Tongue-tied: A look inside the weird world of Japanese doorknob licking

Over the past three years or so, I have written a number of articles on various aspects and practices of Japanese sexual culture. These have included Oshouji (i.e., a calligraphy fetish where the decorative writing is done on a person’s – usually naked – body), Hentai (i.e., Japanese hardcore Manga cartoon pornography), Nyotaimori (i.e., eating a variety of foods or a whole meal off somebody’s naked body), Tamakeri (i.e., the masochistic practice of getting sexual pleasure and arousal from being kicked in the testicles), Burusera (i.e., Japanese shops that sell [amongst other things] soiled female undergarments and fetishist school uniforms), Omorashi (i.e., deriving sexual pleasure from having a full bladder or a sexual attraction to someone else experiencing the discomfort of a full bladder) and Shokushu Goukan (i.e., tentacle rape).

About 18 months ago, I came across the Art-Sheep website featuring loads of photographs of young Japanese women licking doorknobs. At first I thought it was some kind of spoof website but after a few hours of online research I realised that it was not a joke, and that there were a fair few articles examining the behaviour. For instance, an article on the Cracked website (‘The 6 Most Bizarre Safe For Work Fetishes’) claimed that the explanation for such sites was “straightforward” and that the Japanese pornography censorship laws are so draconian that it forces Japanese “to be more creative about what they masturbate to”. The article claimed:

“Anybody with a porn addiction can tell you, in order to keep things fresh, you have to get a bit weird. Japan, always on the cutting edge of innovation, simply took this idea and ran with it all the way to Planet Dick Tentacle, which brings us to these images of girls licking doorknobs…Men (and presumably some women) get turned on by the sight of females licking anything. The curse of being a woman is knowing that you can’t eat an ice cream cone or a banana in public without several nearby males achieving a state of semi-arousal”.

A number of online articles claim that because of the strict censorship laws in Japan, the country is “infamous for using a wide variety of stand-ins” for penises as there is a “crackdown on the depiction of genitalia” (so swords, fish, vegetables, and – as mentioned briefly above – tentacles, have been used as substitute phallic images). It has also meant that Japanese manga animators and videogame artists have become more innovative in displaying acts of sexuality. The Cracked article also claimed the doorknob licking trend “is a fairly big deal in Japan, even getting featured on national television”. But what is the attraction of seeing women specifically lick doorknobs (beyond the obvious phallic symbolism)? The Cracked article implies that it could be a masochistic act in that the women is typically viewed on her knees seen licking something that arguably has more bacteria on it than most other household items (bar the toilet), and that the act is therefore degrading and humiliating. Of all the images I have seen myself on various websites, all of the Japanese women were fully clothed (although some did appear to pander to clothing and uniform fetishes, such as the young women being dressed in schoolgirl uniforms, or for those with a fetish for spectacles).

A number of articles (such as those in the ‘Further reading’ list below) report that doorknob licking originated from the self-taught Japanese artist Ryuko Azuma renowned for his sexually provocative illustrations (you can check out some of his work here). More bizarrely, the impetus was (according to Azuma) “a drunken tweet…I tweeted that a collection of photos of a girl licking a doorknob [and thought it] would be a big hit”. The tweeted photographs went viral and subsequently featured on a Japanese television show. Azuma collaborated with a young photographer Ai Ehara, and ‘Doorknob Shojo’ (i.e., the ‘Doorknob Girl’) took on a life of its’ own. An article on the Kotaku website noted:

“The settings vary as much as the doorknobs, from nondescript apartments to crumbling Showa-era dwellings. The doors are typically closed, and the rooms are shut. The other side cannot be penetrated by the viewer, making the pictures, even when they are outside, closed. Some models play to the camera, other don’t. These are private moments, though, and the viewer is a fly on the wall – or door. Tropes that commonly appear in anime, manga, and video games populate the pictures. Some of the girls are wearing schoolbags or carrying phallic recorders and school notebooks. Some of the girls are in school uniforms. Others are dressed like female office workers and even have wear worker name badges around their necks. In Japan, where clothes were traditionally used to mark class and status, these are all identifiers and are used to provide enough information for the viewer to finish the story, making them as an essential part of the narrative. All of these items are meaningless alone. It’s the viewer, informed by popular culture like anime, TV, and games as well as real life, that gives them meaning”.

