Mould on tight: A brief look at plaster cast fetishism

Back in the early 2000s I remember watching Plaster Caster, a documentary film that looked at the life of artist and groupie, Cynthia Plaster Caster (i.e., Cynthia Albritton). Cynthia is in/famous for her plaster casting of rock star penises such as Jimi Hendrix and Noel Redding (both in the Jimi Hendrix Experience), Eric Burdon (The Animals), Wayne Kramer (MC-5), Jello Biafra (The Dead Kennedys), and Pete Shelley (Buzzcocks), She began her career in erotic plaster casting in 1968 but now includes women as her artistic clients (and typically makes plaster casts of their breasts). Her plaster casting skills have also been immortalized in song by both Kiss (‘Plaster Caster’) and Jim Croce (‘Five Short Minutes’). As her Wikipedia entry points out:

“In college, when her art teacher gave the class an assignment to ‘plaster cast something solid that could retain its shape’, her idea to use the assignment as a lure to entice rock stars to have sex with her became a hit, even before she made a cast of anyone’s genitalia. Finding a dental mould making substance called alginate to be sufficient, she found her first client in Jimi Hendrix, the first of many to submit to the idea. Meeting Frank Zappa, who found the concept of ‘casting’ both humorous and creative as an art form, Albritton found in him something of a patron”.

However, sexual plaster casting does not begin and end with Cynthia Plaster Caster. In a previous blog, I briefly mentioned the practice of mummification within a sadomasochistic context. According to Dr. Aggrawal’s 2009 book Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices, mummification is:

“An extreme form of bondage in which the person is wrapped from head to toe, much like a mummy, completely immobilizing him. Materials used may be clingfilm, cloth, bandages, rubber strips, duct tape, plaster bandages, bodybags, or straitjackets. The immobilized person may then be left bound in a state of effective sensory deprivation for a period of time or sensually stimulated in his state of bondage – before being released from his wrappings”.

One type of restrictive mummification practice not mentioned by Dr. Aggrawal is that of plaster cast fetishism. Although there is little academic research on the topic, a quick Google search throws up many dedicated online sites and hundreds of video clips for sale and/or sharing. For instance, I came across the Casted Angel website (that claims to be the oldest ‘cast and bandage site’), the Cast Fetish website, the Cast Paradise website, and the Fantacast website (please be warned that if you click on any of the links, all of these sites are sexually explicit)

The Wikipedia entry on mummification reports that such activity is typically used to enhance the feelings of total bodily helplessness (which would be totally fulfilled by those engaging in plaster cast fetishism), and is incorporated with sensation play (i.e., a group of erotic activities that facilitate particular physical sensations upon a sexual partner). As a 2010 article on ‘The Erotic Secrets of the Mummy’ notes:

“A variant of this extreme and spectacular form of bondage is mummification made with plaster…Anyone who has taken an arm or leg immobilized by a cast can imagine how restrictive it is to use this material for bondage. Obviously there are safety precautions which must be taken: you must cover the body of the person to be bound with a protective layer (e.g. plastic) so the plaster does not come into direct contact with skin, and make sure to have safety scissors around for easy removal of the bindings. It is also important to note that mummification increases body temperature and therefore sweating, so you must make sure to hydrate the person being bound. An example of complete plaster mummification can be seen in a nonsexual context, in the comedy After Hours by Martin Scorsese”.

As well as being a form of extreme mummification, plaster cast fetishism is also a sub-variant of ‘cast fetishism’ that according to the Encyclopedia Dramatica comprises erotic “concentration on orthopedic casts (plaster, polymer, bandage, etc.) It is usually related to the fetishes of feet, stockings, shoes and amputees”. Cast fetishists derive sexual pleasure and arousal from people (typically the opposite sex) wearing casts on their limbs (but may also be additionally aroused by people using crutches or who have a limp). I’ve come across dozens of people who have posted in online forums and claiming they have cast fetishes and/or fixations. Here are just a few:

