Category Archives: Sex

From the university of perversity: An A to Z of non-researched sexual paraphilias (Part 4)

Today’s blog is the fourth part in my review of little researched (and in most cases non-researched) sexual paraphilias and strange sexual behaviours. (You can read Part 1 here, Part 2 here, and Part 3 here). I’ve tried to locate information on all of these alleged sexual behaviours listed below and in some cases have found nothing more than a definition (some of which were in Dr. Anil Aggrawal’s book Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices and/or Dr. Brenda Love’s Encyclopedia of Unusual Sex Practices).

  • Astraphilia: This behaviour refers to the sexual attraction toward thunder and lightening, although is sometimes defined as sexual attraction to lightening only. (In a previous blog, I noted that brontophilia is often defined as being sexually attracted to thunder and lightening).
  • Bastinado: This behaviour (also known as Falanga) is a form of foot beating where the soles of a person’s bare feet are beaten continually with such implements as leather/rubber straps, bats, canes, rods, electric cords, truncheons, etc. According to Michael Samadhi’s Joy of Kink website, “the documented history of bastinado goes back more than 1000 years, and it’s been employed by repressive regimes like the Nazi’s and the Khmer Rouge”.
  • Climacophilia: This behaviour refers to individuals that get sexually aroused from falling down the stairs. There hasn’t been a wide body of research conducted on people affected with this particular sexual preference and/or fetish. This particular paraphilia got lots of press coverage when the psychologist Dr. Jesse Bering published his 2014 book Perv: The Sexual Deviant In All Of Us that mentioned 46 different paraphilias, many of which were described as outside of the statistical norm”.
  • Defecaloesiophilia: This behaviour refers to individuals that are sexual aroused by painful bowel movements (the word derived from its phobia opposite ‘defecaloesiophobia’). I’ve never found anyone online admitting to having such a paraphilia although there certainly appears to be those with haemorrhoid fetishes as I outlined in one of my previous blogs.
  • Erythrophilia: This behaviour (sometimes referred to as erytophilia and ereuthophilia) refers to being sexually aroused by the colour red (but some definitions say it is also to red lights and even blushing (i.e., red faced individuals). Although I’ve come across a few individuals online that admit to having a blushing fetish I’ve yet to find anyone admitted to being sexually aroused specifically by the colour red.
  • Francophilia: This behaviour refers to those who derive sexual arousal towards France or French culture. Anecdotally I know of women who claim to be sexually aroused to the French accent and I mentioned a few examples in my blog on xenophilia (sexual arousal from foreigners) but whether this paraphilia genuinely exists is debateable.
  • Gomphipothic: According to the Right Diagnosis website, gomphipothic refers to being sexually aroused by the sight of teeth. (This appears to be another name for odontophilia that I covered in a previous blog).
  • Hephephilia: This behaviour refers to individuals who have a compulsion to steal specific items related to their fetish such as retifists (shoe fetishists) who steal items of footwear (for example) from shoe shops or innocent victims at the beach. An article on the Toeslayer website recalls an infamous case from 1979 in Japan involving the “shoe thief of Tokyo”. Over three-and-a-half years (before he was finally caught), he accosted women, stole their shoes, and then ran off. When arrested, the police found 127 pairs of women’s shoes at his home.
  • Ichthyophilia: This behaviour refers to those who derive sexual arousal from fish. I have never seen any case study in the academic literature although in previous blogs I did outline cases of humans having sex with other water creatures (cephalopods like octopus and squid) and there are certainly zoophilic films where fish have been used as a masturbatory aid. (There are of course the infamous stories about the band Led Zeppelin, groupies, and fish tales that you can Google for yourselves – just type in ‘Led Zeppelin’ and ‘red snapper’ or ‘mud shark’).
  • Japanophilia: This behaviour refers to those who derive adoexual arousal towards Japan or Japanese culture. Some of my readers have accused me of having Japanophilia given the number of blogs I have written about Japanese sexuality and fetishes (but I can assure you I haven’t).
  • Kinbaku-bi: This behaviour refers to a Japanese type of bondage and has the literal meaning of ‘tight binding’. According to the Wikipedia entry on Japanese bondage, Kinbaku-bi “involves tying up the bottom [the receiver] using simple yet visually intricate patterns, usually with several pieces of thin rope…In Japanese, this natural-fibre rope is known as ‘asanawa’; the Japanese vocabulary does not make a distinction between hemp and jute. The allusion is to the use of hemp rope for restraining prisoners, as a symbol of power, in the same way that stocks or manacles are used in a Western BDSM context. The word ‘shibari’ came into common use in the West at some point in the 1990s to describe the bondage art Kinbaku”.
  • Lockiophilia: This behaviour refers to sexual arousal derived from childbirth (and is named after its opposite phobia – lockiophobia). In a previous blog I did look at childbirth fetishism which you can read here.
  • Metrophilia: This behaviour refers to sexual arousal derived from poetry. I don’t doubt that some poetry (like music) can contribute to sexual arousal (and that there is fetish-based and other erotic poetry) but I know of no actual case (anecdotal or otherwise). Prove me wrong and I will happily write about it.
  • Normophilia: This was a term coined by the sexologist Professor John Money and refers those only sexually aroused by acts considered normal by their religion or society (and excellently critiqued by Dr. Lisa Downing in a 2010 issue of Psychology and Sexuality).
  • Ochlophilia: This behaviour refers to sexual arousal derived from crowds or mobs. I’m not aware this exists as a standalone fetish but frotteurs (those who derive sexual arousal from rubbing up against people) love crowded places as a way of engaging in their preferred sexual behaviour).
  • Phalloorchoalgolagnia: According to Dr. Anil Aggrawal’s book Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices, this behaviour refers to sexual arousal by the experiencing of painful stimuli being administered to the male genitals (of which a sub-type would include tamakeri that I examined in a previous blog). It is related to ‘cock and ball torture which the Wikipedia entry (based on Darren Langdridge and Meg Barker’s 2008 book Safe, Sane, and Consensual: Contemporary Perspectives on Sadomasocism) notes “may involve directly painful activities, such as wax play, genital spanking, squeezing, ball-busting, genital flogging, urethral play, tickle torture, erotic electrostimulation, or even kicking. The recipient of such activities may receive direct physical pleasure via masochism, or emotional pleasure through knowledge that the play is pleasing to a sadistic dominant. The practice carries significant health risks”.
  • Queefing fetishism: A little bit of a cheat here as I’ve covered queefing fetishes (sexual arousal from vaginal flatulence) in some detail in a previous blog but there are so few potentially paraphilic behaviours beginning with the letter ‘Q’. (If you feel I’m short-changing you, read my previous article here).
  • Rhytiphilia: This is where individuals derive sexual arousal from facial wrinkles. This would appear to be related to gerontophilia (sexual arousal to people who are much older than the individuals themselves). I doubted whether this fetish actually exists but I have came across individuals that claim to have such fetishes (such as here and here).
  • Stygiophilia: According to Dr. Anil Aggrawal, stygiophilia refers to sexual pleasure from the thought of going to hell. It’s also the name of a novel on the topic by Nathan Tyree.
  • Teleiophilia: This neologism was coined by the sexologist Dr. Ray Blanchard and refers to sexual interest in adults. As the Wikipedia entry on Blanchard notes: “Unlike the terms referring to sexual interest in other age groups, such as paedophilia (sexual interest in prepubescent children), teleiophilia is not considered a paraphilia. The term was formalized in order to forestall neologisms, such as ‘adultophilia’ or ‘normophilia’ that were occasionally used, but had no precise definition. The term is used primarily by professional sexologists in the scientific literature”.
  • Urethral fetishism: In previous blogs I have examined urethral sex play in its many forms and with its own lexicon (so if you want to read about it in more detail, read more here).
  • Venatophilia: In an online article about cartoon quicksand fetishes, there was mention of a fetish group called ‘Giant Video Game Girls’ and they appear to have coined the term ‘venatophilia’ from the Latin venatus, meaning ‘game’ and describes sexual attraction to or fascination with video game characters. Personally I find this strange as most paraphilias derive from Greek (rather than Latin) names. This paraphilia (if it exists) is arguably a sub-type of toonophilia (sexual attraction to cartoon characters) that I examined in a previous blog.
  • Wolf-play: In previous blogs I have examined the Furry Fandom (individuals that dress up as animals that engage in both sexual and non-sexual interaction) and various fetish pet play behaviours such as pony play. Wolf-play is just another variant of pet-play.
  • Xyrophilia: This behaviour refers to those individuals who derive sexual arousal from razors (and again has a name derived from its opposite condition – xyrophobia). However, there are online forums for razor fetishists and there may be crossover with those that have blood fetishes (which I’ve looked at in various previous blogs).
  • “Yaoi fetishism: According to an online article about kinks and fetishes on the Your Tango website, “Yaoi is a type of anime, manga, or fan fiction that originated in Japan which centers on male-on-male sexuality”. The article notes the term ‘Yaoi’ comes from the Japanese phrase “Yama nashi, Ochi nashi, Imi nashi” (and translates to “no climax, no meaning, no point”). An article on the Kinkly website claims that “Yaoi is typically created by women and aimed at women although it has some male fans. It should not be confused with ‘Bara’ which is aimed at a gay male audience”.
  • Zentai fetishism: Again, according to the online article on the Your Tango website, zentai fetishism involves individuals that “like to wear, be covered in, bound by and otherwise enjoy lycra full-body suits”.  An article in Fortune magazine notes that the ‘zentai’ is derived from the Japanese words zenshin taitsu that translates as “full body tights”. The same article claims that zentai suits tend to be more fetishistic whereas “morphsuits” are “for more mainstream cosplay fun and are likely to show up at football games, ComicCon, or frat parties”.

Dr. Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.

Bering, J. (2014). Perv: The Sexual Deviant In All Of Us. London: Doubleday.

Downing, L. (2010). John Money’s ‘Normophilia’: diagnosing sexual normality in late-twentieth-century Anglo-American sexology. Psychology and Sexuality, 1(3), 275-287.

Gates, K. (2000). Deviant Desires: Incredibly Strange Sex. New York: RE/Search Publications.

Langdridge, D. & Barker, M. (2008). Safe, Sane, and Consensual: Contemporary Perspectives on Sadomasocism. London: Palgrave Macmillan.

Love, B. (2001). Encyclopedia of Unusual Sex Practices. London: Greenwich Editions.

