims, to the need for a sense of survival/continuation, untested factors which, arguably, demand verification within a psychology context”.
A recent study by Dr Takalani Mudzanani published in a 2014 issue of the Mediterranean Journal of Social Sciences examined why people visited the Hector Peterson Memorial and Museum in South Africa (named after one of the pupils who died during the Soweto riots). Via 15 in-depth interviews his study highlighted factors such as novelty, escapism, enhancement of kinship relations, nostalgia, education and the media played an important role in motivating visitors to visit the site. Finally, it’s worth noting that there are also those in the field that believe there are levels of dark tourism (such as Dr. William Miles in a 2002 issue of the Annals of Tourism Research) who talk of dark, darker, darkest tourism. Furthermore, most academics in the area would agree that dark tourism is not a single concept (something that with just a brief dip into this fascinating literature I totally agree with).
Dr. Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Dann, G. M., & Seaton, A. V. (2001). Slavery, contested heritage and thanatourism. International Journal of Hospitality & Tourism Administration, 2(3-4), 1-29.
Foley, M., & Lennon, J. (2000). Dark tourism. Annals of Tourism Research, 19(1), 68-78.
Lennon, J. & Foley, M. (2000). Dark tourism: The attraction of death and disasters. London: Thomson Learning.
Miles, W. F. (2002). Auschwitz: Museum interpretation and darker tourism. Annals of Tourism Research, 29(4), 1175-1178.
Mudzanani, T. (2014). Why is Death so Attractive? An Analysis of Tourists’ Motives for Visiting the Hector Peterson Memorial and Museum in South Africa. Mediterranean Journal of Social Sciences, 5(15), 570-574.
Podoshen, J. S. (2013). Dark tourism motivations: Simulation, emotional contagion and topographic comparison. Tourism Management, 35, 263-271.
Sharpley, R., & Stone, P.R. (Eds.). (2009). The darker side of travel. Channel View Publications.
Stone, P. (2005). Dark tourism consumption: a call for research. E-Review of Tourism Research (eRTR), 3(5), 109-117.
Stone, P. (2006). A dark tourism spectrum: Towards a typology of death and macabre related tourist sites, attractions and exhibitions. Tourism: An Interdisciplinary International Journal, 54(2), 145-160.
Stone, P. R. (2011). Dark tourism and the cadaveric carnival: mediating life and death narratives at Gunther von Hagens’ Body Worlds. Current Issues in Tourism, 14(7), 685-701.
Stone, P. & Sharpley, R (2008). Consuming dark-tourism a thanatological perspective. Annals of Tourism Research, 35, 574–595.
Korstanje, M. & Ivanov, S. (2012). Tourism as a form of new psychological resilience: The inception of dark tourism. Cultur: Revista de Cultura e Turismo, 6(4), 56-71.
Miles, W. F. (2002). Auschwitz: Museum interpretation and darker tourism. Annals of Tourism Research, 29(4), 1175-1178
Strange, C., & Kempa, M. (2003). Shades of dark tourism: Alcatraz and Robben Island. Annals of Tourism Research, 30(2), 386-405.
Every couple of months I get calls from the media asking me to comment on what some particular aspect or preference of human behaviour says about someone’s personality and/or demeanour. Most recently, I appeared on my local radio station (BBC Radio Nottingham) being interviewed about men’s and women’s favourite animals. The ‘hook’ of the story was a survey carried out by the polling organization YouGov on 190,000 people. The story appeared in the Daily Telegraph with the headline ‘Men identify with lobsters, women with miniature pigs’:
“Asked to pick the most stereotypically ‘manly’ of animals, we might opt for a shark, bear or bull. But a new poll by YouGov has found that lobsters may be the manliest animal of them all. The survey of 190,000 people asked respondents to name their favourite animal. The results were then broken down along gender lines. The animal which was most favoured by men compared to women was the lobster, followed by the alligator and stickleback fish. Meanwhile, miniature pigs, cats and ponies were disproportionately favoured by women. Completing the ‘masculine’ top ten were sharks, eagles, octopuses, ants, narwhals, scorpions and spiders. The next most ‘feminine’ animals were donkeys, chinchillas, pandas, rabbits, guinea pigs, zebras and – perhaps the most bizarre feature of this already bizarre survey – African pygmy hedgehogs. ‘In general, men are more likely to have sympathy for heroic, aggressive or creepy animals while women are more likely to prefer the cute, beautiful and exotic types,’ a researcher from YouGov wrote. He also noted that there were no mammals in the most typically male animals, while every animal in the women’s top 20 was a mammal, apart from the penguin and butterfly. The results were deemed ‘statistically significant’, with the full breakdown of preferred animals by gender available here”.
The DJ that interviewed me hadn’t realised that the poll wasn’t about male and female ‘top 10’ favourite animals but was actually about the top differences between men and women’s favourite animals. Although the interview was enjoyable it had no scientific value whatsoever – so why did I do it? Well, I think the main reason was to please my university’s Press Office, but also in the back of my mind was a little exercise that one of my psychology lecturers made us do in a tutorial 30 years ago.
We were asked to name our three favourite animals and then to write three adjectives to describe the animals we had chosen. I chose the coelacanth* (rare, long-living, unchanging), the South American condor (high-flying, distinctive, endangered), and the duck-billed platypus (unique, nature-defying, electro-sensitive) – thankfully I was able to check my 1985 diary to check what adjectives I had used all those years ago. We were then told by our lecturer that: (i) our first choice represented how we think we are, (ii) the second choice represented how we think other people perceive us, and (iii) the third represented how we really are. Given that I am sharing it here, gives you an indication that I wasn’t overly unhappy with the outcome (and I’d like to think there is some truth in the insight given the adjectives I chose at the time – but that’s more to do with wishful thinking than science).
At best, these kinds of ‘personality insights’ are little more than pop psychology (although arguably fun to do). Arguably the most well-known ‘animal personality test’ can be found in Roy Feinson’s 1998 book The Animal In You: Discover Your Animal Type and Unlock the Secrets of Your Personality (and you can also check out the Animal In You website). According to the website:
“Are you a wolf, rugged and misunderstood, or more like the introspective mole? Take the Animal In You personality test and find out! To identify the animal that best matches you simply answer the questions as honestly as you can. For even more accurate results, you might want to get ratings from people that know you well or have them take the test for you! This test is based on the best selling book The Animal in You by Roy Feinson, which explores how biological and social pressure conspire to form our personalities. If you find it to be uncannily accurate, it’s due to the test’s sophisticated algorithms. When you’ve entered your personal data, the test will build a mathematical model that corresponds to your unique personality, match it to our database of animal profiles and choose the ones closest to you. Though you may have one or two other possible results, remember that each person properly matches only one animal personality”.
I have to admit that I have not personally taken the test myself, but I don’t see that much difference between this type of test and those that you find in astrology books. I have a little more faith in the Myers-Briggs Test (MBT; developed by Katharine Briggs and her daughter Isabel Myers) that is not a test of animal personality per se but has been extrapolated into animal personality types. The MBT draws on the theories of Carl Jung who theorized that there are four principal psychological functions by which humans experience the world: sensation, intuition, feeling, and thinking. In the MBT, these dichotomies (as outlined by the online article ‘What’s your animal personality type?’) are:
- Worldview: Extroversion (E) or Introversion (I) - i.e. would you rather play with your pals or hang out at home with a book?
- Information: Sensing (S) or Intuition (N) - i.e. when taking in something new, do you prefer to take it simply, at face value or interpret / add meaning based on your gut?
- Decisions: Thinking (T) or Feeling (F) – i.e. when making up your mind about something, do you primarily rely on logic and structure, or do you gravitate towards emotion and empathy?
- Structure: Judging (J) or Perceiving (P) – i.e. would you rather things in your life to be decided and set, or do you like to stay open to whatever options might come along?