• Extract 1: “It is no bad thing to have a cast fetish when you have an ongoing foot injury. This morning I got [a plaster cast] for my left leg as my foot is giving trouble. Wanting to keep my foot up when riding in my friend’s car I put the window down and rested my cast on the top of the door. The wind blowing across my bare casted toes as we drove down the street was just the ultimate turn-on!”
• Extract 2: “Since I was a child I had a strong fetish for casts and bandages. When I was 6 or 7 years old I saw a girl in at the local hospital, with a freshly applied plaster [cast] in her right leg, and how she cleaned her toes with a damp cloth. That’s still one of the memories that arouses me. Two years ago, I had a girlfriend, who came to know about my fetish, it was kinda difficult for me to say, but she liked the idea and I put her in a homemade [plaster cast], then I painted her toenails and put a toe-ring. It was a shame that it was one night only and the plaster didn’t dry at all, but it was so good to stay with her and kiss her toes wiggling out of her cast. It was one of the most pleasant nights that I’ve had”.
• Extract 3: “I have been in love with casts since about 13 yrs old. I have had the chance to [wear a] dual hip [cast] and several short and long term casts but want to wear possibly a full body one day if I find the right cast partner”.
• Extract 4: “I’ve had an interest seeing girls in casts for quite some time now. I think it started when I was a little kid and broke my leg. Probably since then I have always wanted to be in a cast, but didn’t want to hurt myself! I just recently discovered the ease and community around the world of recreational casting. I have a short leg cast and it’s an amazing feeling!”
• Extract 5: “I have always had a fascination for seeing people in a cast, and in particular girls in long leg casts. It may have something to do with the restricted movement I don’t know. I am not interested in the associated, implied pain aspect but more the caring aspect. I always thought that this was an idea peculiar to me but, I was recently inspired to search the net and found a whole community subscribing to the cast fetish idea with many images…I have never fractured a limb so I have never had a cast but, I have made a couple of attempts at self-casting”
• Extract 6: “I love being in a cast. For years I have studied the casting processes in both plaster and fiberglass. I have honed these skills to the point [that] nobody, [not] even an orthopedic assistant can tell it was not applied professionally”
• Extract 7: “I have always wanted to have a cast on my leg and or arm. I have tried hitting my hand on the ground but I still have not fractured it…I would even pay someone to break both my arm and leg”

One of the most detailed I have come across is this one:

“I have a strong sexual attraction to, and erotic fascination with, the sight of the female leg wearing an orthopaedic cast, particularly along its full extent, from toes to hip. Now in my mid-forties, I have been aware of this ‘interest’ since my early teens, which might explain my particular attraction to plaster casts, as were the norm at such a time, which somehow seem heavier and more of a physical entity than contemporary casts. For many years, I assumed this peculiar attraction to be mine alone, and looked forward to those rare occasions when I might see a woman with a leg in plaster in public or otherwise find a picture in a newspaper or magazine, which I would collect. However, since the advent of the internet, I have become aware that a number of like-minded souls exist all over the world, that the ‘cast fetish’ is out there in the world of cyberspace, is shared and enjoyed by people and is practised recreationally in the real, everyday world by those who have the inclination and means to do so”.

“As the online aspect of this fetish has developed over recent years, I now find I am able to better satisfy my visual needs through the large number of available images, of both medically and recreationally-worn leg casts. I have obsessively built a large collection of pictures of women wearing leg casts, and frequently enjoy these. Sometimes I feel a certain frustration that my need to satisfy the desire to find and see more images consumes more time than I have available to ‘waste’, but this is not something over which I have full control – it is a compulsion and needs to be fulfilled in this way, in the manner of such a condition, even if it never seems possible to have quite enough of such images, there is always the thrill of the anticipation of finding a new, ‘perfect’ picture of a cast and its wearer. I have always assumed that my obsession is based on the aesthetics of the leg cast, being related as it is to my general attraction to women’s legs, feet, toes, boots, etc. The leg cast is very much an ‘object of desire’ in its appearance and in the manner it objectifies the leg inside, I enjoy the way a cast looks and find this arousing”.

“However, I wonder whether my ‘interest’ may have other underlying, hidden causes and inspirations, and exactly what might have triggered this fetish? I wonder this because although I have never had occasion to wear a cast myself (and thus experienced the physical restrictions imposed by one), and neither has anyone with whom I might spend regular, extended periods of time, such as a family member or close friend, I have often imagined that female friends might have to have a leg in plaster that I might be around them, or that I might meet and form a relationship with a woman in such a situation (not that I have any desire to see anyone come to harm, suffer an injury, etc, but I would love to see the effect of such – the wearing of a cast – if it ever occurred). I have a very strong desire to be in the presence of a leg cast as it is being worn, that I might interact with it and the wearer, that I might experience the sexuality of such, and it is something about which I have frequent sexual fantasies, being the most arousing situation I am able to imagine”.

In a short 2006 article on ‘Women with Plaster Casts’ at the online Trendhunter website, Hernando Gomez Salinas wrote about the Cast Fetish website and then used the writings of Sigmund Freud to provide some theoretical insight into the fetish:

“According to Freud, fetishism is considered a paraphilia or sexual deviation as a consequence of an infantile trauma with the fear of castration. When a kid discovers the absence of penis in his mother, he looks away from her terrified, and the first object he stares at after the trauma turns into his fetish object. So, according to Freud, it is possible that the fans of [the Cast Fetish webpage] saw their fathers or a relative with a plaster cast”

I am not a fan of Freud’s theorizing, and I personally believe that the origin of such fetishes is most likely behavioural conditioning (classical and/or operant). However, given the complete lack of empirical research, this was the only article I came across that featured anything vaguely academic in relation to the fetishizing of plaster casts. It would appear from both anecdotal evidence that plaster cast mummification (particularly within a BDSM context) comprises a significant minority interest and is probably nowhere near as rare as some other sexual behaviours that I have covered in my previous blogs.

Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.