Scorolli, C., Ghirlanda, S., Enquist, M., Zattoni, S. & Jannini, E.A. (2007). Relative prevalence of different fetishes. International Journal of Impotence Research, 19, 432-437.

Serrano, R.H. (2004). Parafilias. Revista Venezolana de Urologia, 50, 64-69.

Shaffer, L. & Penn, J. (2006). A comprehensive paraphilia classification system. In E.W. Hickey (Ed.), Sex crimes and paraphilia. New Jersey: Pearson Prentice Hall.

Write World (2013). Philias. Located at: http://writeworld.tumblr.com/philiaquirks

“Every breath you take”: A brief look at love obsessions in popular music

“You are an obsession/I cannot sleep/I am your possession/Unopened at your feet
/There’s no balance/No equality/Be still I will not accept defeat/I will have you/Yes, I will have you/I will find a way and I will have you/Like a butterfly/A wild butterfly/I will collect you and capture you” (Lyrics to the song ‘Obsession’ by Animotion)

Like the word ‘addiction’, one thing we can say about the word ‘obsession’ that there is no absolute agreed definition. Dictionary definitions of obsession refer to an obsession as:

  • “…an idea or thought that continually preoccupies or intrudes on a person’s mind” or “a state in which someone thinks about someone or something constantly or frequently especially in a way that is not normal” (Oxford Dictionary).
  • “…unable to stop thinking about something; too interested in or worried about something” (Cambridge Dictionary)
  • http://dictionary.cambridge.org/dictionary/english/obsessed
  • “…a state in which someone thinks about someone or something constantly or frequently especially in a way that is not normal” (Merriam-Webster Dictionary)
  • “…an emotional state in which someone or something is so important to you that you are always thinking about them, in a way that seems extreme to other people” (Macmillan Dictionary).

More medical definitions (such as Dorland’s Medical Dictionary) describe obsession as a recurrent, persistent thought, image, or impulse that is unwanted and distressing (ego-dystonic) and comes involuntarily to mind despite attempts to ignore or suppress it”. Given all these overlapping but differing definitions, it can be concluded that obsession means slightly different things to different people. In the latest (fifth) edition of the Diagnostic and Statistical Manual of Mental Disorders (DSM-5), an obsession must be distressing to be classed as a disorder. (And that’s why my obsession with music is not problematic).

I deliberately mentioned my self-confessed obsession with music because this article is a (somewhat self-admittedly) frivolous look at obsession in song lyrics. The first song I remember listening to called ‘Obsession’ was in 1981 by Scottish band Scars (from one of my all-time favourite LPs Author! Author!), quickly followed by Siouxsie and the Banshees’ song ‘Obsession’ on their 1982 LP A Kiss In The Dreamhouse (which reached No.11 in the UK albums chart). Arguably the most famous song entitled ‘Obsession’ was 1984’s top five hit by the US band Animotion (which was actually a cover version as the original was released by Holly Knight and Michael Des Barres) and later covered by The Sugababes and Karen O (lead singer of Yeah Yeah Yeahs, and the theme song to the US TV mini-series Flesh and Bone). Many artists have recorded songs simply called ‘Obsession’ including Tich, Tinie Tempah, Future Cut, The Subways, Jake Quickenden, Jesus Culture, and Blue Eyed Christ (amongst others).

Almost all songs with the title of ‘Obsession’ have been about being obsessed (or obsessively in love) with another person and are probably not that far removed from songs about love addiction (such as Roxy Music’s ‘Love Is The Drug’, Robert Palmer’s ‘Addicted To Love’, and Nine Inch Nail’s ‘The Perfect Drug’). Not all obsessional songs have the word ‘obsession’ in their title and probably the most famous songs about being obsessed with someone are ‘Every Breath You Take’ (The Police) and ‘Stan’ (Eminem; in fact the word ‘Stan’ is now sometimes used as a term for overly-obsessive fans of someone or something). As the Wikipedia entry on ‘Every Breath You Take’ notes:

Sting wrote the song in 1982 in the aftermath of his separation from [actress] Frances Tomelty and the beginning of his relationship with [actress, film producer and director] Trudy Styler. The split was controversial…The lyrics are the words of a possessive lover who is watching ‘every breath you take; every move you make’. [Sting said he] ‘woke up in the middle of the night with that line in my head, sat down at the piano and had written it in half an hour…It sounds like a comforting love song. I didn’t realize at the time how sinister it is. I think I was thinking of Big Brother surveillance and control…[Sting] insists [the song is] about the obsession with a lost lover, and the jealousy and surveillance that follow”.

Sting’s experience of writing from what you know and feel is a staple motivation for many songwriters (and probably no different from academics like myself – I tend to write about what I know about). An article in the New York Post by Kirsten Fleming (‘When rockers are stalkers: ‘Love songs’ that cross into obsession‘) features a top ten list of ‘obsessional love’ songs (although I think very few of them are. Much better is the list of ‘greatest stalking songs’ put together by The Scientist on the Rate Your Music website). However, I do think the song-writing process can border on the obsessional and I think the Canadian-American singer-songwriter Alanis Morissette has a realistic (and perhaps representative) take on her song-writing as she noted in an online article:

“For me, what writes songs is passion. So if I’m passionately angry about something or if I’m passionately in love with something or if I’m passionately addicted to something or if I’m passionately curious or scared, this is what creates worlds in art. I think love and anger are two of the most gorgeous life forces, with love being the only one that is bottomless. All of these different feelings that I’ve been running away from my whole life, the only one that has remained bottomless and endless is love. All other emotions seem to ebb and flow and move through once they get my attention long enough to really feel, but love is the one that remains limitless”.

In this interview extract, Morissette uses the word “addicted” in an arguably positive way and echoes a quote I used in a previous blog from Dr. Isaac Marks who said that “life is a series of addictions and without them we die”. Morissette (in a different interview) was also quoted as saying:

“My top addictions are really recovering from love addictions, which is a tough withdrawal that I’ve also written records in the midst of. Probably the worst withdrawal I’ve experienced. Food addiction, which I’ve been struggling with since I was 14, and work addiction it’s the respectable addiction in the west, but it’s actually an addiction to busy-ness and the fear of stopping and being still, and all that would come up from that. Those three are my top ones, and I’ve dabbled in all the other ones but none of them have grasped hold of me like the first one did”.

The band that I think have lyrically explored obsessive love more than any other is Depeche Mode. I’ve followed them from before their first hit right up until the present day. I’ve included their songs on almost every mix tape I’ve made for any girlfriend I’ve had over the last 35 years. Their main songwriter, Martin Gore, explores the dark side of love better than any lyricist I can think of. Whereas Adam Ant wins the prize for the most songs about different types of fetishes and paraphilias, Martin Gore is the lyrical king of obsessive love (although he does occasionally wander into more paraphilic kinds of love such as the sado-masochisticMaster and Servant’. Here are just a few selected lyrics that I hope help argue my case:

  • Extract 1: “Dark obsession in the name of love/This addiction that we’re both part of/
Leads us deeper into mystery/
Keeps us craving endlessly/Strange compulsions/That I can’t control/Pure possession of my heart and soul
/I must live with this reality/I am you and you are me” (‘I Am You’ from Exciter, 2001)
  • Extract 2: I want somebody who cares for me passionately/With every thought and with every breath/Someone who’ll help me see things in a different light/All the things I detest I will almost like” (‘Somebody’ from Some Great Reward, 1984)
  • Extract 3: “Well I’m down on my knees again/And I pray to the only one/Who has the strength to bear the pain/To forgive all the things that I’ve done/Oh girl, lead me into your darkness/When this world is trying it’s hardest
/To leave me unimpressed/
Just one caress from you and I’m blessed” (‘One Caress’ from Songs Of Faith And Devotion, 1993).
  • Extract 4: “Taking hold of the hem of your dress/
Cleanliness only comes in small doses/
Bodily whole but my head’s in a mess/Do you know obsession that borders psychosis?/It’s a sad disease/Creeping through my mind/Causing disabilities/Of the strangest kind/Getting lost in the folds of your skirt/There’s a price that I pay for my mission/Body in heaven and a mind full of dirt/How I suffer the sweetest condition” (‘The Sweetest Condition’ from Exciter, 2001)
  • Extract 5: “It’s only when I lose myself with someone else/That I find myself/I find myself/Something beautiful is happening inside for me/Something sensual, it’s full of fire and mystery/I feel hypnotized, I feel paralized/I have found heaven/Did I need to sell my soul/For pleasure like this?/Did I have to lose control/To treasure your kiss?/Did I need to place my heart/In the palm of your hand?/Before I could even start/To understand” (‘Only When I Lose Myself’ from The Singles, 86-98)
  • Extract 6: “I want you now/
Tomorrow won’t do/
There’s a yearning inside/And it’s showing through/Reach out your hands/And accept my love/We’ve waited for too long/Enough is enough/I want you now” (‘I Want You Now’ from Music For The Masses, 1987)
  • Extract 7: “Don’t say you’re happy/Out there without me/I know you can’t be
/’Because it’s no good/I’m going to take my time/I have all the time in the world
/To make you mine/It is written in the stars above” (‘It’s No Good’ from Ultra, 1997)
  • Extract 8: “Wisdom of ages/Rush over me/Heighten my senses/Enlighten me/Lead me on, eternally/And the spirit of love/Is rising within me/Talking to you now/Telling you clearly/The fire still burns” (‘Insight’ from Ultra, 1997).

These are just a few of the ‘obsessional’ lyrics from Depeche Mode’s back catalogue (and there are plenty of other songs I could have featured). I often think that the lyrics in songs or poetry say far more about the human condition than any paper I have published on the topic, and that is why I am (and will continue to be) a music obsessive.

Dr. Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Dorrell, P. (2005). Is music a drug? 1729.com, July 3. Located at: http://www.1729.com/blog/IsMusicADrug.html

Fleming, K. (2014). When rockers are stalkers: ‘Love songs’ that cross into obsession. New York Post, July 2. Located at: http://nypost.com/2014/07/02/the-10-creepiest-musical-stalkers/

Griffiths, M.D (1999). Adam Ant: Sex and perversion for teenyboppers. Headpress: The Journal of Sex, Death and Religion, 19, 116-119.

Griffiths, M.D. (2012). Music addiction. Record Collector, 406 (October), p.20.