Based on your scores on these four dimensions, your personality can (supposedly) be mapped onto one of the following animals: owl (INTP; ‘wise and clam’), fox (ESTP; ‘subtle and opportunistic’), sloth (ISFP; ‘harmless and sensitive’), lion (ENTJ; ‘king of the jungle’), deer (ISFJ; ‘territorial and protective’), octopus (INTJ; ‘solitary hunter’), cat (ISTP; ‘secret and unpredictable’), otter (ESFP; ‘fun and entertaining’), wolf (INFJ; ‘rare and fascinating’), dolphin (ENFP; ‘spontaneous and creative’), honey bee (ESTJ; ‘strict and aggressive’), beaver (ISTJ; ‘slow but tough’), dog (ENFJ; ‘loyal and affectionate’), meerkat (INFP; ‘free spirited and kind’), parrot (ENTP; ‘charming and clever’), and elephant (ESFJ; ‘gentle and caring’). Finally, if you are interested in taking the test, you can do so here.
*The Wikipedia entry on coelacanths note they “constitute a now rare order of fish…They follow the oldest known living lineage of Sarcopterygii (lobe-finned fish and tetrapods), which means they are more closely related to lungfish, reptiles, and mammals, than to the common ray-finned fishes…Since there are only two species of coelacanth and both are threatened, it is the most endangered order of animals in the world. The West Indian Ocean coelacanth is a critically endangered species. Coelacanths were thought to have undergone extinction 66 million years ago…The first recorded coelacanth fossil, found in Australia, was of a jaw that dated back 360 million years…The fossil record is unique because coelacanth fossils were found 100 years before the first live specimen was identified. In 1938, Courtenay-Latimer rediscovered the first live specimen…caught off the coast of East London, South Africa. In 1997, a marine biologist on honeymoon discovered the second live species…in an Indonesian market”.
Dr. Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Barton, S.A. (2012). What’s your animal personality type? BuzzFeed, June 20. Located at: http://www.buzzfeed.com/summeranne/whats-your-animal-personality-type#.wtJJblrrQ
Dahlgreen, W. (2015). Lobsters for men, miniature pigs for women. YouGov UK, March 1. Located at: https://yougov.co.uk/news/2015/03/01/animals-gender/
Feinson, R. (1998). The Animal In You: Discover Your Animal Type and Unlock the Secrets of Your Personality. London: St. Martin’s Griffin.
Healthy Living Editors (2012). What animal matches your personality? Care2.com, October 21. Located at: http://www.care2.com/greenliving/whats-your-animal-personality.html
Merz, T. (2015). Men identify with lobsters, women with miniature pigs. Daily Telegraph, March 2. Located at: http://www.telegraph.co.uk/men/relationships/11444854/Men-identify-with-lobsters-women-with-miniature-pigs.html
Wikipedia (2015). Coelacanth. Located at: http://en.wikipedia.org/wiki/Coelacanth
Wikipedia (2015). Myers-Briggs Type Indicator. Located at: http://en.wikipedia.org/wiki/Myers–Briggs_Type_Indicator
One of things I am very proud of in my academic career is the coining of the term ‘technological addiction’ back in 1995 (an umbrella term that I invented to describe a number of different person-machine addictions including slot machine addictions, video game addiction, television addiction, etc.). I’m also proud of coining the term ‘aca-media’ (relating to academics like myself that use the media to disseminate our research). A neologism (i.e., the name for a newly coined term) is often (according to Wikipedia) directly attributable to a specific event, person, publication, or period.
In the 1980s and early 1990s, there seemed to be a real upsurge is the naming of ‘new syndromes’ in the medical literature including many relating to excessive use of technology (such as ‘Space Invader’s Wrist’) and other leisure activities (such as ‘Cuber’s Thumb’ relating to excessive use of the Rubik’s Cube) – both of which made their appearance in 1981 issues of the New England Journal of Medicine. Other videogame medical complaints include ‘Pseudovideoma’ (in a 1984 issue of the Journal of Hand Surgery), ‘Pac-Man Phalanx’ (in a 1983 issue of Arthritis and Rheumatism) and ‘Joystick Digit’ (in a 1987 issue of the Journal of the American Medical Association). Another videogame-related medical complaint (in this case an infection), was reported in a 1987 issue of the Western Journal of Medicine by Dr. G.B. Soe and colleagues:
“We wish to focus WJM readers’ attention on another complication associated with video games-one that originally presented as an “infected spider bite. A 17-year-old right-handed boy noted progressive swelling and redness of his left hand seven days before admission. Two days before admission he was given penicillin intramuscularly and oral cephalexin to take at home. The swelling did not subside and the hand became very painful, so he came to the medical center for treatment. On admission his mother reported that she had seen many spiders around the house with a violin pattern on their backs, and that her son had probably been bitten by a spider…After seven days of parenteral antibiotic therapy, the edema, erythema and fever had disappeared and the patient was discharged home. Further questioning revealed that the young man was spending almost all of his time playing his favorite video game, which involved a fighting kung fu character. The patient used his left hand in manipulating a ball-shaped joystick to move the figure up, down, left and right, and his right in operating buttons to kick and jab. Extensive use of the joystick resulted in blisters on his left palm. He rubbed the blisters off, and an infection resulted that progressed to abscess formation. Neuromuscular complications of video games (‘pseudovideoma’, ‘Pac-Man phalanx’, ‘firing-finger syndrome’ and ‘Space Invaders wrist’) have been reported, as well as video game-induced seizures, but we have not come across any reports of an infectious complication of video games. Perhaps video game players should wear gloves to protect their palms, similar to ones worn by golfers and baseball players, who also need to get a firm grip on their respective sticks”.
Another one that I’d never heard of is ‘Nurd Knuckles’ coined by Dr. J.B. Martin in the Canadian Medical Association Journal in 1982:
“I wish to describe a case of painful knuckles associated with the use and manipulation of a new, allegedly therapeutic product, a Nurd. A Nurd is a head 10 cm across with a smiling face and large ears, reminiscent of the character Yoda of ‘Star Wars’. It is made of malleable material that can be stretched, twisted or deformed in any direction, yet with release of tension quickly resumes its original shape without a trace of distortion. A 32-year-old public school teacher presented with painful knuckles of his right hand. His students, perhaps feeling that their teacher was under increased stress during the marking of exams, had given him a Nurd for Christmas, and during a particularly trying day he had found occasion to use it. He repeatedly stretched its ears and twisted its neck without ill effect; however, on punching it he suffered sharp pain of his fourth and fifth metacarpophalangeal joints. On examination the joints were found to be reddened, with point tenderness over the fifth metacarpal head; there was no evidence of deformity. He was advised to stop beating his Nurd, and the pain subsided. While the Nurd is very plastic, yielding to the linear tension of stretching and twisting, it is very resistant to compression. Punching a Nurd does not cause the surface to give way, and, since the force of the blow is returned to the fist, it is conceivable that a fracture might result. Therefore, although stretching and twisting Nurds does not cause any harm, users should be cautioned against punching their Nurd. The Nurd is advertised as being a ‘punchable, stretchable, pushable and likeable alternative to tension, migraine headaches, drug abuse, alcoholism and manic depression’, but these claims are unsubstantiated. A MEDLINE search of the medical literature shows that no retrospective or prospective case control studies or controlled double blind crossover studies have been undertaken. Before the clinical efficacy of the Nurd can be taken seriously in the treatment of this broad spectrum of disease, full clinical trials must be completed. Subjects entering into trials must, however, be duly informed of the hazards of punching Nurds”.
Another one that caught my attention was a new affliction (‘Breaker’s Neck’) caused by the craze of ‘break dancing’ reported by Dr. Bertha Ramirez and her colleagues in a 1984 issue of the Journal of the American Medical Association. (The reason why I say it caught my eye is that I am currently involved in some research on ‘dancing addiction’ with some of my Hungarian colleagues and we have just had a new paper accepted in the journal PLoS ONE concerning the development of our ‘Dancing Motives Inventory’ – see ‘Further Reading’ below).