The photos appeared on Tumblr and featured Ehara herself. (You can have a look at the Tumblr photographs here). Following the viral success of the original photographs, Azuma and Ehara hired and photographed a number of models with their mouths on doorknobs and licking them. As the article in Kotaku noted:

“The photos depict a variety of young girls (shojo) with their mouths and tongues touching doorknobs. The imagery is sexually charged. Doorknobs are ubiquitous and common, bland and banal. Intrinsically, doorknobs are not sexual objects in the same way that, say, a banana is. Yet, their position on a door, require the girls to kneel and by placing their mouths on the knobs. It’s undeniably submissive. A doorknob is not necessarily a sexual object. Its purpose is to open doors. Licking is not only a sexual act. Its purpose is to taste. The juxtaposition comes across as titillation and provocative, designed to elicit a response. The photos might look submissive, or exploitive, but they confront the viewer, asking the question, ‘What do you see?’ The pictures can dominate and even exploit the viewer’s notions of foreplay. The photos are psychosexual, with the viewer, if he or she so chooses, filling in the blanks and replacing the boring with the sensual. For such a commonplace object, the doorknob is a perfect phallic symbol. Like [penises], doorknobs come in a variety of shapes and sizes, from short and fat to long and thin. And like [penises], doorknobs can transmit diseases”.

It’s hard to assess who accesses and enjoys such photos and I know of no non-Japanese sites that have featured such models. I’ll leave you with a quote from Azuma himself who claims that it is up to the person viewing to interpret his art:

“Basically, we shot whatever doorknobs were at the location. But just in case, I always carried a backup knob with me to switch out. I always think a work is completed by the viewer. So whatever the viewer brings to the work is sufficient…Many people feel like the photos are a metaphor for oral sex, but we’re not especially taking the photos with that in mind. See whatever you want to see”.

Dr Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Art-Sheep (2015). “Doorknob girl”: Japan and the trend of girls licking doorknobs. August 17. Located at: http://art-sheep.com/doorknob-girl-japan-and-the-trend-of-girls-licking-doorknobs/

Ashcraft, B. (2011). The art of girls licking doorknobs. Kotaku, August 9. Located at: http://kotaku.com/5838276/the-art-of-girls-licking-doorknobs/

The Chive (2015). Leave it to Japan to create the weirdest trend EVER. May 1. Located at: http://thechive.com/2012/01/05/leave-it-to-japan-to-create-the-weirdest-trend-ever-35-photos/

Ntumy, E.K. (2013). The 6 most bizarre safe for work fetishes. Cracked, November 2. Located at: http://www.cracked.com/article_20691_the-6-most-bizarre-safe-work-fetishes.html

Pam (2012). Crazy Japanese trends – Hard to resist? Imperfect Women, March 1. Located at: http://imperfectwomen.com/crazy-japanese-trends-–-hard-to-resist/

Sumitra (2012). Girls licking doorknobs – more madness from Japan. Oddity Central, January 13. Located at: http://www.odditycentral.com/pics/girls-licking-doorknobs-more-madness-from-japan.html

Write back: A brief look at Oshouji and sexual calligraphy

Anyone that has followed my blogs will know that I have more than a passing interest in Japanese sexual culture. For instance, in previous blogs I have briefly examined various Japanese sexual practices and sex-related topics including Tamakeri (i.e., the masochistic practice of getting sexual pleasure and arousal from being kicked in the testicles), Hentai (i.e., Japanese hardcore Manga cartoon pornography), Shokushu Goukan (i.e., tentacle rape), Nyotaimori (i.e., eating a variety of foods or a whole meal off somebody’s naked body), Omorashi (i.e., deriving sexual pleasure from having a full bladder or a sexual attraction to someone else experiencing the discomfort of a full bladder), and Burusera (i.e., Japanese shops that sell [amongst other things] soiled female undergarments and fetishist school uniforms). There are also some sexually paraphilic behaviours that have their own names within the Japanese sexual culture (such as frotteurism being known as chikan)

While reading an online article on ‘[Ten] sex fetishes you won’t believe exist’ I spotted one on the list that I had not written about before – Oshouji – the other nine being: dendrophilia (sexual arousal from trees), exophilia (sexual attraction for aliens and non-human life forms), objectum sexuality (sexual attraction to inanimate objects), eproctophilia (sexual arousal from flatulence), hybristophilia (sexual arousal from criminals), menophilia (sexual arousal from menstruation), acrotomophilia (sexual arousal from amputees), dacryphilia (sexual arousal from crying), and lactophilia (sexual arousal from breast feeding). In fact, not only had I not written about oshouji in a previous blog but I had never even heard of it before.