Morrison, E. (2011). Researchers show why music is so addictive. Medhill Reports, January 21. Located at: http://news.medill.northwestern.edu/chicago/news.aspx?id=176870

Salimpoor, V.N., Benovoy, M., Larcher, K. Dagher, A. & Zatorre, R.J. (2011). Anatomically distinct dopamine release during anticipation and experience of peak emotion to music. Nature Neuroscience 14, 257–262.

Smith, J. (1989). Senses and Sensibilities. New York: Wiley.

Don’t worry, bee happy: Another very brief look at melissophilia

In the last two weeks I have been interviewed twice by the British Metro newspaper about different sexual paraphilias. The first interview with Miranda Larbi was on dacryphilia (sexual arousal from crying), a paraphilia on which I’ve already published three papers on and have a fourth in progress, and which the Metro published as ‘There are women who get wet from crying’. The second interview with Yvette Caster was on formicophilia (usually defined as sexual arousal from insects but not strictly accurate as I’ll explain below) and more specifically on melissophilia (sexual arousal from bees, the opposite of melissophobia – a fear of bees and bee stings). I’ve not published academic papers on either formicophilia or melissophilia but have written blogs on both of them, and is the reason I was asked for comment. Much of the information in the Metro’s article came from my blog and was supplemented with quotes from my interview with them. The Metro piece (somewhat ambitiously entitled ‘Everything you’ve ever wanted to know about the sexual fetish for bees’) started by saying:

“We all know about the birds and the bees. But some people take this phrase more literally than others when it comes to what they enjoy in the bedroom. Melissophilia is sexual attraction to bees. Yes, while you’ve been getting red-faced trying to chase those critters away from your picnic, others have been going red-faced in their presence for entirely different reasons…Melissophilia is a specific kind of zoophilia (sexual attraction to animals)…The word comes from the Ancient Greek for ‘honey bee’ and ‘love’. It’s not necessarily a case of falling in love with Barry B Benson from Bee Movie. Apparently some people catch bees with the intention of getting them to sting their genitals. This is because they believe this will increase swelling and hypersensitivity, increasing the intensity and duration of their orgasms”.

Following this introduction, the remainder of the article was entitled ‘What do the experts have to say about it?’ and simply featured the (edited) answers to some of the questions that I was asked by the Metro journalist. As I had been interviewed via asynchronous email (a topic that I have co-incidentally written methodological papers about in relation to studying paraphilia behaviour), I have a complete transcript of the whole interview and thought I’d publish it in full as the Metro only used a small selection of what I’d written (and I don’t like to waste any work that I’ve done).

Why might someone develop melissaphilia? I’ve never come across a true case of melissophilia (i.e., sexual arousal specifically from bees), only men that use bees to increase the size of their penis (so they are unlikely to be true melissophiliacs). There may be some masochists who get sexual pleasure from things that sting (including nettles and insects) but the focus of the arousal is pain (not the bees) so these would not be melissophilia. (And by the way, although formicophilia is often used to describe insect fetishes, technically it only relates to ants and the term entomophilia is more accurate).

At what point might having this fetish become a problem? When it comes to non-normative sex, problems are typically defined by context and culture. If sex is consensual with informed consent, no fetish is problematic. If the person themselves thinks it is a problem then it should be treated as such. With insect fetishes, you could argue that the insects are not giving their informed consent and therefore the fetishes are morally wrong (without necessarily being problematic to the person or the insects).

Have you any idea how common melissaphilia is? If it even exists (and I’m not convinced it is) it would be incredibly rare.

When do people develop fetishes like formicophilia and why? There are only two academic papers examining formicophilia in the psychological literature and I think it was actually the same person being written about in each paper. Many fetishes appear to be as a result of associative pairing (classical conditioning) but formicophilia may be more common in cultures where insects are everywhere and where such individuals use insects as a substitute for sex by using insects to arouse erogenous zones (penis, nipples, etc.). The one case study in the literature involved a Buddhist monk that had never had sex or been exposed to pornography. Here the formicophilia may have been culturally learned by accident.

In your opinion, is it a harmless sexual preference or something fans should try to wean themselves off? It’s harmless if there is no problem and people should only seek help if they themselves feel it is a problem. There’s nothing wrong with non-normative sex if it’s consensual. However, as I said above, there may be a moral issue. There are other insect-based and similar fetishes that I have covered in my blog that you can check out (such as spiders [arachnephilia] and worms [vermiphilia]).

Dr Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Aggrawal, Anil (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unususal Sexual Practices. Boca Raton: CRC Press.

Aggrawal, A. (2011). A new classification of zoophilia. Journal of Forensic and Legal Medicine, 18(2), 73-78.

Biles, J. (2004). I, insect, or Bataille and the crush freaks. Janus Head: Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology and the Arts, 7(1), 115-131.

Dewaraja, R. (1987). Formicophilia, an unusual paraphilia, treated with counseling and behavior therapy. American Journal of Psychotherapy, 41, 593-597.

Dewaraja, R. & Money, J. (1986). Transcultural sexology: Formicophilia, a newly named paraphilia in a young Buddhist male. Journal of Sex and Marital Therapy, 12, 139-145.

Greenhill, R. & Griffiths, M.D. (2014). The use of online asynchronous interviews in the study of paraphilias. SAGE Research Methods Cases. Located at: http://dx.doi.org/10.4135/978144627305013508526

Greenhill, R. & Griffiths, M.D. (2015). Compassion, dominance/submission, and curled lips: A thematic analysis of dacryphilic experience. International Journal of Sexual Health, 27, 337-350.

Greenhill, R. & Griffiths, M.D. (2016). Sexual interest as performance, intellect and pathological dilemma: A critical discursive case study of dacryphilia. Psychology and Sexuality, in press.

Griffiths, M. D. (2012). The use of online methodologies in studying paraphilias – A review. Journal of Behavioral Addictions, 1, 143-150.

Pearson, G.A. (1991). Insect fetish objects. Cultural Entomology Digest, 4, (November).

Tickled: The strange (but true) story of competitive endurance tickling, catfishing, and trolling

Last month, an article that I wrote on knismolagnia (in which individuals derive sexual pleasure and arousal from tickling or being tickled) was featured in an online article in Vox about the documentary Tickled and the world of ‘competitive endurance tickling’ (CET). Given that endurance sports are by definition ‘extreme’ and that I have examined other extreme sports and endurance events in my previous blogs, I thought that CET would make an interesting topic to examine. Tickled was co-directed by the New Zealand journalist David Farrier and the videographer Dylan Reeve but turned out to be a far more interesting film than just about CET. It all started when Farrier came across an online advert placed by Jane O’Brien Media (JOBM):

“This is a shout out to TICKLISH MALE ATHLETIC FITNESS MODELS (aged 18-25) IN THE USA (all 50 states), CANADA, UK, AUSTRALIA, NEW ZEALAND AND JAPAN. What I’m shooting lately is unique. It’s been exploring several situations in which attractive, ticklish, and masculine guys are actually tickled in two different restrained formats, then involved in demonstrating some tickling skills themselves. Presently, I’ve been shooting all-male casts.  It is important for you to understand from the get-go that this is not a fetish, or adult-oriented content endeavour. Also, no nudity or implied nudity work is a part of anything that I ever shoot. I repeat:  recent shoots have featured all-male casts. This is a completely athletic activity with major competitive and endurance elements involved, including strategy and teamwork. I’m focused on Competitive Reality Endurance Tickling”.

It was when Farrier saw the phrase “Competitive Reality Endurance Tickling” that his journalistic instincts started to stir. The website advert said that successful applicants would be put up in a Los Angeles (US) hotel, have to wear Adidas branded clothes, and be paid US$1500 to participate. One of the CET participants Jordan Schillachi said in an online video: “This is a very competitive company…There’s probably 600 guys every 30 minutes sending pictures to want to get in”. By way of further background, the Wikipedia entry on Farrier noted that:

“In early 2014 Farrier began production of the feature-length documentary ‘Tickled’, which he co-directed with videographer Dylan Reeve. The project began when Farrier sought to do a ‘light entertainment’ piece about videos purported to depict ‘Competitive Endurance Tickling’. His inquiry to Jane O’Brien Media, the videos’ producer, was met with a hostile refusal to talk with him, prompting Farrier and Reeves to investigate further, and the film relates their efforts to find out more about the people involved in making the videos, and the person or persons behind them”.

If you type the words ‘competitive endurance tickling’ into Google, all the links that come up in the first two pages all concern the film Tickled and the various news reports and/or film reviews about it. The JOBM videos featuring CET all feature “young athletic men” who restrain and tickle each other and compete to see who can stand to be tickled the longest”. Farrier simply wanted to find out more about the so-called ‘sport’ and contacted JOBM about the ‘sport’ and the videos it produced. Farrier received a “hostile” and homophobic response from JOBM that focused on Farrier’s bisexuality and asserting that CET is a “passionately and exclusively heterosexual athletic endurance activity”. The hostility Farrier received and the legal threats he received from JOBM spurred Farrier into making the film. Arguably using bullying tactics, JOBM tried their best to stop the documentary being made. Farrier and Reeve subsequently located where JOBM operated from in Los Angeles, and turn up unannounced at their premises but are turned away at the door of the JOBM offices. The Wikipedia entry on the film noted:

“Their research uncovers information about a person known as Terri DiSisto (or ‘Terri Tickle’), a pioneer of recruiting and distributing tickling videos online, in the 1990s. They interview another tickling-video producer, whose operations are a low-key affair. They speak to a few former participants in O’Brien’s videos, who describe coercive and manipulative treatment by the producers, such as defamation campaigns against them, exposing their personal information and contacting school or work associates to discredit them, in retaliation for challenging or speaking out against the company. A local recruiter in Muskegon, Michigan describes ‘audition’ videos he’d helped make, being published without the participants’ consent. Farrier and Reeve chance upon documents which link O’Brien to David D’Amato, the former school administrator behind the ‘Terri Tickle’ alias, who served a six-month prison sentence for disabling computer systems at two different universities on multiple dates. They determine that D’Amato now lives on a substantial inheritance from his father, a successful lawyer. After considerable effort to locate him, they confront him on the street, to which he responds with additional legal threats. Before returning to New Zealand, Farrier contacts D’Amato’s step-mother for comment; she implicitly confirms his “tickling” past, and he informs her of D’Amato’s ongoing involvement in it”.