“To be added to the rapidly growing list of socially acquired injuries, we report a case of traumatic cervical subluxation caused by a new dance technique. This technique, labeled ‘breaking’ by its devotees, involves a modified head stand, in which the dancer, using his arms and hands for balance, spins rapidly on his head, neck, or shoulders to the rhythm of disco music. He then lowers his body to the floor and performs a series of rotational motions using his arms as a fulcrum…A 15-year-old boy was seen in our pediatric emergency room complaining that, on awakening two days previously, he felt a ‘snap’ in his neck, followed by persistent neck stiffness. He reported having ‘danced on his head’ the night prior to this incident. On physical examination, his head was tilted to the left with an inability to flex”.
Engaging in excessive sporting activity has given rise to a number of medical syndromes. One such consequence is ‘Rower’s Rump’ reported by Drs. K Tomecki and J. Mikesell in a 1987 issue of the Journal of the American Academy of Dermatology. In a previous blog I examined addiction to cycling. In the 1980s there were many medical complaints reported as a result of excessive cycling. One such complaint (given the name of ‘Bicycling nipples’) was highlighted by Dr. B. Powell in a 1983 issue of the Journal of the American Medical Association:
“Bicyclists are likely to suffer from a number of maladies, including dysuria, numb penises, and more. During cool or cold weather, another problem, bicyclist’s nipples, may occur. This condition is similar to jogger’s nipples, but it is primarily a thermal injury instead of an irritation secondary to friction, as with the jogger’s complaint. Often the rider is out in the cold weather for some time, and his or her undershirt, jersey, and jacket can become moist from perspiration. Evaporation and the chill of the wind lower the temperature of the nipples. They get downright cold, and they hurt. The pain continues after the ride is over. Indeed, it can continue for several days. The nipples are sore, sensitive to both temperature change and touch”.
After reading this I found out that Dr. Fred Levit had reported a case of ‘Jogger’s Nipples’ in a 1977 issue of the New England Journal of Medicine. All of these related nipple conditions are all examples of fissure of the nipple as they are all caused by friction resulting in soreness, dryness or irritation to, or bleeding of, one or both nipples. The Wikipedia entry also notes that “the condition is also experienced by women who breastfeed, and by surfers who do not wear rash guards”. The article also noted that:
“Jogger’s nipple is caused by friction from the repeated rubbing of a t-shirt or other upper body clothing against the nipples during a prolonged period of exercise. The condition is suffered mainly by runners. Long-distance runners are especially prone, because they are exposed to the friction on the nipple for the greatest period of time. However, it is not only suffered by athletes; the inside of a badge, a logo on normal items of clothing, or breastfeeding can also cause the friction which results in this condition”.
Outside of the leisure sphere, there were two case study reports of ‘Diaper Doer’s Hand’ in a 1987 issue of the journal Clinical Rehabilitation by Dr. J.L. Cosgrove and colleagues:
“Three cases of stenosing tenosynovitis occurred three to six months postpartum. Childcare activities aggravated the symptoms of pain and swelling in both patients. In two cases, a specific method of carrying the child was implicated as the mechanism of injury. Although there was no evidence of generalized inflammatory arthritis, all patients had very low positive titres of anti-nuclear antibodies. While it is likely that tenosynovitis was caused by mechanical factors, the possibility of increased susceptibility to inflammatory disease in the postpartum period cannot be discounted. The patients were successfully treated with a low temperature plastic splint, superficial heat and gentle mobilization”.
All of these new syndromes lead to why I put this article together in the first place. I found this letter in the British Medical Journal by Dr. E.P. Hoare entitled ‘New Syndrome Syndrome’ that I found both funny and poignant:
“Your readers will be familiar with tennis elbow, brazier’s ague, and soap packer’s jig not to mention Achilles’ heel. More recently we have heard of Space Invader’s wrist, jogger’s nipples, and the ultimate futility of Cuber’s thumb. May I point out another occupational disease which I have noticed among patrons of the reading room medical journal correspondence column reader’s neck or, more succinctly, the new syndrome syndrome. Symptoms usually begin with muscular contraction of the eyebrows, hyperventilation, and involuntary utterances, which in severe cases can lead to coprolalia. These may be followed by drowsiness, disorientation, hysterical amblyopia, and double vision (of the deja vu variety). If untreated the condition can result in a chronic pain in the neck. Treatment is 200 ml of gin and tonic stat by mouth and complete rest; music can also be helpful. The long-term prognosis is poor, however, unless journal editors can be persuaded to ban further reports of occupational afflictions or at least print a health warning at the head of their correspondence columns”.
Behr, J.T. (1984). Pseudovideoma. Journal of Hand Surgery, 9(4), 613.
Cosgrove, J. L., Welch, D. A., Richardson, G. S., & Nicholas, J. J. (1987). Diaper doer’s hand: stenosing tenosynovitis in the postpartum period. Clinical Rehabilitation, 1(3), 219-223.
Gibofsky, A. (1983). Pac‐Man phalanx. Arthritis and Rheumatism, 26(1), 120.
Griffiths, M.D. (1995). Technological addictions. Clinical Psychology Forum, 76, 14-19.
Griffiths, M.D. (1995). Pop psychology and “aca-media”: A reply to Mitchell. The Psychologist: Bulletin of the British Psychological Society, 8, 537-538.
Griffiths, M.D. (2001). A moral obligation in aca-media? The Psychologist: Bulletin of the British Psychological Society, 14, 460.
Hite, P. R., Greene, K. A., Levy, D. I., & Jackimczyk, K. (1993). Injuries resulting from bungee-cord jumping. Annals of emergency medicine, 22(6), 1060-1063.
Hoare, E.P. (1982). Points: New syndrome syndrome. British Medical Journal, 285(6352), 1429.
Levit, F. (1977). Jogger’s nipples. New England Journal of Medicine, 297(20), 1127.
Maraz, A., Király, O., Urbán, R., Griffiths, M.D., Demetrovics, Z. (2015). Why do you dance? Development of the Dance Motivation Inventory (DMI). PLoS ONE, in press.
Martyn, J. B. (1983). Nurd knuckles. Canadian Medical Association Journal, 129(3), 228.
McCowan, T.C. (1981). Space Invader’s wrist. New England Journal of Medicine, 304,1368.
Osterman, A. L., Weinberg, P., & Miller, G. (1987). Joystick digit. Journal of the American Medical Association, 257(6), 782.
Powell, B. (1983). Bicyclist’s nipples. Journal of the American Medical Association, 249(18), 2457-2457.
Ramirez, B., Masella, P. A., Fiscina, B., Lala, V. R., & Edwards, M. D. (1984). Breaker’s neck. Journal of the American Medical Association, 252(24), 3366-3367.
Soe, G.B., Gersten, L. M., Wilkins, J., Patzakis, M. J., & Harvey, J.P. (1987). Infection associated with joystick mimicking a spider bite. Western Journal of Medicine, 146(6), 748.
Tomecki, K. J., & Mikesell, J. F. (1987). Rower’s rump. Journal of the American Academy of Dermatology, 16(4), 890-891.
Torre, P. R., Williams, G. G., Blackwell, T., & Davis, C. P. (1993). Bungee jumper’s foot drop peroneal nerve palsy caused by bungee cord jumping. Annals of emergency medicine, 22(11), 1766-1767.
Waugh, D. (1981). Cuber’s thumb. New England Journal of Medicine, 305, 768.
I apologise in advance, but today’s blog is (i) a not-so thinly disguised plug (well, a blatant plug) for a national event that is being hosted by my university on Wednesday 18th March (2015) and (ii) a just a slight updating of a blog I published a couple of years ago when the Ig Nobels last came to NTU. The new blurb I was sent by our local organizer Phil Banyard proclaims:
“The Ig Nobel Prizes honour achievements that first make people laugh, and then make them think. The prizes are intended to celebrate the unusual, honour the imaginative — and spur people’s interest in science, medicine, and technology. The awards are held each year at Harvard University and each award is presented by a Nobel laureate such is the esteem of this event. Over the past few years Marc Abrahams has brought an Ig Nobels tour to the UK in the spring. The tours highlights some of the key awards from the Ig Nobels’ back catalogue and provides a great opportunity to promote science to a wider audience. This year’s programme will feature Marc Abrahams, organiser of the Ig Nobel Prizes, editor of the Annals of Improbable Research, and Guardian columnist, together with a gaggle of Ig Nobel Prize winners and other improbable researchers. The programme will include: Chris McManus (Ig Nobel winner, Scrotal asymmetry in ancient Sculpture and man); Richard Stephens (Ig Nobel winner, The effect of swearing on pain); Richard Webb (Tribute to John Hoyland, the father of Nominative Determinism)”.