Oshouji is a calligraphy fetish (calligraphy being the art of producing decorative handwriting or lettering with a pen or brush). Oshouji specifically involves calligraphy where the decorative writing is done on a person’s (usually naked) body. According to many online websites (that all basically use the same defintion), oshouji is “an ancient tradition and refers to the writing of degrading words in calligraphy on your partner [and is] one of the more artistic fetishes Japan has to offer”. As sex blog writer Coco La More notes: “I am intrigued. Such rich beauty and absolute pleasure. The artistic passion the calligrapher must be feeling. I can just imagine the intense emotion felt by both. I will be adding this one to my list”

According to the Exapamicron website, oshouji dates back to the Edo period of feudal Japan (the Edo period – sometimes referred to as the Tokugawa period – being the period between 1603 and 1868 in the history of Japan). Like other Edo forms of eroticism (such as Shunga, a Japanese term for erotic art) oshouji is considered traditional, rich and decadent. The website also claims that oshouji is “not a fetish in the sense that the painted person becomes aroused by the paint, it’s more about the thrill of degrading someone”.

As far as I am aware there is no academic writing or research on the topic (although there are academics with the surname ‘Oshouji’ which was annoying having to wade through paper after paper to see if there was anything written on the practice). Like me, someone else (Zichao) was researching into this topic and was finding the same things as me online. His research questioned whether the word ‘oshouji’ even existed (although he did admit that the act of sexual calligraphy existed):

“I’m writing a catalogue/book for an exhibition on modern Chinese calligraphy, including references to work by Zhang Qiang…This got me interested in trying to work out the history of writing on girls in Chinese, Japanese [and] Korean culture. On various non-Japanese language sites it’s referred to as ‘oshouji’ and described as something that goes back to Edo times, but these all seem to be cribbing the information from the [Tokyo Damage Report] Hentai Dictionary…Making the idea look even more dubious is the fact that typing　おしょうじ,　オショウジ or even (last-ditch attempt)　お書字 into Japanese Google brings up nothing helpful as far as I can see. This makes me suspect that if there’s a name for the practice it’s something else…Obviously it’s something that people do – not just Zhang Qiang, but also the characters in rape and S&M manga (though in magic marker) and there’s even a film about it [The Pillow Book]. It doesn’t help that I know very little about classical Chinese [and] Japanese porn/erotica. Does the writing-on-girls-fetish have a name and a history, or is it just something that crops up spontaneously now and then?”

Another online Hentai dictionary (the Yuribou Hentai Dictionary) noted that the

“Oshouji ‘calligraphy character’ fetish [is] fairly commonly seen in Domination-submissive play in which the Dominant writes characters on the submissive’s body in order to inflict shame and embarrassment to heighten the submissive role. Commonly seen is the writing of “niku” (“meat”) on the forehead”.

As noted in the extract from Zichao above, the most high profile example of oshouji body calligraphy is the 1996 film The Pillow Book film (directed by Peter Greenaway) in which a Japanese model (Nagiko) “goes in search of pleasure and new cultural experience from various lovers. The film is a rich and artistic melding of dark modern drama with idealised Chinese and Japanese cultural themes and settings, and centres on body painting” (Wikipedia entry on The Pillow Book)

Sexual calligraphy has also crept into the world of modern art via the work of Pokras Lampas. Lampras has a background in graffiti and street art. As an online Wide Walls profile piece on him notes:

“Lampas works in various spaces and using different mediums, from canvas and walls to the naked body. To a certain extent, the artist is involved in the art of tattoo, providing council and creating sketches when it comes to calligraphy work. However, the aspect of the artist’s practice which is most interesting, resonates the new possibilities of calligraphy within the world of digital urban art. This notion is part of one of his biggest projects…Recently, the artist became involved in a project called Calligraphy on Girls, which aims to show his calligraphy skills to a wider audience through sessions of body painting and photography. The project is an exploration of the female human form, executed with a particular aesthetics and a unique visual language of the artist”.