The film exposes a ‘tickling ring’ that appears to have been operation for a couple of decades. The Vox article reports that the film tells three simultaneous stories:

“The first and most basic [story] is about people who like tickling and being tickled. The second, deeper story is about catfishing – the kind of systematic, continual deception you sometimes encounter when manipulative individuals obscure their identities online. The catfisher at the center of ‘Tickled’ may be shrouded in mystery, at least until the film really gets going, but they aren’t the stereotypical lonely human on the internet. Whoever’s responsible orchestrates an elaborate plot involving lawyers, a battery of legal threats and actual lawsuits, a cadre of real minions who willingly helped carry out the ruse, and a host of nubile young men who get paid to be tickled. And that leads to [the film’s] third and most compelling story, which is a story about power. ‘Tickled’ is what happens when you put power, wealth, and privilege into the hands of an internet troll with a single-minded goal: to crush his enemies and film people being tickled. ‘Tickled’ is a procedural; the process of how Farrier and Reeve uncover their story takes up most of the documentary’s narrative…Tickled’ occasionally gets into the nitty-gritty details of confirming the catfisher’s ultimate identity – by investigating website domains, stock photos, and more – in a way that might bore some viewers. But the clues Farrier and Reeve unearth along the way are generally so weird and unique that many people will find it riveting”.

The Vox article went on to question whether CET is just a creative name for a sexual fetish (which is where my previous article on knismolagnia made an appearance). Farrier’s view was that the videos might perhaps be about JOBM producing homoerotic fetish videos that they could make money from. (JOBM strenuously denied they sold the videos for such purposes. “This is not a fetish, or adult-oriented content endeavor”). The Vox article also said:

“Tickled explores the nature of tickling fetishes and the personalities of the people who wind up monetizing them: The documentary features one film producer who quit his day job after realizing he could make thousands of dollars a month by catering to people with this very specific fetish”.

When Farrier began writing about CET in 2014, online readers responded by saying that his writings reminded them of stories about an internet troll that had been operating with a similar modus operandi a couple of decades previously. Farrier cam to the conclusion that the troll and JOBM might in fact be one and the same. As Farrier observed:

“If you Googled ‘tickling videos’ and ‘internet,’ the story came up, so we made that connection very, very quickly. The circumstantial coincidence of how they [both] operated was very obvious, but going deeper than that was harder for us. To actually prove any of it – that’s the journey of this documentary. It’s good to go in cold and just let it unfold in front of you, and then, at the end of it, you should spend a little time thinking it all through again and decide how you feel. That’s what we did experiencing the whole thing, and I think that’s good for you as an audience as well”.

So if you want to know whether Farrier’s suspicions were confirmed, you’ll have to go and watch the film – but I’ll just end by noting that JOBM have now produced their own website (‘Tickled, The Truth’) to counter Farrier’s claims.

Dr Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.

Blackwell, S. (2016). Tickling. Prodomme. Located at: http://www.prodomme.com/fetishes/tickling

Farrier, D. (2014). Homophobia and competitive tickling. 3 News, May 7. Located at: https://web.archive.org/web/20140603201419/http://www.3news.co.nz/Homophobia-and-competitive-tickling/tabid/418/articleID/343206/Default.aspx

Him and Her Sex Blog (2012). Knismolagnia. February 12. Located at: http://himandhersexblog.tumblr.com/post/17661996177/knismolagnia

Right Diagnosis (2012). Knismolagnia. Located at: http://www.rightdiagnosis.com/k/knismolagnia/intro.htm

Romano, A. (2016). New documentary ‘Tickled’ takes you into a world of sexual fetishes, catfishing, and internet secrets unearthed. Vox, June 21. Located at: http://www.vox.com/2016/6/21/11963566/tickled-competitive-tickling-documentary-explained

Wikipedia (2012). Catfishing. Located at: https://en.wikipedia.org/wiki/Catfishing

Wikipedia (2012). Tickled. Located at: https://en.wikipedia.org/wiki/Tickled

Wikipedia (2012). Tickling game. Located at: http://en.wikipedia.org/wiki/Tickling_game

Getting to the point: A brief look at injection fetishes

In a previous blog I examined ‘medical fetishism’. One of the sub-types of medical fetishism comprises individuals who derive sexual pleasure and arousal from being the recipients of a medical or clinical procedure (typically some kind of bodily examination). This includes genital and urological examinations (e.g., a gynaecological examination), genital procedures (e.g., fitting a catheter or menstrual cup), rectal procedures (e.g., inserting suppositories, taking a rectal temperature, prostate massage), the application of medical dressings and accessories (e.g., putting on a bandage or nappy, fitting a dental retainer, putting someone’s arm in plaster), and the application and fitting of medical devices (e.g., fitting a splint, orthopaedic cast or brace).

One type of medical fetish that I did not mention was that involving individuals that have ‘injection fetishes’. Obviously this fetish appears to be a very niche sexual behaviour within medical fetishism but there are various online forums and websites that cater for individuals who derive sexual pleasure from the giving or receiving of injections (or watching such acts). For instance, there is a dedicated forum within the Voy.com website where individuals share their injection stories, the Real Injection website (which features stories and clips from films and news stories where injections are administered), the Needing Needles page on Tumblr (which mainly consists of photographic pictures featuring hypodermic needles), The Injection Girls website (which doesn’t appear to be overtly sexual but would be highly arousing for those with an injection fetish), the Fetish Clinic website (featuring lots of medical fetish videos including injections), and even a dedicated Facebook page on the topic.

In researching this article I came across many online accounts (of various degrees of detail) of people claiming to have an injection fetish. I can’t vouch for the veracity of the statements but they appeared genuine to me:

  • Extract 1: “I am an injection fetish person. [I] Iike to watch injection pictures [and] videos particularly a female being the administrator”.
  • Extract 2: “At [the] age of 18 [years] I was hospitalized for a week. I had to [have an] injection every day [from a] nurse…On [the] first two days she told me to lower my pants [to give the] injection. [She] slowly injected the needle in my fatty butt. On [the] third day I told her to [take] down my jeans by herself. First she hesitated, but [did] it. [The] next day she came and [did it without me asking]. She lowered my jeans…[and] gave [me the] injection on [my] butt…She gave me injections and then made me horny by keeping her hand & finger on [where she had injected me. It felt] uncomfortable. but she still smiled. She obviously teased me and on the same day I [returned] home with an injection fetish”.
  • Extract 3: “I ejaculate [and am] more happy if a nice woman dressed in nurse [gives] me an injection…I like very much the preparation protocol before injection…I have [had] this fetish since I received [my] first injection made by a nurse when I was 10 years old…This is a nice fetish. I know that is not very common but I know some people [who] like it, so we are not alone [in having] curious pleasures”.
  • Extract 4: “I have an injection fetish…When I was younger I got a shot from a nurse and after injected she was getting very fresh and touchy with me. I could not turn her down when she said we must go somewhere and get it on…I have never felt so satisfied after she [injected] me. That’s where it started. She was forceful and demanding. The [injection] shot was large and scary. I wasn’t real thrilled about getting it but she said it [was in my] best interest. So I bent over. She swabbed me. I was a bit resistant. She was persuasive in her words…It was hurting. Then while she was injecting that was hurting too. I was squirming and moaning. But I would love for this to happen again someday”
  • Extract 5: “I have an ‘injection fetish’. That means that I get only sexually attracted when thinking about women getting injections in their butt. I also like to have fantasies about myself getting injections in the butt by woman. This fetish is apparently rare, but also not that uncommon…As such, a fetish might not be something bad, but this one prevents me from having orgasm in normal sexual intercourse. The female vagina does not sexually really attract me…It basically destroys any relationship because I cannot have an orgasm or ejaculate during normal sexual intercourse…Has this specific type of medical fetish (or similar ones…suppositories, enemas, gyno) been researched in medical/psychological science? Once I know where this [fetish] is from, I can understand it and I can control it…To me, it appears I had this fetish from day one (of course, that was not the case, but [that is how] it feels)”.

Unlike the others quoted here, this last extract is from a person also provided further description about himself. He was 39 years of age when he posted his comments and claimed to have developed the fetish in childhood some time between the ages of six to eight years. He claims not to know where the fetish originated, and his only description of his childhood was that he had a father who used to beat him and who wouldn’t let him bring any friends to his house (including girlfriends). Although the accounts here are brief, all five are males, and three of the five extracts mention getting an injection from a nurse at some point on their lives had kick-started their injection fetish and would appear to suggest that associative pairing took place and that their sexual arousal from injections arises as a result of classical conditioning.

It’s also worth mentioning that there are also hard-core pornographic films where injections are central to the ‘plot’ – the 2011 film Lethal Injection being the most infamous example. (I say “infamous” because many newspapers – such as a piece in the Daily Mail – reported that China’s leading state-run news agency Xinhua posted the screen shots from the film on its website under the headline ‘Actual Record of Female Inmate’s Execution – Exposing the World’s Darkest Side’ and claimed it showed a real execution by lethal injection in the United States. In the film itself, a doctor has sex with a woman after she has been given a lethal injection and arguably is more about necrophilia and lust murders than it is about injection fetishes).

Academically, I’m not aware of any research specifically focusing on injection fetishes although a paper by Dr. Allen Bartholomew published back in 1973 in the Australian and New Zealand Journal of Psychiatry alluded to behaviours that have similarities to injection fetishes. Bartholomew was studying the characteristics of intravenous drug users and noted three cases of autohaemofetishism (i.e., deriving sexual pleasure from sight of blood drawn into a syringe during intravenous drug practice, something that I briefly mentioned in a previous blog on vampirism as a sexual paraphilia). He also noted three cases of ‘injection masochism’ in which users were sexually aroused from giving themselves injections. In both of these two features, it was argued by Bartholomew that both of the two features were considered to be brought about by classical conditioning.

More recently, in 2012 issue of the journal Rhizomes in Emerging Knowledge, Dr. Varpu Rantala examined the recurrence of drug injection scenes in contemporary mainstream cinema from a cultural studies perspective. She argued that in cinematic terms:

Injection is a fetish – not only of drug users but a collective one. The injection shots momentarily fix the images of what is thinkable and sayable about intravenous drug use, centering it on an overindulgence in injection and reducing ‘addicted bodies”.