If that’s not enough to get you going, I would also like to add that science’s top journal Nature says: “The Ig Nobel awards are arguably the highlight of the scientific calendar” (and who am I to argue?). For those of you who know nothing about the Ig Nobels, they were initiated by one of my favourite journalists, Guardian columnist Marc Abrams. Abrams writes a weekly column for the Guardian called Improbable Research and he is also the editor of the Annals of Improbable Research.
Back in February 2010, I was delighted when Abrams did a whole column on my research into gambling entitled ‘Slot-machine gamblers are hard to pin down: Why are gamblers such a difficult subject for academic study?’ Secretly, I’m very proud that he dedicated a whole column to my research. (In fact, I found out while I was researching the original blog on this topic, is that my research also features in his 2012 book This is Improbable: Cheese String Theory, Magnetic Chickens, and Other WTF Research. Here are some of the things he wrote about my research into gambling:
“It’s hard to get good payoffs from slot machines, yes. But it’s also hard to get good information from slot machine gamblers, and that made things awkward for psychologists Mark Griffiths, of Nottingham Trent University, and Jonathan Parke, of Salford University. They explained how, in a monograph called Slot Machine Gamblers – Why Are They So Hard to Study? Griffiths and Parke published it a few years ago in the Journal of Gambling Issues. ‘We have both spent over 10 years playing in and researching this area,’ they wrote, ‘and we can offer some explanations on why it is so hard to gather reliable and valid data. Here are three from their long list.
- First, gamblers become engrossed in gambling. ‘We have observed that many gamblers will often miss meals and even utilise devices (such as catheters) so that they do not have to take toilet breaks. Given these observations, there is sometimes little chance that we as researchers can persuade them to participate in research’
- Second, gamblers like their privacy. They ‘may be dishonest about the extent of their gambling activities to researchers as well as to those close to them. This obviously has implications for the reliability and validity of any data collected.’
- Third, gamblers sometimes notice when a person is spying on them. “The most important aspect of non-participant observation research while monitoring fruit-machine players is the art of being inconspicuous. If the researcher fails to blend in, then slot-machine gamblers soon realise they are being watched and are therefore highly likely to change their behaviour.’
The gambling machines go by many names, ‘fruit machine’ and ‘one-armed bandit’ also being popular. But Griffiths and Parke don’t obsess about nomenclature. The two are giants in their chosen profession. The International Journal of Mental Health and Addiction ran a paean from a researcher who said: ‘In the problem gambling field we don’t exhibit the same adulation as music fans for their idols, but we have our superstars and, for me, Mark Griffiths is one.’
Professor Griffiths is one of the world’s most published scholars on matters relating to the psychology of fruit-machine gamblers, with at least 27 published studies that mention fruit machines in their title. These range from 1994’s appreciative Beating the Fruit Machine: Systems and Ploys Both Legal And Illegal to 1998’s admonitory Fruit Machine Gambling and Criminal Behaviour: Issues for the Judiciary*. Women get special attention (Fruit Machine Addiction in Females: a Case Study), as do youths (Adolescent Gambling on Fruit Machines and several other monographs). There is the humanist perspective (Observing the Social World of Fruit-Machine Playing) as well as that of the biomedical specialist (The Psychobiology of the Near Miss in Fruit Machine Gambling). Griffiths and Parke collaborate often. Strangers to their work might wish to begin by reading the classic The Psychology of the Fruit Machine. Their fruitful publication record reminds every scholar that, even when a subject is difficult to study, persistence and determination can yield a rewarding payoff”.
All I can say is that after re-reading this, I wonder how I can still get my head through the door.
More recently, one of my papers was actually reported by Marc Abrams on his Improbable Research website. More specifically, my case study published in the Archives of Sexual Behavior about eproctophilia (i.e., sexual arousal from flatulence), was given press coverage in over 100 newspaper and magazine stories around the world including those in the UK, Ireland, US, Greece, Italy, Holland, China, and Ghana (e.g., New York Daily News, Huffington Post, Daily Telegraph, Daily Mirror, The Sun, Metro, Times of Malta, Irish Examiner, Asian Image, and Cosmopolitan). However, it was actually Abrams who first reported the story under the headline “Academic Study of a Young Man’s Sexual Attraction to Human Gas”. For those who don’t know, the underlying philosophy of the IR website is to feature “research that makes people laugh and then think”. More specifically, Abrams wrote:
“Professor Mark D Griffiths of Nottingham Trent University has published a remarkable new study. Here’s how we know this study is remarkable: The university’s press office sent copies of it to many prominent science journalists, remarking that (1) ‘It’s the world’s first paper on eproctophilia – sexual arousal from flatulence’ and (2) ‘Professor Griffiths would be more than happy to talk to you in more detail’. A remarkable number of those journalists immediately sent it on to us at the Annals of Improbable Research. We are, in this blog entry you are reading right now, remarking upon that study. There is more. Lots more. In other respects, too, Professor Griffiths is an expert. So renowned is he that Wikipedia devoted an entire web page to him. One of the many things on which he is an expert is the academic study of gamblers. We have celebrated some of his abundant work on that subject. (We express our thanks, and other emotions, to the many journalists who instinctively decided that they should alert us to the existence of Professor Griffiths’s new line of research.) BONUS (unrelated): The 1998 Ig Nobel Prize for literature was awarded to Dr. Mara Sidoli of Washington, DC, for her illuminating report, ‘Farting as a Defence Against Unspeakable Dread’ [Journal of Analytical Psychology, vol. 41, no. 2, 1996, pp. 165-78.]”
Anyway, if you’d like to go see Marc Abrams in person, here are the further details:
Event: The Ig Nobels: A celebration of Science
Time and date: 6.30 pm, Wednesday 18th March
Location: The Newton Building on the City Campus of the University.
Booking details: The event is free but booking is essential.
Details of their UK events and more information about the Ig Nobels can be found on their website: http://www.improbable.com/improbable-research-shows/complete-schedule/
* I’ve never actually written a paper with this title but I think it’s an inadvertent mix of two or three papers I’ve written with similar titles
Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Further reading (i.e., the papers cited by Marc Abrams above)
Griffiths, M.D. (1991). The psychobiology of the near miss in fruit machine gambling. Journal of Psychology, 125, 347-357.
Griffiths, M.D. (1994). Beating the fruit machine: Systems and ploys both legal and illegal. Journal of Gambling Studies, 10, 287-292.
Griffiths, M.D. (1995). Adolescent Gambling. London: Routledge
Griffiths, M.D. (1996). Observing the social world of fruit-machine playing. Sociology Review, 6(1), 17-18.
Griffiths, M.D. (2003). Fruit machine addiction in females: A case study. Journal of Gambling Issues, 8. Located at: http://www.camh.net/egambling/issue8/clinic/griffiths/index.html.
Griffiths, M.D. (2013). Eproctophilia in a young adult male: A case study. Archives of Sexual Behavior, 42, 1383-1386.
Parke, J. & Griffiths, M.D. (2002). Slot machine gamblers – Why are they so hard to study? Journal of Gambling Issues, 6. Located at: http://jgi.camh.net/doi/full/10.4309/jgi.2002.6.7
Parke, J. & Griffiths, M.D. (2006). The psychology of the fruit machine: The role of structural characteristics (revisited). International Journal of Mental Health and Addiction, 4, 151-179.