Whether Lampas’ work can be called an example of oshouji is debatable because it doesn’t appear to involve the use of degrading words (in fact there are few words at all as far as I can see). Oshouji (if it really exists) appears to be a much less prevalent activity than some of the other Japanese sexual practices I have written about although in the absence of any research papers on most forms of Japanese sexual subculture no-one can be really sure how widespread any of these activities are.

Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.

Tokyo Damage Report (2009). Hentai dictionary. February 27. Located at: http://www.hellodamage.com/top/2009/02/27/hentai-dictionary/

Wide Walls (2014). Calligraphy on girls, February 1. Located at: http://www.widewalls.ch/body-and-language-calligraphy-on-girls-provoke-article-2014/2-biology-or-culture/

Wikipedia (2015). Shunga. Located at: https://en.wikipedia.org/wiki/Shunga

Yuribou Hentai Dictionary (2008). Welcome to the Yuribou Hentai Dictionary! July 11. Located at: http://fezeve868.blogspot.co.uk/2008/07/welcome-to-yuribou-hentai-dictionary.html

Octopussy: The strange world of animated pornography and ‘tentacle erotica’

In a previous blog, I examined toonophilia (i.e., a sexual paraphilia in which individuals are sexually and/or emotionally attracted to cartoon characters). I also mentioned in the same blog that some toonophiles are very specific in regard to what they find erotic and that one particular sub-type of tooniphilia involves those individuals who find Japanese ‘anime’ characters particularly erotic. While researching that blog, I came across the lecture notes of an unnamed academic (posted by one of his/her students) that I found interesting (although I don’t know what the primary sources for the notes were). I’m aware that Japanese comics are known as ‘manga’ and that cartoon pornography is highly prevalent (inside and outside of Japan) and is known as ‘hentai’ (but I can’t claim to have known much else before researching this blog).

“Enthusiasts [of anime/Hentai/Manga] are technically known as otaku (Japanese for anime fan), and most of these cartoons have a hardcore, bondage, or rubber/latex flavor. Erotic art has been around, of course, since antiquity, but anime and hentai are more like the adult versions of ‘new animation’ cartoons (like Sailor Moon). The Japanese government requires censorship (blotting out) of genitalia in any picture showing penetration (with the toon showing that ‘look’ of painful enjoyment), but easily downloadable programs like G-mask can remove the censorship masking. Other cartoon images range from Betty Boop, Disney, the Flintsones, and Jetsons to highly erotic fantasy artwork (sometimes featuring penetration by laboratory devices, aliens, or cephalopod squids). Manga art is the most popular American variant, coming from the underground comix culture of R. Crumb and followers. The mutant alien (with tentacles) space theme is probably the most popular, followed by a vegetation or animal fetish, and then only about 30% thoroughly enjoy that degrading ’look’ on the victim’s face. A higher percentage enjoys something of the same ‘look’ in hardcore cumshot photos”.

As I said, I have no idea where the claims made originate (particularly the percentages given), but they appear to have good face validity based on my own anecdotal reading of the popular literature that I have tracked down online. Unsurprisingly, the most popular consumers of hentai are men. The Wikipedia entry on hentai also adds that:

“Eroge games [erotoc games] in particular combine three favored media, cartoons, pornography and gaming into an experience. The hentai genre engages a wide audience that expands yearly, with that audience desiring better quality and storylines, or works which push the creative envelope. The unusual and extreme depictions in hentai is not about perversion so much as it is an example of the profit-oriented industry. Normal sexual situations don’t sell as well as the more unusual situations, such as depicting sex at schools or bondage. Dr. Megha Hazuria Gorem, a clinical psychologist says, ‘Because toons are a kind of final fantasy, you can make the person look the way you want him or her to look. Every fetish can be fulfilled.’ Dr. Narayan Reddy a sexologist, commented on the eroge games, ‘Animators make new games because there is a demand for them, and because they depict things that the gamers do not have the courage to do in real life, or that might just be illegal, these games are an outlet for suppressed desire’”.