However, the word ‘fetish’ in this context is not being used in any sexual sense. She also makes reference to the portrayal of drug addicts in the work of US writer William Burroughs. Again, this is not used in a sexual sense but she does make some interesting observations about obsession and addiction:

The coolness in Burroughs’s description of a junkie is paradoxically both ice-cold and mobilizing, or attractive, as understood in relation to the attraction image. These images may also be fetishized. Intravenous drug users may develop a fetish for injection, the ‘needle fixation’, an addiction to the injection itself that is often experienced as both repulsive and seductive (Pates et al 2001). But, it seems that “needle fixation” is not only about intravenous drug users: this kind of ambiguous fascination with the injection image as part of late modern mainstream everyday audiovisual culture may even be described a ‘cinematic obsession’: as the ‘hold [of drugs] on the modern imagination [is] seemingly as strong as the hold it has over those addicted to it’ (Boothroyd 2007, 9), ‘it is the ambiguity and duality of the symbolism [of the syringe] that is the source for conflict, and intense pleasurable obsession’ (Fitzgerald 2010, 205). The recurrence of these images in their over-indulgence of sensuous material of extreme explicitness reminds one of the processes of addiction as unwilled repetition of excessive sensual experience: a cinematic addiction…Repetitive, fixed and fetishized, late modern drug injection images are clichés that may ‘penetrate each one of us’ (Deleuze 2005, 212). This may also be about an intense encounter that moves us. In case of the injection shot, they form a place of intensity in a film; an attraction image (Gunning 1990) that reaches towards the viewer and that Williams (1991) has further discussed with respect to porn, horror and melodrama”

Finally, (and staying with films), a few years ago there was an interesting article on the Hannibal Studio Lo website (a site dedicated to critical analysis of all things Hannibal Lecter). Unfortunately, the website is no longer on the internet but one of the contributors to the site made the observation that the author of all the ‘Hannibal Lecter’ books (Thomas Harris) has (in his writing) a fetish for injections, a love-hate relationship for the meaning of getting an injection and its purpose”. The article made references to the many passages in Harris’ books that concern injections but asserts that:

“The most impressive descriptions of injections in the [novel] of ‘Hannibal’ are those given by Dr. Lecter to Clarice Starling. Appearing in Chapter 94 there is a ‘Tiny sting of the finest needle – Starling did not even look down’ and in Chapter 91 there is ‘Day and evening again, the smell of fresh flowers in the house, and once the faint sting of a needle’. The essence of those injections, which would lead her from one life to another and help her cross the final threshold to her transformation. So what do you think is the significance of injections according to the Harris realm? Could it be that one of the ingredients of a dark and profound romance is the intimate enigmatic comfort of Hannibal’s injections? I think it is very interesting to note how Harris’s equation promises that from an ambiguous act that could be considered controlling, true freedom and tranquility are born”.

Dr. Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

(Note: the original weblink for the article concerning Thomas Harris’ “fetish for injections” was at: http://www.hannibalstudiolo.com/phpBB2/viewtopic.php?t=1095&start=-1&sid=0f25ca4b4c2dca0bd9f85038ae600a03)

Further reading

Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.

Bartholomew, A. A. (1973). Two features occasionally associated with intravenous drug users: A note. Australian and New Zealand Journal of Psychiatry, 7(3), 206-207.

Bizarre Magazine (2010). Medical fetishism. December 1. Located at: http://www.bizarremag.com/fetish/fetish/10393/medical_fetish.html?xc=1

Boothroyd, D. (2007). Cinematic heroin and narcotic modernity. In Ahrens, R. and Stierstorfer, K. (eds.), Symbolism: An International Annual of Critical Aesthetics (pp. 7-28). New York: AMS Press.

Deleuze, G. (2005a) Cinema 1: The Movement-Image. London: Continuum.

Fitzgerald, J. (2010). Images of the desire for drugs. Health Sociology Review, 12(2), 205-217.

Pates, R.M., McBride, A.J., Ball, N. & Arnold, K (2001). Towards an holistic understanding of injecting drug use: An overview of needle fixation. Addiction Research and Theory, 9, 3-17.

Rantala, V. (2012). Hardcore: Schizoanalysis as audiovisual thinking of cinematic drug injection images. Rhizomes: Cultural Studies in Emerging Knowledge, 24, 1-12

Wikipedia (2012). Medical fetishism. Located at: http://en.wikipedia.org/wiki/Medical_fetishism

Williams, L. (1991). Film bodies: Gender, genre and excess. Film Quarterly, 44(4), 2-13.

Imitate modern: Why do people commit copycat killings?

The nine people murdered in Munich a couple of days ago by 18-year-old German-Iranian gunman David Ali Sonboly made headlines around the world. It has been claimed that Sonboly (who subsequently killed himself) was obsessed with mass shootings” and that the police found lots of material in his room about mass killings including the massacre by Norway’s Anders Behring Breivik. Whether the murders by Sonboly are ‘copycat’ killings remains to be determined but there are dozens of other cases where copycat killings have been proven.

Back in 2014, the gruesome killing of two prostitutes in Hong King by British banking trader Rurik Jutting drew comparisons with the fictional character Patrick Bateman, the Wall Street investment banker and serial killer in the film American Psycho (based on the Bret Easton Ellis book of the same name).

As you might expect, a copycat murder is defined as a murder that has been modelled, motivated and/or inspired either by a real life murderer that has been reported by the print or broadcast media, or is based on a murderer portrayed in books, television or film. The term ‘copycat killer’ has been in use for almost 100 years and was first used in relation to murders that mimicked those of Jack the Ripper. Early research by criminologists began to speculate that the sensationalist publicity in the print media about the Ripper murders was the inspiration for Ripper-like copycat killings.

In addition to murder, copycat crimes have been shown to occur in many other equally destructive acts including suicides, murder-suicides, familicides, and rampage killings. Arguably the most well known writing on the topic was Loren Coleman’s 2004 book The Copycat Effect. Coleman believes that because shocking crimes receive widespread media publicity it makes the perpetrators infamous. He argues that the notoriety and ‘fame’ that serial killers receive is one of the main reasons why copycats commit similar crimes. Put more simply, copycats may believe that by committing heinous crimes, they may end up being the subject of a book or film themselves. The Copycat Effect is so well known that it was even the subject of a Hollywood film – the 1995 psychological thriller Copycat starring Sigourney Weaver as a criminal psychologist involved in a case where each murder in the film is made by a serial killer meticulously copying previous high profile murderers such as Ted Bundy, Jeffrey Dahmer (the ‘Milwaukie Cannibal’), David Berkowitz (the ‘Son of Sam’), and the Hillside Strangler (actually two men, Kenneth Bianchi and Angelo Buono).

But is the media to blame for copycat murders? Well, partly – but not totally. Research has shown that although most people convicted of copycat murders admit to being motivated by something they had seen on the news or in a film, they already had a criminal record (often violent crime) and/or were mentally ill before they began killing. What this suggests is that media coverage and fictionalized accounts of serial killers tend to affect those that already have a criminal predisposition and/or mental health issues rather than have a more widespread effect on people more generally. In such extreme and minority cases, it does appear that watching or reading about high profile murderers (e.g., Jeffrey Dahmer, Ed Gein) or infamous fictionalised killers (e.g., Dexter Morgan in Dexter or Patrick Batemen in American Psycho) does at the very least give emotionally undeveloped people ideas on how they could kill someone.

Copycat murderers do appear to realise that the more shocking and heinous the killing, the more newsworthy it will be. This also appears to have had an impact on films too. It appears some cinema-going audience want to see more depraved, deranged and twisted ways in which people can be killed (as evidenced by the so-called ‘torture porn’ franchises of Saw and Hostel). The more blood and pain, the better. Methods to kill in such films may be the inspiration of copycat killers to come.

Although there is a relationship between copycat killers and what they have seen or read about in the media, there are many other risk factors that have been associated with (and have an interplay with) copycat killings. Men are more likely to be copycat killers than females, and many copycat killers are young adults (below the age of 30 years). Copycat killers are more likely to suffer from personality (and other mental health) disorders, come from socially dysfunctional and alienating family backgrounds, be emotionally vulnerable, be trusting of the media, and – as noted above – a previous criminal history (as well as self-identifying with criminals they have watched or seen in fact and/or fiction).

Psychologists have also noted there appears to be a natural human inhibition against killing (even in acts of lawful killing such as fighting in a war). However, if individuals adopt some kind of a persona, such inhibitions can be reduced (often referred to by psychologists as ‘depersonalization’). If copycat killers temporarily take on the persona of the person they are copying in addition to the act of killing, this may also play a contributory role in some of their actions. American evolutionary psychologist Dr.Nigel Barber has also noted in relation to rampage killing that: “Most copycats have their private agenda in a rampage killing but seek to tie it in to other events that received a lot of publicity. In this way, they bask in the reflected publicity, so to speak. In many cases, the rampage killer wants to commit suicide but opts to take others with him”.

Although there are many reasons as to how and why an individual becomes a copycat killer, the evidence does seem to suggest that the media perhaps need to take a more cautionary approach when reporting the details of murders, and also suggests that the police and other criminal agencies should not go into every detail about how the murders were committed. Such actions alone will not stop copycat killings, but it may help reduce the overall number occurring in the first place.

(Material in this blog first appeared in an article I wrote for The Independent in November 2014 – see ‘Further reading’ below)

Dr. Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Barber, N. (2012). Copycat killings: Making sense of the senseless. Psychology Today, July 27. Located at: https://www.psychologytoday.com/blog/the-human-beast/201207/copycat-killings

Boyle, K. (2001). What’s natural about killing? Gender, copycat violence and Natural Born Killers. Journal of Gender Studies, 10(3), 311-321.

Coleman, L. (2004). The copycat effect: How the media and popular culture trigger the mayhem in tomorrow’s headlines. New York: Simon and Schuster.

Fox, J.A., & Levin, J. (2014). Extreme killing: Understanding serial and mass murder. London: Sage.

Griffiths, M.D. (2014). Hong Kong murder: Why do people commit copycat killings? The Independent, November 4. Located at: http://www.independent.co.uk/life-style/health-and-families/features/hong-kong-murder-why-do-people-commit-copycat-killings-9838892.html

Kunich, J.C. (2000). Natural born copycat killers and the law of shock torts. Washington University Law Quarterly, 78(4), 1157-1270.