Yeoman, T. & Griffiths, M.D. (1996). Adolescent machine gambling and crime (I). Journal of Adolescence, 19, 99-104.
Griffiths, M.D. & Sparrow, P. (1998). Fruit machine addiction and crime. Police Journal, 71, 327-334.
Griffiths, M.D. (2001). Cybercrime: Areas of concern for the judiciary. Justice of the Peace, 165, 296-298.
Last Thursday (January 29), I was watching the newspaper review on Sky News when one of the reviewers referred to a story in the Daily Mail about the negative effects of box-set bingeing (‘Watching TV box-set marathons is warning sign you’re lonely and depressed – and will also make you fat’). Having examined the psychology of box-set bingeing in a previous blog, the story instantly grabbed my attention (and also because I love box-set bingeing when I get the time). (I also discovered in researching this article that in November 2013, the Oxford Dictionary announced that the word ‘binge-watch’ [defined as “to watch multiple episodes of a television programme in rapid succession” was a contender for its word of the year but was eventually beaten by the word ‘selfie’).
The Daily Mail story was based on some research led by doctoral researcher Ms. Yoon Hi Sung (at the University of Texas). Unfortunately, the research is not publicly available as it hasn’t actually been published yet. In fact, the study is from a conference paper that will be presented in May 2015 (at the Conference of the International Communication Association in Puerto Rico in May). Ms. Sung said that his findings “should be a wake-up call”. In typical Daily Mail style, a number of claims were made (which are listed below verbatim):
- “Watching TV box-set marathons is warning sign you’re lonely and depressed – and will also make you fat
- Watching TV for long periods of time can lead to obesity and exhaustion.
- ‘Binge-watchers’ are more likely to lack self-control and have addictions.
- University of Texas researchers said it’s no longer a ‘harmless addiction’.
- They said people will watch TV as a distraction when they are feeling low”.
Unfortunately there was little detail of the method used or much about 316 participants aged 18 to 29 years (e.g., how the participants were recruited, how representative the sample was of all those who engage in box-set bingeing, etc.) but the Daily Mail was adamant that box-set bingeing is bad for your health. More specifically, the journalist Daniel Bates wrote:
“People who suffer from low moods are more likely to spend hours or days viewing multiple episodes of their favourite programme online or on DVD box set. But by doing so they could neglect work, relationships and even their family. The researchers from the University of Texas at Austin said that binge-watching should no longer be considered a ‘harmless addiction’ and that people should think twice before settling in for a long session in front of the TV…The findings showed a direct link. The worse somebody felt, the more likely they were to watch a lot of TV in an apparent attempt to avoid their low mood”.
Ms. Sung was quoted as saying:
“Even though some people argue that binge-watching is a harmless addiction, findings from our study suggest that binge-watching should no longer be viewed this way. Physical fatigue and problems such as obesity and other health problems are related to binge-watching and they are a cause for concern. When binge-watching becomes rampant, viewers may start to neglect their work and their relationships with others. Even though people know they should not, they have difficulty resisting the desire to watch episodes continuously”.
Not having access to the details of the study make it difficult to make methodological criticism but as a Professor of Gambling Studies I would bet my bottom dollar that the claims go beyond the data. As far as I am aware there has never been any academic study of box set viewing behaviour (either watching ‘on demand’ via interactive television or DVD box-sets) but I did come across some commercial research carried out by the company MarketCast in 2013 (and reported in a Variety magazine article entitled ’10 insights from studies of binge watchers’ by Marc Fraser). In the study, over 1000 US television viewers, the report claimed that there were “elevated binge levels” when watching box-set television series on demand such as House of Cards, Breaking Bad, Dexter, The Walking Dead, True Blood, and Sons of Anarchy. As Fraser reported:
“As networks grapple with the potential effect of binge-viewing to their bottom line, what they’re starting to learn is less threatening than some early analysts have suggested. The good news for broadcasters is that bingeing actually creates more viewers for TV shows, MarketCast found, which should broaden the audience for advertisers and their commercials when new episodes air. That’s primarily because most binge viewers are just trying to catch up on a series they may have missed, and tend to tune into a series during its regular airings. For example, 65% of those surveyed said they would watch new episodes of ‘Breaking Bad’ without bingeing when the series returned, while another 58% said they would tune into ‘The Walking Dead’ in similar fashion. At the same time, despite the large amount of time required for bingeing, other forms of entertainment aren’t seeing a large decrease as a result of binge-viewing, the study [found]”.
The MarketCast study also reported that 5% of their study participants said bingeing was the only way that they watched their favourite TV shows, and just under one-third of the sample planned to use the bingeing method of viewing their favourite TV series in the future. Here are some of the other key findings listed in the report:
- There are four types of binge-viewers. Those who binge (i) because they don’t like to wait a week to find out what happens next, (ii) because friends tell them they’re missing out; (iii) to watch TV shows they’ve seen before, and (iv) when they are ill or housebound because of injury,
- The main reasons for box-set bingeing are to (i) catch up on TV series that were missed when they first aired, (ii) avoid having to watch adverts (and save time), and (iii) avoid waiting to see what happens next.
- Two-thirds of the sample (67%) claimed to have had at least one binge-watching experience.
- Those who binge watch only are typically males under the age of 30 years (although there is no overall difference between males and females in binge watching behaviour). (Another piece of market research by Magid Generational Strategies in early 2013 reported tat 70% of binge viewers are aged 16 to 35 years).
- More binge watching is done alone (56%) and at home (98%). Binge watching is also done while travelling (13%) and/or while on holiday (16%).
- Box-set bingeing occurs online (e.g., via on-demand services) more than offline (e.g., DVD box-sets).
- Drama is most watched genre for bingeing (60%), followed by comedy (45%), and reality shows (26%).
Fraser also made reference to another piece of market research by Solutions Research Group that examined 1,200 Canadian subscribers of Netflix and their viewing habits related to the television series House of Cards (that puts all 13 episodes online simultaneously). The study found that one in three viewers watched all 13 episodes within four weeks of first airing).
Another news story I came across (in Australia’s Herald Sun) provided a more positive spin and claimed in the headline ‘Binge-viewing box sets on the couch now the best way to build romance’. The article by journalist Megan Miller reported:
“For more and more couples, churning through a lazy 12-episode series is a romance rekindler that takes less effort than a meal somewhere nice and is cheaper than a beach holiday. It can be done without leaving the comfort of one’s home (or even one’s flannie pyjamas) and provides valuable couple time as well as down time from the rigours of work and family. Everyone’s on board. Barack and Michelle Obama are said to be hooked on spy drama ‘Homeland’ and our own PM Tony Abbott loves sitting down with wife Margie to an [episode] (or three) of ‘Downton Abbey’”.
It appears that the inspiration for the herald Sun story may have been the “couple Phoebe and Mike, both 31 [years of age], were so addicted to cult hit Breaking Bad they took discs with the latest series on their Fijian honeymoon earlier this year, desperate to race back to their villa each night to keep up with the escapades of meth-maker Walter White”. Miller then interviewed Melbourne-based psychologist Sally-Anne McCormack who commented that:
“Doing something you both enjoy is at the heart of engaging in a binge session in front of the box. Shared interests create a bond and connection that’s great for relationships. Cuddling up on the couch and snuggling while watching a show that you both get enjoyment from gives a common interest and some relaxed time together…New partners may watch shows together for the sake of the other, not because they hold a great interest in it. An established relationship is one where the two people have a greater level of comfort together, and don’t depend on the environment to help impress the other. At a later point in a relationship the two are relaxed with one another and can negotiate each other’s interests and needs, and find a mutually interesting series that is exciting for both of them”.
All of the articles I have read on the topic describe binge-watching as an ‘addiction’ (at least in passing). Although there is a small literature on ‘television addiction’ (for a recent review in the Journal of Behavioral Addictions by my colleague Dr. Steve Sussman – see ‘Further reading’ below) I know of no empirical research on the topic of ‘binge-viewing addiction’. However, I did come across an arguably tongue-in-cheek list of signs in an article in the Daily Edge:
- The thought of a day doing nothing except watching a box set makes you genuinely excited.