Another aspect of hentai that I kept coming across was ‘tentacle porn’ and ‘tentacle rape’ (or ‘shokushu goukan’ as it is known as in Japan) that a number of articles I read says it dates back to the eighteenth century although the more recent tentacle rape genre is generally attributed to Urotsukidoji, manga created by controversial erotic cartoonist Toshio Maeda who emphasized the elements of sexual assault. Maeda claims to have introduced tentacle porn as a way to circumvent Japan’s very strict censorship laws. These laws didn’t allow the depiction of penises but at the time (in 1986) didn’t forbid sexual penetration by anything else (such as tentacles or robotic appendages). In an online article on “depraved fetishes that are older than you think”, the author Nathan Reed reported that:

“For men, the [tentacle rape] fetish appeals to those who enjoy seeing women humiliated and subjugated by something that isn’t even human. While [Toshio] Maeda may have created the modern tentacle rape, he wasn’t the inventor – not even close. Maeda was preceded by Katsushika Hokusai, an artist from the late 18th and early 19th century. Hokusai was the artist of the ‘Thirty-Six Views of Mount Fuji’ an internationally recognized series of prints that earned him fame both locally and globally…Hokusai’s ‘The Dream Of The Fisherman’s Wife’ is speculated to be the first instance of tentacle erotica…[Also] check out ‘Tentacles of Desire: The Man Who Loved Cephalopods’. Contained within is the story of Joshua Handley, an English artist in the late 19th century whose travels to Japan resulted in an obsession with tentacle erotica. Handley attempted multiple times to publish some of it in England, even coming up with some of his own to add to the table. People were appalled – not by the tentacles, but at the notion that the women in the stories were actually enjoying themselves, because for some reason rape would make it much less disgusting”.

A 2001 paper by Dr. Danielle Talerico in the academic journal Impressions showed argued that although Western audiences have usually viewed Hokusai’s painting as rape, “Japanese audiences of the Edo period would have associated it with consensual sex”. This is also echoed in the Wikipedia entry that claims ‘tentacle erotica’ can be of a consensual nature “but frequently has elements of non-consensual sex”. It also notes that it has become much more popular outside of Japan and Asia and has found an audience among people in both Europe and the US but “still remains a small, fetish-oriented part of the adult film industry. While most tentacle erotica is animated, there are also a smaller number of live-action movies featuring this theme”.

Some academics believe that tentacle rape – even in animated form is a step too far. For instance, a 2004 book chapter by Dr. J.P. Dahlquist, and Dr. L.G. Vigilant asserts that:

“The experience of hentai is morally distancing. Tentacle hentai offers the telegenetic signs of the most perverse and debased sexualities. It opens for fantastic examination a sexuality that transgresses all ‘simulated’ moralities of the ‘real’ world, where tentacle sex between nubile girl-women and cloned boy-men monsters are the order of the day – a monstrous sex-feast of the most abnormal acts: pedophilic bestiality, sex with machines, sex with cyborgs, sex with dangerous protruding tentacles, and, of course, an endless stream of the most debasing, brutal, and humiliating rape images”.

Whether animated pornography is less ‘harmful’ than non-animated pornography is something I will leave to others more knowledgeable than me to debate. However, there is clearly a market for hentai more generally, and tentacle porn more specifically as evidenced by those who sell it commercially. The whole area raises interesting moral questions which I hope to return to in a future blog.

Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.

Absolute Astronomy (2013). Tentacle rape. Located at: http://www.absoluteastronomy.com/topics/Tentacle_rape

Dahlquist, J.P., & Vigilant, L.G. (2004). Way better than real: Manga sex to tentacle hentai. In D.D. Waskul (Ed.), Net.sex: Readings on sex, pornography, and the Internet (pp. 91–103). New York: Peter Lang.

Ortega-Brena, Mariana (2009). Peek-a-boo, I see you: Watching Japanese hard-core animation. Sexuality and Culture, 13, 17–31.

Reed, N. (2010). 6 Depraved Sexual Fetishes That Are Older Than You Think. Cracked.com, March 30. Located at: http://www.cracked.com/article_18472_6-depraved-sexual-fetishes-that-are-older-than-you-think.html

Talerico, D. (2001). Interpreting sexual imagery in Japanese prints: A fresh approach to Hokusai’s Diver and Two Octopi. Impressions: The Journal of the Ukiyo-e Society of America, 23, 24-42.

Wikipedia (2013). Hentai. Located at: http://en.wikipedia.org/wiki/Hentai

Wikipedia (2013). Manga. Located at: http://en.wikipedia.org/wiki/Manga

Wikipedia (2013). Tentacle erotica. Located at: http://en.wikipedia.org/wiki/Tentacle_erotica

Wikipedia (2013). Urotsukidoji. Located at: https://en.wikipedia.org/wiki/Urotsukidōji