Surette, R. (2002). Self-reported copycat crime among a population of serious and violent juvenile offenders. Crime and Delinquency, 48(1), 46-69.

Wikipedia (2016). Copycat crime. Located at: https://en.wikipedia.org/wiki/Copycat_crime

More term warfare: Is the concept of ‘internet addiction’ a misnomer?

A recent study by Professor Phil Reed and his colleagues published in the Journal of Clinical Psychiatry provided some experimental evidence that internet addicts may be conditioned by what they view on the screen. Given that I was the first person in the world to publish an academic paper on internet addiction back in November 1996 it’s good to see that the number of studies into internet addiction has grown substantially over the last 20 years and that there are now hundreds of studies that have investigated the disorder worldwide in many different ways.

This newly published study is one of the few in the field that has investigated internet addiction from an experimental perspective (as opposed the majority that use self-report survey methods and the increasing number of neuroimaging studies examining what happens inside the brains of those who spend excessive amounts of time online).

Professor Reed’s study involved 100 adult volunteers who were deprived of internet access for four hours. The research team then asked the participants to name a colour (the first one that they could think of) and then gave them 15 minutes to access any websites that they wanted to on the internet. The research team monitored all the sites that the participants visited and after the 15-minute period they were again asked to think of the first colour that came to mind. The participants were also asked to complete various psychometric questionnaires including the Internet Addiction Test (IAT). The IAT is a 20-item test where each item is scored from 0 [not applicable] or 1 [rarely] up to 5 [always]. An example item is How often do you check your e-mail before something else that you need to do?” Those scoring 80 or above (out of 100) are typically defined as having a probable addiction to the internet by those who have used the IAT in previous studies.

Those classed as “high problem [internet] users” on the basis of IAT scores (and who were deprived internet access) were more likely to choose a colour that was prominent on the websites they visited during the 15-minute period after internet deprivation. This wasn’t found in those not classed as internet addicts. Professor Reed said:

“The internet addicts chose a colour associated with the websites they had just visited [and] suggests that aspects of the websites viewed after a period without the net became positively valued. Similar findings have been seen with people who misuse substances, with previous studies showing that a cue associated with any drug that relieves withdrawal becomes positively valued itself. This is the first time though that such an effect has been seen for a behavioural addiction like problematic internet usage”.

While this is an interesting finding there are some major shortcomings both from a methodological standpoint and from a more conceptual angle. Firstly, the number of high problem internet users that were deprived internet access for four hours comprised just 12 individuals so the sample size was incredibly low. Secondly, the individuals classed as high problem internet users had IAT scores ranging from 40 to 72. In short, it is highly unlikely that any of the participants were actually addicted to the internet. Thirdly, although the IAT is arguably the most used screen in the field, it has questionable reliability and validity and is now very out-dated (having been devised in 1998) and does not use the criteria suggested for Internet Disorder in the latest (fifth) edition of the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders (DSM-5). Using more recently developed instruments such as our own Internet Disorder Scale would have perhaps overcome some of these problems.

There are also much wider problems with the use of the term ‘internet addiction’ as most studies in the field have really investigated addictions on the internet rather than to the internet. For instance, individuals addicted to online gaming, online gambling or online shopping are not internet addicts. They are gambling addicts, gaming addicts or shopping addicts that are using the medium of the internet to engage in their addictive behaviour. There are of course some activities – such as social networking – that could be argued to be a genuine type of internet addiction as such activities only take place online. However, the addiction is to an application rather than the internet itself and this should be termed social networking addiction rather than internet addiction. In short, the overwhelming majority of so-called internet addicts are no more addicted to the internet than alcoholics are addicted to the bottle.

A shorter version of this article was first published in The Conversation

Dr Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Griffiths, M.D. & Kuss, D.J. (2015). Online addictions: The case of gambling, video gaming, and social networking. In Sundar, S.S. (Ed.), Handbook of the Psychology of Communication Technology (pp.384-403). Chichester: Wiley-Blackwell.

Griffiths, M.D., Kuss, D.J. & Demetrovics, Z. (2014). Social networking addiction: An overview of preliminary findings. In K. Rosenberg & L. Feder (Eds.), Behavioral Addictions: Criteria, Evidence and Treatment (pp.119-141). New York: Elsevier.

Griffiths, M.D., Kuss, D.J., Billieux J. & Pontes, H.M. (2016). The evolution of internet addiction: A global perspective. Addictive Behaviors, 53, 193–195.

Griffiths, M.D. & Pontes, H.M. (2014). Internet addiction disorder and internet gaming disorder are not the same. Journal of Addiction Research and Therapy, 5: e124. doi:10.4172/2155-6105.1000e124.

Kuss, D.J. & Griffiths, M.D. (2015). Internet Addiction in Psychotherapy. Basingstoke: Palgrave Macmillan.

Kuss, D.J., Griffiths, M.D., Karila, L. & Billieux, J. (2014). Internet addiction: A systematic review of epidemiological research for the last decade. Current Pharmaceutical Design, 20, 4026-4052.

Osborne, L. A., Romano, M., Re, F., Roaro, A., Truzoli, R., & Reed, P. (2016). Evidence for an internet addiction disorder: internet exposure reinforces color preference in withdrawn problem users. Journal of Clinical Psychiatry, 77(2), 269-274.

Pontes, H.M., Kuss, D.J. & Griffiths, M.D. (2015). The clinical psychology of Internet addiction: A review of its conceptualization, prevalence, neuronal processes, and implications for treatment. Neuroscience and Neuroeconomics, 4, 11-23.

Pontes, H.M., Szabo, A. & Griffiths, M.D. (2015). The impact of Internet-based specific activities on the perceptions of Internet Addiction, Quality of Life, and excessive usage: A cross-sectional study. Addictive Behaviors Reports, 1, 19-25.

The beast inside: The psychology of animal torture

A few days ago, I was interviewed by the Irish newspaper The Journal about someone deliberately trying to poison a dog by throwing three rat poison-stuffed chorizo sausages into Linda O’Byrne’s garden. But what typically possesses anyone to inflict such acts of intentional animal torture and cruelty (IATC)? In this particular case it may have been done as an act of revenge or as a way to shock O’Byrne to the amusement of the person who did it.

In addition to these reasons, rhere are many types of IATC including individuals that do it (i) as a religious ritual sacrifice, (ii) as an ‘artistic’ sacrifice (e.g., killing animals in films such as the controversial Cannibal Holocaust), (iii) because they have psychological disorders (such as anti-social/psychopathic personality disorders and engage in deliberate acts of zoosadism), and/or (iv) because they have sexually paraphilic disorders (such as crush fetishism in which small animals are crushed for sexual pleasure). Additionally, there is some research showing that in some circumstances, IATC is sometimes used to coerce, control and intimidate women and/or children to be silent about domestic abuse within the home. Although any animal torture is shocking, arguably the most disturbing type of IATC is that which occurs amongst those with anti-social personality disorders.

When the science of behavioural profiling began to emerge in the 1970s, one of the most consistent findings reported by the FBI profiling unit was that childhood IATC appeared to be a common behaviour among serial murderers and rapists (i.e., those with psychopathic traits characterized by impulsivity, selfishness, and lack of remorse). Many notorious serial killers – such as Jeffrey Dahmer – began by torturing and killing animals in their childhood. Dahmer also collected animal roadkill, dissected the remains, and masturbated over the animals he had cut up. Other killers known to have engaged in childhood IATC include child murderer Mary Bell (who throttled pigeons), Jamie Bulger’s murderer Robert Thompson who (who was cruel to household pets), and Moors murderer Ian Brady (who abused animals).

IATC is one of the three adolescent behaviours in what is often referred to the ‘Homicidal Triad’ (the other two being persistent bedwetting and obsessive fire-setting). Some criminologists and psychologists believe that the combination of two or more of these three behaviours increases the risk of homicidal behaviour in adult life. However, scientific evidence for this has been mixed. There has also been research into some of the contributory factors as to why a minority of children engage in IATC. Research has shown that the behaviours in the ‘Homicidal Triad’ (including IATC) are often associated with parental abuse, parental brutality (and witnessing domestic violence), and/or parental neglect.

A number of criminological studies have shown that around a third to a half of all sexual murderers have abused animals during childhood and/or adolescence (although I ought to add that sample sizes in most of these published studies are usually relatively small). However, most research has reported that one of the most important ‘warning signs’ and risk factors (specifically relating to the propensity for sex offending), is animal cruelty if accompanied by a sexual interest in animals. Other researchers have speculated that the zoosadistic acts among male adolescents may be connected to problems of puberty and proving virility.

Another ‘triad’ of psychological factors that have been associated with IATC are three specific characteristics of personality – Machiavellianism, narcissism, and psychopathy (the so-called ‘Dark Triad’). Studies carried out by Dr. Phillip Kavanagh and his colleagues have examined the relationship between the three Dark Triad personality traits and attitudes towards animal abuse and self-reported acts of animal cruelty. They found that the psychopathy trait is related to intentionally hurting or torturing animals, and was also a composite measure of all three Dark Triad traits.

In Germany, there have been an increasing number of violent crimes against horses. This offence of ‘horse ripping’ (i.e., violently cutting, slashing and/or stabbing of horses) has been accepted as a criminal phenomenon in Germany and has led to a number of studies on the topic. Horse ripping has been defined as a destructive act “with the aim to harm a horse or the acceptance of a possible injury of a horse, especially killing, maltreatment, mutilation and sexual abuse in sadomasochistic context”. In 2002, German researchers Dr, Claus Bartmann and Dr. Peter Wohlsein reported a study examining 193 traumatic horse injuries over a four-year period. They reported that at least ten of the injuries (including wounds from knives, spears, and guns) were acts of zoosadism.

There is no easy solution to childhood IATC. Given that most children learn anti-social behaviour from those around them, the best way to prevent it is teaching by example. Here, parents are the key. Pro-social behaviour by parents and other role models towards animals (such as rescuing spiders in the bath, feeding birds, treating pets as a member of the family) has the potential to make a positive lasting impression on children.

Note: A version of this article was first published in The Independent.

Dr. Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Arluke, A., Levin, J., Luke, C., & Ascione, F. (1999). The relationship of animal abuse to violence and other forms of antisocial behavior. Journal of Interpersonal Violence, 14(9), 963-975.

Bartmann, C.P. & Wohlsein, P. (2002). Injuries caused by outside violence with forensic importance in horses. Dtsch Tierarztl Wochenschr, 109, 112-115.