- You have avoided a social engagement to stay in and watch something.
- At least once, you have woken up early specifically to watch the latest episode.
- You’ve had this thought – ‘Just one more episode’ or ‘Not sure if an actual memory or something I saw on TV’.
- You have accidentally drooled on at least one sofa cushion during a binge.
- You have cheated on your loved one with a box set. By which we mean, watching ahead while they’re out/on the phone to their mam/have gone to bed. AKA ‘Netflix Adultery’.
- You have had that moment where you get up from the couch, and have to shake food out of the folds of your clothes.
- You tell yourself you could stop at any time.
- When it’s all over, you feel confusion, shame and regret.
Even though these signs were probably written in jest, they would probably have good face validity should anyone decide to construct a new instrument to assess binge-watching addiction. However, even with the new study by the researchers at the University of Texas, I’m still to be convinced that box-set bingeing is a serious health concern – at least based on the scientific evidence.
Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Bates, D. (2015). Watching TV box-set marathons is warning sign you’re lonely and depressed – and will also make you fat. Daily Mail, January 29. Located at: http://www.dailymail.co.uk/health/article-2931572/Love-marathon-TV-session-warning-sign-lonely-depressed.html
Daily Edge (2014). 11 signs of you’re suffering from a binge-watching problem. Located at: http://www.dailyedge.ie/binge-watching-problem-signs-1391910-Apr2014/
Graser, M. (2013). Marathon TV viewers tend to be millenials playing catch up on shows; say they’ll watch new seasons as they air. Variety, March 7. Located at: http://variety.com/2013/digital/news/10-insights-from-studies-of-binge-watchers-1200004807/
Koepsell, D. (2013). In defence of the box set binge: a global shared culture. New Statesman, December 29. Located at: http://www.newstatesman.com/culture/2013/12/defence-box-set-binge-global-shared-culture
Kompare, D. (2006). Publishing flow DVD Box Sets and the reconception of television. Television & New Media, 7(4), 335-360.
Miller, M. (2014). Binge-viewing box sets on the couch now the best way to build romance. Herald Sun, December 13. Located at: http://www.heraldsun.com.au/news/victoria/bingeviewing-box-sets-on-the-couch-now-the-best-way-to-build-romance/story-fni0fit3-1226782514245?nk=0ed250e88a2970045f6fc84123b03f10
Spangler, T. (2013). Poll of online TV watchers finds 61% watch 2-3 episodes in one sitting at least every few weeks. Variety, December 13. Located at: http://variety.com/2013/digital/news/netflix-survey-binge-watching-is-not-weird-or-unusual-1200952292/
Sussman, S., & Moran, M.B. (2013). Hidden addiction: Television. Journal of Behavioral Addictions, 2(3), 125-132.
Because I am both a psychologist and self-confessed music obsessive, one of the questions I am often asked by my friends is ‘Who is the most psychologically influenced band?’ Based on my own musical tastes, I would have to say Tears for Fears (one of many bands named after something psychological – other contenders based on name alone include Pavlov’s Dog, Therapy?, Primal Scream, Madness, and The Mindbenders, to name a few).
Tears For Fears (TFF) were one of my favourite bands as a teenager and (if my memory serves me) I saw them support The Thompson Twins just as their third single (‘Mad World’) became their first British hit single. TFF were formed in 1981 by Roland Orzabal and Curt Smith after they left the Bath-based band Graduate (mostly remembered for their single ‘Elvis Should Play Ska’ from their debut – and only – LP Acting My Age). They briefly called the band ‘History of Headaches’ but eventually settled on TFF.
TFF’s name was inspired by primal therapy (as was the band Primal Scream). Even from a young age I was well aware of primal therapy as I was – and still am – a massive fan of The Beatles and John Lennon. Lennon underwent primal therapy in 1970 with its’ developer (US psychotherapist Dr. Arthur Janov). In fact, one of the reasons I chose to study psychology at university was because I had read Janov’s first book (The Primal Scream) just because of my love of Lennon’s work. As the Wikipedia entry on primal therapy notes:
“Primal therapy is a trauma-based psychotherapy trauma-based created by Arthur Janov, who argues that neurosis is caused by the repressed pain of childhood trauma. Janov argues that repressed pain can be sequentially brought to conscious awareness and resolved through re-experiencing the incident and fully expressing the resulting pain during therapy. Primal therapy was developed as a means of eliciting the repressed pain; the term Pain is capitalized in discussions of primal therapy when referring to any repressed emotional distress and its purported long-lasting psychological effects. Janov criticizes the talking therapies as they deal primarily with the cerebral cortex and higher-reasoning areas and do not access the source of Pain within the more basic parts of the central nervous system. Primal therapy is used to re-experience childhood pain – i.e., felt rather than conceptual memories – in an attempt to resolve the pain through complete processing and integration, becoming ‘real’. An intended objective of the therapy is to lessen or eliminate the hold early trauma exerts on adult life”.
The Primal Scream book recounts the primal therapy experiences that Janov had with 63 clients during a year-and-a-half period in the late 1960s (and who he claimed were all successfully ‘cured’ using his newly developed therapy). Unlike John Lennon, TFF never underwent primal therapy themselves (but read Janov’s work). It was actually Dr. Janov’s 1980 book Prisoners of Pain (Unlocking The Power Of The Mind To End Suffering) where he claimed “tears as a replacement for fears” (and hence the band’s chosen name). In a 2004 television interview, both Smith and Orzabal said they were disillusioned when they met Janov in the mid-1980s (claiming Janov had become quite “Hollywood” and asking TFF to write a musical based on his work).
Both Smith and Orzabal claimed to have had unhappy childhoods that led them to the work of Dr. Janov (they were too poor – unlike Lennon – to actually have primal therapy and described having such therapy as “an aspiration”). Most of their songs directly or indirectly referenced primal therapy. In fact, I would go as far as to say that the whole of their first album The Hurting was a concept LP. Orzabal claimed that “writing the title track was a strange piece of psychic osmosis…I had an acoustic guitar in my hand at the time and played [Curt] what he was describing: that’s how ‘The Hurting’ was written, and we knew for a long time it was the right name for our first album”.
A quick look at the album’s song titles shows how influenced they had been by primal therapy (such as the title track, ‘The Prisoner’, ‘Mad World’, Ideas As Opiates’, ‘Watch Me Bleed’, ‘Memories Fade’, ‘Start Of The Breakdown’, ‘Pale Shelter (You Don’t Give Me Love’, and ‘Change’). As Paul Sinclair notes in his sleeve notes for the latest box-set reissue:
“Like all great art, ‘The Hurting’ connects. The emotion grabs hold of your heart and gives it a squeeze. The Primal Therapy and Janov influence provide a satisfying consistency, and the band are comfortable in using the ‘C’ word [concept] in reference to ‘The Hurting’…[Orzabal adds] It’s a very consistent album with its own personality. There’s a strong message running through it and some of the song titles were taken from Janov’s writing”.
A number of commentators (including Sinclair) have made the observation that the whole album is about the transition between childhood and adulthood. Maybe that’s why I bought it as a teenager. In contrast to lyrics in The Smiths’ ‘Panic’ (“It says nothing to me about my life”), The Hurting “said something to me about my life”. Sinclair also notes:
“Deep analysis of the songs and navel gazing is not a condition of entry. The genius of ‘The Hurting’ is that on one level, it is just an album of great, melodic, hook-filled pop songs…In the end. ‘The Hurting’ was the album that the band needed to make. There was never going to be an alternative debut. The basic idea behind Janov’s Primal Therapy – the impact that the trauma of childhood had on your character as an adult – was the blood running through the veins of the record”.