Beetz, Andrea (2002). Love, Violence, and Sexuality in Relationships between Humans and Animals. Germany: Shaker Verlag.

Beirne, P. (1999). For a nonspeciesist criminology: Animal abuse as an object of study. Criminology, 37(1), 117-148.

Felthous, A.R. (1980). Aggression against cats, dogs, and people. Child Psychiatry and Human Development, 10, 169-177.

Furnham, A., Richards, S. C., & Paulhus, D. L. (2013). The Dark Triad of personality: A 10 year review. Social and Personality Psychology Compass, 7(3), 199-216.

Hickey, E. W. (2013). Serial murderers and their victims. Cengage Learning.

James, S., Kavanagh, P. S., Jonason, P. K., Chonody, J. M., & Scrutton, H. E. (2014). The Dark Triad, schadenfreude, and sensational interests: Dark personalities, dark emotions, and dark behaviors. Personality and Individual Differences, 68, 211-216.

Jonason, P. K., & Kavanagh, P. (2010). The dark side of love: Love styles and the Dark Triad. Personality and Individual Differences, 49(6), 606-610.

Kavanagh, P. S., Signal, T. D., & Taylor, N. (2013). The Dark Triad and animal cruelty: Dark personalities, dark attitudes, and dark behaviors. Personality and Individual Differences, 55(6), 666-670.

Macdonald, J.M. (1963). The threat to kill. American Journal of Psychiatry, 120, 125-130.

Patterson‐Kane, E. G., & Piper, H. (2009). Animal abuse as a sentinel for human violence: A critique. Journal of Social Issues, 65(3), 589-614.

Ressler, R., Burgess, A., & Douglas, J. (1988). Sexual homicide: Patterns and motives. Lanham, MD: Lexington Books.

Schedel-Stupperich, A. (2002). [Criminal acts against horses – phenomenology and psychosocial construct]. Dtsch Tierarztl Wochenschr, 109, 116-119.

Wochner, M. & Klosinski, G. (1988). Child and adolescent psychiatry aspects of animal abuse (a comparison with aggressive patients in child and adolescent psychiatry). Schweiz Arch Neurol Psychiatry, 139(3), 59-67.

Giving someone the hot shoulder: Omosophilia and the naming of a new paraphilia

While researching previous blogs on sexual piggybacking and ‘lift and carry’ fetishism, I noticed that when the words ‘shoulder’ and ‘fetish’ were in the same Google search, I came across a number of discussion sites where people were discussing their fetishes for shoulders. Here are a few of the cases that I came across:

  • Extract 1 (male): “I’ve never been into women wearing make-up, loads of perfume, and all that jazz, but for some reason, seeing the bare shoulders of a woman really makes me excited. Not that I want to have sex with the shoulders, but that they simply look hot, sort of like the way most men view breasts. Is this normal, psychologically?”
  • Extract 2 (male): “I love a woman’s exposed shoulders. I’m very attracted to them, my major turn on. I love how they look [and] how they feel. Talking about their shoulders really turns me on”
  • Extract 3 (male): “I also get turned on by the sight of a woman’s bare shoulders. That is why I love to see women in tank tops, halter tops, sleeveless tops, and off-the-shoulder tops (my favorite)”
  • Extract 4 (male): “Broad shoulders are a pretty common turn on for women anyway”.
  • Extract 5 (male): I’m not into panties, lingerie, or wearing make up, but I’ve always had an attraction to sexy female tops. I have always had a fetish about seeing a woman’s bare shoulders and got off many times fantasizing about them. Not taking it a step further, I’ve always loved wearing female sleeveless blouses and tops. I know they make tank tops for guys, but it’s not the same thrill as wearing a woman’s black, sleeveless, turtleneck jersey. I also enjoy wearing halter tops, tube tops, camies, one-shoulder tanks, and leotards, which I wear openly at the gym. I never feel as liberated as when I’m out in public with my shoulders bare. I’ve never met anyone else who’s into this with whom I could share my fantasy. But I would like to hear from anybody who is, be it man or woman, who may also have this fetish”
  • Extract 6 (male): “I have a fetish of girls sitting on my shoulders…I’ve loved this ever since I can remember…even before I knew what sex was. I have a female friend, and one time me, her, and one of her friends were walking through a field at night, and her friend said she was afraid of getting ticks and asked to sit on my shoulders. I lifted her up, and after awhile she started like bossing me around, telling me where to stand, etc…I enjoyed this. Is this fetish healthy? Sometimes I wonder if I let people push me around in life because of this fetish”
  • Extract 7 (male): I find a sexual partner’s shoulders really arousing, on both men and women. Am I in the minority or is it pretty normal?”
  • Extract 8 (male): This will probably sound strange, but I have a shoulder fetish. A beautiful girl, in a cute pose, with her shoulder exposed, absolutely makes my heart race”

Admittedly, there is little detail in these extracts and I have no way of knowing to what extent any of the extracts I have selected are truthful (although I have no reason to suspect anyone was lying). As there is little detail here, there was almost nothing on how the interest developed apart from Extract 6 where the interest in shoulders was more to do with the act of a female sitting on his shoulders rather than fetishizing the shoulders themselves. Here, the fetish (if it really is a fetish) is more akin to ‘lift and carry’ fetishes with overtones of sexual masochism (i.e., being bossed around by a female and getting a sexual thrill from it).

All of the extracts were from males (presumably heterosexual apart from Extract 5 who may be bisexual and/or a transvestite based on the small amount of information provided). Although I could reasonably conclude that shoulder fetishes are primarily male-based, I did deliberately include the comment made by a male in Extract 4 who pointed out that women often remark on the sexiness and attractiveness of men that have broad shoulders. This observation made the implied point that it is almost the norm for some women to find men’s shoulders a sexual turn-on but may be rare for men to comment on the attractiveness of women’s shoulders. Basically, when women talk about the attractiveness of men’s shoulders it is normalized whereas when men talk about the attractiveness of women’s shoulders it is fetishized.

As far as I am aware, not only is there no academic or clinical research on the topic of shoulder fetishes, but there aren’t even any articles (this I believe is the first ever article on the topic). There was nothing between ‘shaving’ and ‘showers’ in Dr. Brenda Love’s Encyclopedia of Unusual Sex Practices and nothing in Dr. Anil Aggrawal’s Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Shoulders weren’t even mentioned in the list of fetishized body parts in Dr. C. Scorolli and colleagues’ excellent paper on the prevalence of fetishes in their 2007 paper in the International Journal of Impotence Research (a study I have cited countless times in relation to my blogs on other sexualized body parts). Given the complete lack of scientific study relating to shoulder fetishes I have decided to name a new paraphilia based on traditional nosology using the Greek words for ‘shoulder’ (omos) and ‘love’ (philia) – thus this ‘new’ paraphilia is called omosophilia (not to be confused with ‘osmophilia’ – where individuals derive sexual pleasure from certain smells and odours).

Dr Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.

Gates, K. (2000). Deviant desires: Incredibly strange sex. New York: Juno Books.

Love, B. (2001). Encyclopedia of Unusual Sex Practices. London: Greenwich Editions.

Scorolli, C., Ghirlanda, S., Enquist, M., Zattoni, S. & Jannini, E.A. (2007). Relative prevalence of different fetishes. International Journal of Impotence Research, 19, 432-437.

Mack, the life: The psychology of Billy Mackenzie and The Associates

For the past month, the only music I have listened to on my iPod is all the albums by The Associates (along with the solo albums by their lead singer Billy Mackenzie), and have just finished reading Tom Doyle’s excellent biography of Mackenzie The Glamour Chasealso the title of their 1988 LP but remained unreleased until 2002). Mackenzie committed suicide in 1997, a few months before his 40th birthday. Following the death of his mother in the summer of 1996 (who he was very close to), Mackenzie became clinically depressed and took his on January 22nd, 1997 (following a previous suicide attempt on New Year’s Eve 1996).

I have loved The Associates since the early 1980s and became hooked on their music following the 1981 singles ‘White Car in Germany’ and ‘Message Oblique Speech’ (two of the great six singles they released that year and all available on their second LP, Fourth Drawer Down). Even if people don’t like Mackenzie’s recorded outputs, I doubt many people who have heard him sing would dispute how good his multi-octave voice was.

the-associates-billy-mackenzie-by-gilbert-blecken-1994-1images

Most people will know The Associates for their classic 1982 top ten album Sulk and the three British hit singles that year – ‘Party Fears Two’ (No.9), ‘Club Country’ (No.13), and ’18 Carat Love Affair’ (No. 21) but I’ve followed their whole career through thick and thin and have every one of their six albums (seven if you include the partial re-recording/remixing of their first album The Affectionate Punch) as well as the three BBC Radio 1 session LPs, the three compilation ‘greatest hits’ collections (Popera, Singles, and The Very Best of Associates), the rarities LP Double Hipness, and their only live album (Billy Mackenzie and The Associates In Concert).

Hailing from Dundee (Scotland), The Associates (Billy Mackenzie and Alan Rankine the two lynch-pin members) formed as punk exploded in 1976. Before changing their name to The Associates in 1979 they used the moniker Mental Torture (a name that biographer Doyle described as “biographically embarrassing”) but as a psychologist a choice of name that I find interesting. The ‘classic’ line-up of The Associates ended at the height of their commercial success in 1982 when Rankine left the band. Following that, many view the next three Associates’ LPs as Billy Mackenzie solo albums in all but name and that he never reached such critical acclaim ever again. That’s a viewpoint I share (despite there being many other great songs in his post-1982 catalogue). The creative and artistic chemistry he shared with Rankine was never bettered in the last 15 years of his life, and even the handful of demos he recorded with Rankine in a short-lived reunion in 1993 (available on the Double Hipness album and on the latest The Very Best of Associates compilation) clearly demonstrated Gestalt psychology’s underlying maxim that the whole was greater than the sum of its parts.

So what was it in Mackenzie’s psyche that killed the goose that laid the golden egg? Rankine didn’t leave the band because of clichéd “creative differences” but left after Mackenzie refused to go on a lucrative US tour (and Rankine knew that touring to promote their music was the only viable option to maintain a successful national and international profile). There appeared to be a combination of factors that led to Mackenzie’s decision including stage fright (i.e., performance anxiety which surfaced throughout his career) and the fact Mackenzie didn’t want to do the usual cycles of making an album, doing the obligatory media circuit, followed by the big tour. In short he didn’t want to play by the accepted rules and conventions – something the underpinned his whole persona. He wanted to be a ‘studio band’ – something that Rankine thought would never work.