Of course, TFF haven’t been the only band to have songs and/or an album influenced by psychologists and/or psychological theory (and of course Carl Jung and Sigmund Freud were both on the cover of The Beatles Sgt. Pepper’s Lonely Hearts Club Band). Arguably the most well known LP inspired by Dr. Janov’s therapy was John Lennon’s first ‘proper’ 1970 solo LP (John Lennon/Plastic Ono Band). Other artists have had direct inspiration from Freud (Freudiana by the Alan Parsons Project, the song ‘Psychotherapy’ by Melanie), Jung (Synchronicity by The Police) and Wilhelm Reich (Kate Bush’s single ‘Cloudbusting’ and Patti Smith’s ‘Birdland’). However, I would still contend that TFF were more psychologically influenced as primal therapy was their life philosophy (at least for a number of years).
Most people would probably argue that it was only The Hurting LP that was influenced by Dr. Janov but their later singles off their second LP Songs From The Big Chair are arguably primal therapy-related including ‘Mother’s Talk’ and ‘Shout’ (“Shout, shout, let it all out” could be the mission statement of primal therapy). However, Roland Orzabal claimed that neither were rooted in primal therapy:
“A lot of people think that ‘Shout’ is just another song about primal scream theory continuing the themes of the first album. It is actually more concerned with political protest. It came out in 1984 when a lot of people were still worried about the aftermath of The Cold War and it was basically an encouragement to protest…The song [Mothers Talk] stems from two ideas. One is something that mothers say to their children about pulling faces. They say the child will stay like that when the wind changes. The other idea is inspired by the anti-nuclear cartoon book ‘When The Wind Blows‘ by Raymond Briggs”.
However, ‘The Big Chair’ (B-side to ‘Shout’ and the inspiration for the title of the band’s second LP Songs From The Big Chair) has undeniable psychological roots. The song was inspired by the 1976 film Sybil (based on the 1973 non-fiction book by of the same name by Flora Rheta Schreiber). Sybil is about US psychiatric patient Sybil Dorsett (actually a pseudonym for Shirley Ardell Mason) who was treated for multiple personality disorder (now known as dissociative identity disorder) by her psychoanalyst (Dr. Cornelia Wilbur). ‘The Big Chair’ was in the therapist’s office where Sybil was treated and where she felt safest when talking about her traumatic childhood. Other songs hidden away on TFF B-sides cover aspects of traumatic psychology (‘My Life In The Suicide Ranks’) as well as ‘anti-science’ songs (‘Schrodinger’s Cat’ and ‘Déjà Vu & The Sins of Science’). However, like Christian historian Nathan Albright, I too believe the second LP and later 1986 single ‘Laid So Low’ are psychologically-based:
“Nor did the interest in psychology stop [with ‘The Hurting’]. Tears For Fears’ second album, “Songs From The Big Chair,” are a self-aware “multiple personality” exploration, a conceptual connection that is often forgotten because the hit singles from the album were so successful…Clearly, the musings about power and anger and memory that inform the work of Tears For Fears, the melancholy underpinnings of songs like ‘Watch Me Bleed’ and ‘Laid So Low (Tears Roll Down)’ are fairly easy to recognize, and draw greater meaning the more one knows about the band and its personal histories”.
As the years have passed, TFF’s songs have been less psychological but we are a product of our pasts and I would argue that the band’s output is still likely to be shaped by both their conscious and unconscious ideology. Smith was recently interviewed and he admitted that he still had an interest in various psychologies but that he no longer believed in primal therapy:
“Primal theory blames everything on your parents. So that teenage angst we were going through at the time. Since then, I think I’ve moved on to various different psychologies, but it’s something we’re both interested in. Since then, certainly, I’m not a huge believer in primal theory anymore, but I think that comes from having children”.
Maybe their most recent album (Everybody Loves A Happy Ending) has at last brought the band’s traumatic past to rest. Maybe the music itself became a kind of psychological therapy. As Nathan Albright concluded:
“The fact that [Tears For Fears] have a popular and critically acclaimed body of musical work is itself remarkable, but the fact that their work is heavily influenced by psychology, serving as therapy, serves as an inspiration. Rather than self-medication through drugs or alcohol, the two chose music as therapy, turning their lives into the inspiration for hauntingly beautiful songs in their debut concept album, ‘The Hurting’…And that is the most powerful legacy of Tears For Fears, in providing a way for both commercial viability as well as personal therapy. Many creative people [use] creativity as a way to wrestle with our own demons, and the fact that Tears For Fears were able to do it openly and honestly and sincerely, and successfully gives hope to the rest of us who have chosen to deal with our issues in the light, rather than engaging in false pretense”.
Albright, N. (2012). Suffer the children: Tears For Fears and musical therapy. Edge Induced Cohesion, May 2. Located at: https://edgeinducedcohesion.wordpress.com/2012/05/02/suffer-the-children-tears-for-fears-and-musical-therapy/
Comaretta, L. (2014). Tears For Fears’ Curt Smith: Back in The Big Chair. Consequence of Sound, November 6. Located at: http://consequenceofsound.net/2014/11/tears-for-fears-curt-smith-back-in-the-big-chair/
Janov, A. (1970). The Primal Scream. New York: Dell Books.
Janov A (1977). Towards a new consciousness. Journal of Psychosomatic Research, 21, 333–339.
Janov, A. (1980). Prisoners of Pain: Unlocking The Power Of The Mind To End Suffering. New York: Anchor Books.
Sinclair, P. (2013). Tears For Fears: The Hurting. (Booklet in the Deluxe Reissue of ‘The Hurting’).
Wikipedia (2015). Arthur Janov. Located at: http://en.wikipedia.org/wiki/Arthur_Janov
Wikipedia (2015). Primal therapy. Located at: http://en.wikipedia.org/wiki/Primal_therapy
Wikipedia (2015). Tears For Fears. Located at: http://en.wikipedia.org/wiki/Tears_for_Fears
Regular readers of my blog will be aware that I describe myself as a music obsessive with an eclectic taste ranging from Iggy Pop and Adam Ant through to the Velvet Underground and Throbbing Gristle. Another genre of music that I have more than a passing interest is that of ‘Krautrock’ (see my previous blog on Kraftwerk and their alleged addiction to cycling). Krautrock (as you can probably guess) is a somewhat derogatory term – believed to have been coined by the renowned music journalist Ian MacDonald – to describe a number of German bands that came to the fore in the British music scene in the early 1970s (most notably Amon Düül, Faust, Can, Kraftwerk, Neu!, Kluster, Cluster, Harmonia, Popol Vuh, Ash Ra Tempel, and Tangerine Dream).
Krautrock (as defined by the British media) has traditionally been viewed as electronic in nature (although many of the compositions in the late 1960s were far from electronica and utilized ‘found sounds’ from whatever was to hand) with an emphasis on improvisation and somewhat minimalistic arrangements. The Wikipedia entry on Krautrock also notes that:
“The term is a result of the English-speaking world’s reception of the music at the time and not a reference to any one particular scene, style, or movement, as many Krautrock artists were not familiar with one another…Largely divorced from the traditional blues and rock and roll influences of British and American rock music up to that time, the period contributed to the evolution of electronic music and ambient music as well as the birth of post-punt, alternative rock, and new-age music”.
Given my profession, it won’t surprise you to know that as much as I love music itself, I am also interested in the psychology of the musicians too. When it comes to Krautrock, I have argued for the best part of 20 years (to anyone that would listen) that the psychology of the archetypal Krautrocker in the late 1960s was likely to be influenced by being raised in post-second world war Germany. It was only over the holiday period that my thoughts were confirmed by the artists themselves (in interviews with journalists and musicologists).
More specifically, I read two excellent books on different aspects of ‘extreme music’ over the Christmas period – Future Days: Krautrock and the Building of Modern Germany (by David Stubbs), and Assimilate: A Critical History of Industrial Music (by S. Alexander Reed). Alongside this, I also watched the wonderful three-hour documentary DVD Kraftwerk and the Electronic Revolution, the BBC 4 documentary, Krautrock: The Rebirth of Germany, and the 2008 film The Baader Meinhof Complex (about the Red Army Faction, left-wing German militant group and based on the 1985 non-fiction book of the same name by Stefan Aust).
These books and films all made reference to the cultural, political, and psychological climate in post-war West Germany. There were a number of repeated themes that I couldn’t fail to notice. Firstly, many of the middle classes holding a lot of the important jobs (mayors, town leaders, judges, professors, teachers) were still Nazi sympathizers. Secondly, children born after 1945 were generally not told about their history by either their parents or their schoolteachers. Thirdly, in the late 1950s and early 1960s, teenagers said they experienced feelings of guilt but didn’t know what for. On the musical front, West Germany’s pre- and post-war musical legacy was “Schlager” music (described by music journalist Adam Sweeting as “a genre unpleasantly redolent of the sentimental slop with which Josef Goebbels had saturated the Third Reich”). As Wikipedia notes that:
“Schlager music (German: Schlager, synonym of “hit-songs” or “hits”), also known in the United States as entertainer music or German hit mix, is a style of popular or electronic music…Typical schlager tracks are either sweet, highly sentimental ballads with a simple, catchy melody or light pop tunes. Lyrics typically center on love, relationships and feelings”.
By the late 1960s, many older teenagers and students were united in their politics (the most high profile touch point arguably being the student protests across Europe in 1968). They were also united in their dislike of schlager music except they didn’t really know they were united. Pockets of underground music sprouted up across a number of towns and cities across Germany. Key bands in the history of Krautrock were formed in Dusseldorf (Neu!, Kraftwerk), Cologne (Can), Berlin (Kluster, Tangerine Dream), Munich (Amon Düül), and Wumme (Faust). Bands playing in one city had no idea that bands were forming in other parts of Germany with similar ideological, political and psychological roots. More bizarre was that none of these bands – at least initially – had no following in Germany itself. Most fans of these bands were in the UK rather than their homeland. It was the British music press (NME, Sounds) and DJs (most notably John Peel) that were waving the German flag.
Arguably, the most overtly political of the emerging Krautrock bands was Munich’s Amon Düül. Their band members lived in a radical West German commune including the gang that formed the Red Army Faction (RAF) in 1970 (the so-called Baader-Meinhof Group (or Baader-Meinhof Gang including Andreas Baader, and Ulrike Meinhof). The members of Amon Düül quickly dissociated themselves from the RAF saying that their comrades were going too far in making their political presence known. In fact, the band members ended up falling out with themselves leading to different versions of the band with the second incarnation (Amon Düül 2) becoming the most revered.
Another important hotbed of anti-schlager musical development was the formation of the Zodiak Free Arts Lab (also known as the Zodiak Club) by experimental musician Conny Schnitzler in West Berlin. The Zodiak Club provided a hub where anyone could come and play whatever they wanted amongst like-minded people pushing the boundaries of music with whatever was at hand. Schnitzler himself was an early member of Tangerine Dream as well as the founding member of later Krautrock bands such as Kluster and Eruption. The other important figure in West Berlin’s burgeoning Krautrock scene was Hans-Joachim Roedelius who played with Schnitzler in Kluster but then went on to form Cluster with Deiter Moebius (another key player in the Krautrock movement) but without Schnitzler.
In relation to the psychology of Krautrock, Michael Rother (an early member of Kraftwerk, co-founder of Neu!, and later in ‘supergroup’ Harmonia) was interviewed by David Stubbs in his book Future Days. Rother had actually studied psychology and that as a German he strived for an alternative identity, and a new personality almost:
“Studies into psychology also assisted Rother in realizing that as a young man coming of age in Germany in the late 1960s, he could not be impervious to the cultural, social and political forces ranging at that time, all of which would have a profound impact on his musical identity. He rejected out of hand the burgeoning violence and ‘lunacy’ of terrorist movements such as the Baader-Meinhof group, whom he regarded as on the wrong road altogether. At the same time, the horrors of the Vietnam War acted as a jolting reminder of the need to wrench oneself away from Anglo-American hegemony, to create oneself as a personality anew”.
Rother’s perceptions and psychological insights appear to have been shared by many other individuals forming bands across West Germany in the late 1960s. The complete silence by parents and teachers towards children about the actions of Hitler and the Nazis (most notably the genocide of the Jewish people living in Germany) left post-war adolescents psychologically ill at ease about their national and cultural identities. They needed to create something unique, something identifiably German, and something they would feel proud of. The new music of Krautrock met such criteria. But was the music really that new? Some (including myself) would argue that much of the burgeoning music in Munich, Dusseldorf, Cologne and Berlin had its’ roots in ‘musique concrète’ (“concrete music”) and the work of Karlheinz Stockhausen.
Developed by French composer Pierre Schaeffer at the Studio d’Essai (“Experimental Studio”) of the French radio system, musique concrète is a form of electroacoustic music. It comprises an experimental technique of musical composition that uses recorded sounds as raw material to create a montage of sound (often referred to as ‘found sounds’ but can include recordings of voice and musical instruments). Musique concrète compositions don’t follow any conventional musical rules of melody, rhythm or harmony. Many musicologists view musique concrete as a precursor to electronica. Furthermore, many groups from Throbbing Gristle to Depeche Mode have sampled ‘found sounds’ in their musical output as well as many of the earlier pioneers in Krautrock.
The roots of Krautrock can also be traced back to one of Germany’s musical giants, Karlheinz Stockhausen. I’ve been aware of Stockhausen’s work through his influence on the Beatles (Stockhausen is one of the figures on their 1967 Sgt. Pepper’s Lonely Hearts Club Band LP cover). Although in the public’s mind it was John Lennon that was associated with the more avant-garde recordings by the Beatles (‘Revolution 9’ and ‘What’s The New Mary Jane’) and his first solo albums with second wife Yoko Ono (Two Virgins, Life With The Lions, and Wedding Album), it was actually Paul McCartney who first developed an interest in avant-garde composers such as Stockhausen. (In fact, prior to his relationship with Ono, Lennon was famously quoted as saying “Avant-garde is French for bullshit”). Evidence for McCartney’s interest in Stockhausen and the avant-garde is the still unreleased Beatles composition ‘The Carnival of Light’ recorded in January 1967 for The Million Volt Light and Sound Rave held at the Roundhouse Theatre).
Stockhausen is seen by many as one of the greatest musical innovators and visionaries of the twentieth century. His electronic compositions were way ahead of his time, and had a large influence on many more modern day recording artists including Frank Zappa, Pete Townsend (The Who), Roger Waters (Pink Floyd), and Björk. In relation to Krautrock, two members of Can (Irmin Schmidt and Holger Czukay) were actually tutored by Stockhausen at the Cologne Courses for New Music, and Kraftwerk claim they also studied under him.
In terms of Krautrock’s influence on modern music, it doesn’t matter whether it was genuinely new. It was genuinely (West) German and grew largely from individuals’ psychological and/or political reaction to their experiences of growing up in post-war Germany following the fall of Nazism. The content of the output may not have been psychologically-based, but the attitude and spirit in making such music arguably was. We are all products of our genetics and our environment, and post-war teenagers born after 1945 in Germany experienced a culture and an immediate history that most can never ever experience. The Krautrockers fighting (artistically, culturally and literally) against the ‘establishment’ in late 1960s brought about some of the greatest music ever produced, and I for one, am eternally grateful for the pleasure it has brought in my own life.
Blaney, J. (2005). John Lennon: Listen to this Book. Guildford: Paper Jukebox, Biddles Ltd.
Buckley, D. (2012). Kraftwerk Publication. London: Omnibus.
Cope, J. (1996). Krautrocksampler (Second Edition). Head Heritage.
Reed, S.A. (2013). Assimilate: A Critical History of Industrial Music. New York: Oxford University Press.
Stubbs, D. (2014). Future Days: Krautrock and the Building of Modern Germany. London: Faber & Faber.
Wikipedia (2014). Krautrock. Located at: http://en.wikipedia.org/wiki/Krautrock
Wikipedia (2014). Musique concrète. Located at: http://en.wikipedia.org/wiki/Musique_concrète