My blog had always focused on life’s extremities and much of what Mackenzie did was about living life at the extreme. The liner notes of The Associates most recent CD compilation by Martin Aston neatly sums it up:

“In some ways, The Associates music mirrored their behavioural excess, pioneered by the naughty boy that was Billy Mackenzie, music both lush and visceral, abrasive and ravishing, pure pop and reckless adventurism, devoured and sprayed over an unsuspecting audience”.

(The “sprayed over an unsuspecting audience” was more in reference to the fact that Mackenzie had an unusual ‘gift’ of being able to projective vomit and something he demonstrated on fans in the front row in an early gig where The Associates supported Siouxsie and the Banshees). When it came to music, most of Mackenzie’s collaborators (musicians, singers, producers) describe him as obsessive and a perfectionist. Michael Dempsey, a founding member of The Cure and bass guitarist with The Associates in the early 1980s said: “He was obsessive, always on top of every detail. It was even down to whether you were wearing the right shoes because that was part of the composition and the production to him”. Tom Doyle’s biography is full of stories about Mackenzie taking hours in the studio to get the sound of one right or taking 40 takes to do one song (almost the opposite of David Bowie – one of Mackenzie’s musical heroes – who often recorded songs in one or two takes). Musical collaborators also talk about Mackenzie’s ability to “see” music in his head (which is perhaps not as strange as it sounds as there are countless reports in the psychological and neurological literature of synaesthesia (a neurological phenomenon in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway” – for example, some people can see specific colours when they hear a particular piece of music). His obsessiveness was not just restricted to music. His flatmates described his “mildly obsessive hygiene and beauty routines: using an entire tube of toothpaste in one single brushing, spending an eternity rubbing lotions into his skin before he would shave”.

Mackenzie arguably had only three passions in his life – his music, his family, and his love of dogs (and more specifically whippets). He never had any significant romantic relationship in his life (although had a very brief marriage in his teens to American Chloe Dummar when he briefly lived in California). Like Morrissey, Mackenzie was fiercely private about his sexuality and rarely talked about his personal life to the press. It was only in a 1994 interview in Time Out magazine that he first spoke publicly of his bisexuality. I mention Morrissey because it was rumoured that Mackenzie had a brief relationship with him and that Mackenzie was the subject of The Smiths‘ British (No.17) hit single ‘William, It Was Really Nothing’. This appeared to have some legitimacy when during the Associates brief 1993 re-union, Mackenzie wrote a song called ‘Stephen, You’re Really Something’ (Stephen, of course, being Morrissey’s first name).

In both Doyle’s biography (and in a profile piece on The Associates in the latest issue of Mojo magazine by Tom Sheehan), it is noted that Mackenzie had a “particular idea of his own sexuality” and that it was “beyond male and female, beyond sexuality”. Martha Ladly (of one-hit wonders Martha and the Muffins, and backing singer in The Associates in the 1980s) describes him as being “omnisexual…he didn’t see sexuality in people, he saw it in situations and in all things”. The online Urban Dictionary says that omnisexual is “generally interchangeable with pansexual, one whose romantic, emotional, or sexual attractions are geared towards others regardless of sex and/or gender expression” – check out my previous blog on pandrogyny in relation to Throbbing Gristle’s lead ‘singer’ Genesis P. Orridge). In the Mojo article, Rankine said Mackenzie was “very compartmentalised. All the way through [The Associates] it never occurred to me that Bill was having affairs. Everyone he came across he was shagging”. He was arguably a little vain (and overly conscious of his receding hairline in the last decade of his life) and always sought reassuring compliments from those around him about his looks. His obsessive grooming habits appear to provide a good indication of how important his look was to him but I’ve read nothing to suggest that he was narcissistic (although perfectionism is known to be a trait associated with narcissism).

The other personal characteristic that Mackenkie was infamous for was spending money and loved life’s luxuries. One of my research areas is shopping addiction and compulsive buying but on reading Doyle’s biography I don’t think Mackenzie would be classed as a shopaholic or compulsive spender by my own criteria (but did end up bankrupt so was a problematic spender at the very least). Like many people, Mackenzie believed that money was for spending and he spent loads of other people’s money (usually the record company’s) on everything from clothes and daily taxis (including many a black cab ride from London to Dundee), to the best hotel rooms. My view is that he was much more of an impulsive (rather than compulsive) spender.

Many people were surprised (including me) that he was clinically depressed during the last few months of his life because up to the point of his mother’s death, he appeared was always outgoing and extraverted. In his earlier life he was hedonistic and engaged in heavy alcohol drinking and recreational drug use but as he matured the use of psychoactive substances all but disappeared from his life. No-one around him thought he would be the type of person to commit suicide (although it’s worth noting there appears to be an association between perfectionism and depression, and depression is one of the major risk factors for suicide along with stress caused by severe financial difficulties).

One of Mackenzie’s best known songs in The Associates back catalogue is Rezső Seress’ Hungarian suicide song ‘Gloomy Sunday’ (from their 1982 masterpiece Sulk). The Wikipedia entry about the song has a dedicated sub-section on urban legends connected to the song and Doyle’s biography also discussed it:

“While Mackenzie had first encountered ‘Gloomy Sunday’ through the version recorded by Billie Holiday in 1941 that – along with ‘Strange Fruit‘ – remained one of the dark show-stoppers forming a significant element of her repertoire, the song has a morbid history that stretches back to pre-war Hungary. Rezro [sic] Seress composed the mournful song in 1933, the lyric expressing a feeling of futility and helplessness following the death of a loved one, unusual in that it is directed at the person, the narrator detailing numberless shadows and conveying thoughts of suicide”.

Doyle goes on to tell some of the stories that came to be associated with the song being cursed:

“The first reported death associated with ‘Gloomy Sunday’ was that of Joseph Keller, a Budapest shoemaker whose suicide note in 1936 quoted the lyric. In the Hungarian capital alone, seventeen other similar deaths apparently followed, bearing some connection with the song: a couple were said to have shot themselves while a gypsy band performed ‘Gloomy Sunday’; there was talk that a fourteen-year-old girl had thrown herself into a river clutching the sheet music. The song was eventually banned in Hungary, although even these days the occasional piano rendition is performed in the Kis Papa restaurant in Budapest where Seres first aired the song. The legend of ‘Gloomy Sunday’ grew as its apparent effects became further reaching. In New York in the [1940s], there were reports that a typist gassed herself, leaving instructions for the song to be played at her funeral. In London, a policeman was alerted to the fact that a recorded instrumental of the song was being repeatedly played by an unseen female neighbour who, when her flat was entered, was discovered to have overdosed on barbiturates while an automatic phonograph played the song over and over again. Doubtful these tales have been embellished over the years in an effort to emphasize the myth surrounding ‘Gloomy Sunday’, but certain facts remain: the BBC ban imposed on the song in the [1940s] has not been lifted to this day: Holiday suffered a tragic premature death at forty-three form heroin-related liver cirrhosis in 1959; Seress, the song’s composer, himself committed suicide in 1968”.

The Wikipedia entry on ‘Gloomy Sunday’ covers similar ground but is a bit more sceptical. It also references an article on the myth-busting website Snopes.com and notes the BBC ban on the song was lifted in 2002:

“Press reports in the 1930s associated at least nineteen suicides, both in Hungary and the United States, with ‘Gloomy Sunday’, but most of the deaths supposedly linked to it are difficult to verify. The urban legend appears to be, for the most part, simply an embellishment of the high number of Hungarian suicides that occurred in the decade when the song was composed due to other factors such as famine and poverty. No studies have drawn a clear link between the song and suicide. In January 1968, some thirty-five years after writing the song, its composer did commit suicide. The BBC banned Billie Holiday’s version of the song from being broadcast, as being detrimental to wartime morale, but allowed performances of instrumental versions. However, there is little evidence of any other radio bans; the BBC’s ban was lifted by 2002”.

Here is Doyle’s take in relation to Mackenzie in the months after Mackenzie’s mother had died where Mackenzie was having a ‘house leaving’ party:

“The personal grief at the time imbues the song’s lyrics an uneasy resonance that could not have escaped [Mackenzie]. As he lay there singing in the early hours of the Sunday morning following the party, Billy alternated the line ‘Let them not weep, let them know that I’m glad to go’ with his own lamenting alternative: ‘Let them not weep, let them know that I’m sad to go’”.

Arguably his life was a paradox personified. It took him years to get noticed but when he finally made the limelight, he appeared to shun the fame. He lived life his own way on his own terms. Thankfully, while Mackenzie is no longer with us, his music – and his legacy – lives on.

Dr. Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Dalton, S. (2016). 18-carat love affair. Electronic Sound, 2.0, 70-75.

Doyle, T. (2011). The Glamour Chase: The Maverick Life of Billy Mackenzie (Revised Edition). Edinburgh: Bloomsbury Publishing.

Mikkelson, D. (2007). Gloomy Sunday: Was the song ‘Gloomy Sunday’ banned because it led to too many suicides? Snopes.com, May 23. Located at: http://www.snopes.com/music/songs/gloomy.asp

Reynolds, S. (2006). Rip It Up and Start Again: Postpunk, 1978–1984. New York: Penguin.

Sheehan, T. (2016). Beautiful dreamer. Mojo, 272, 50-55.

Vive Le Rock (2016). A rough guide to…The Associates, Vive Le Rock, 35, 84-85.

Wikipedia (2016). Alan Rankine. Located at: https://en.wikipedia.org/wiki/Alan_Rankine

Wikipedia (2016). Billy Mackenzie. Located at: https://en.wikipedia.org/wiki/Billy_Mackenzie

Wikipedia (2016). Gloomy Sunday. Located at: https://en.wikipedia.org/wiki/Gloomy_Sunday

Wikipedia (2016). Martha Ladly. Located at: https://en.wikipedia.org/wiki/Martha_Ladly

Wikipedia (2016). Michael Dempsey. Located at: https://en.wikipedia.org/wiki/Michael_Dempsey

Wikipedia (2016). The Associates (band). Located at: https://en.wikipedia.org/wiki/The_Associates_(band)

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