Forbidden Sexuality (2004). Mummification bondage. Located at: http://www.forbiddensexuality.com/mummification_bondage.htm

Salinas, H.G. (2006). Women with plaster casts. Trend Hunter, November 29. Located at: http://www.trendhunter.com/trends/weird-fetishism-women-with-plaster-casts

Wikipedia (2013). Sensation play (BDSM). Located at: http://en.wikipedia.org/wiki/Sensation_play_(BDSM)

Wikipedia (2013). Total enclosure fetishism. Located at: http://en.wikipedia.org/wiki/Total_enclosure_fetishism

Wikipedia (2013). Mummification (BDSM). Located at: http://en.wikipedia.org/wiki/Mummification_(BDSM)

Loving on the edge: A brief look at extreme sexual behaviour

In my previous blogs I have examined a wide variety of different – but potentially dangerous – sexual fetishes and paraphilias including sexual masochism, autoerotic asphyxiation (breathplay/hypoxyphilia), enema play (klismaphilia), scat play (coprophilia), watersports (urophilia), and electricity play (electrophilia). All of these sexual behaviours could arguably be classed as ‘edgeplay’. The online Urban Dictionary, edgeplay is “sexual play that is very extreme in nature. Said to be on the edge of safety and sometimes even sanity. Can be very dangerous if not practiced correctly. [Examples include] breathplay, bloodplay, humiliation play, Total Power Exchange (TPE), [and] rape roleplay”. According to ‘lunaKM’ who describes herself as a “full-time slave in an M/s relationship” and the editor (and founder) of the online Submissive Guide, edgeplay has three definitions (that I have reproduced verbatim below)

• Definition 1: Edgeplay is SM play that involves a chance of harm, either physically or emotionally. It’s also subjective to the players involved; what is risky for me might not be risky for you and visa versa. A few examples of edge play under this definition are fireplay, gunplay, rough body play including punching and wrestling, breath play and blood play.
• Definition 2: Edgeplay can also literally mean play with an edge. Such examples of play are cutting, knives, swords and other sharp implements. These forms of edge play also fall under the broad term in [the definition above]
• Definition 3: Any practice which challenges the limits or boundaries of one or more of the participants.

In his book Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices, Dr. Anil Aggrawal notes that edgeplay is dangerous in many different ways as the activities may involve (i) increased risk of spreading disease (e.g., through cutting or bloodplay), (ii) psychological danger (e.g., humiliation play, incest fantasies, rape roleplay), (iii) challenging social taboos (ageplay, scat fetishism, and racial slurs), and (iv) even permanent harm or death (e.g., gunplay and breathplay). Such activities can be done alone, with a partner, or with a group of people. From what I have read anecdotally online, edgeplay enthusiasts claim they know the human body better than most medical professionals, and attempt to exercise as much safety as is humanly possible when going to the point of near death and then resuscitation.

The Wikipedia entry on edgeplay also roots edgeplay within BDSM sexual practices but adds that it is a “subjective term for types of sexual play that are considered to be pushing on the edge of the traditional SSC [safe, sane and consensual] creed [and] considered more RACK [Risk-Ware Consensual Kink]”. The article also notes that such sexual acts involve risking serious (and sometimes permanent) harm including possible death. The same article also notes that what constitutes edgeplay may depend upon both an individual’s viewpoint and may change over time. Activities such as ‘ageplay’ (a form of roleplaying in which an individual acts or treats another as if they were a different age, for example a baby or toddler) or ‘rape roleplay’ (involving imagining or pretending being coerced or coercing another into sex) may be considered ‘edgy’ by some but not others. Activities such as ‘scatplay’ (coprophilia) that were considered edgy in the 1990s have arguably shifted into mainstream BDSM practices.

Journalist Rachel Rabbit White is one of the few people to have written an article on edgeplay. As she writes:

“Edgeplay is a sex thing. It is a BDSM thing. And while BDSM among consenting adults is considered cool and OK by most reasonable people, edgeplay is sort of not OK. Edgeplay refers to acts are those deemed not safe, sane, or consensual, which are the watchwords for “normal” kinky sex. This is the BDSM that is never going to end up in a bestselling erotica novel for moms….Like every flavor of kinkster, edgeplay enthusiasts talk to each other online…There’s a group devoted to the topic on FetLife, the sex-based social networking site. One of the group’s threads asks members what the ‘edgiest’ thing they’ve ever done is. Responses ranged from ‘gun play with a cop’ to ‘as a black woman, going to a 1920s themed party chained to my white partner and dressed as a piccaninny’ to ‘smearing Icy Hot on his fresh Prince Albert piercing – while he slept’. I can’t imagine a world in which that last one is sexy but just because it isn’t my thing doesn’t mean it’s wrong”.

She also confirms that what is considered ‘edgy’ has changed over the last three decades. She claims that in the 1980s and 1990s sexual activities such as scatplay, ageplay, puppyplay, and suspension by skin hook piercings were not allowed at BDSM sex conventions. However, all of these can now be found at such events. This is because “attitudes about what should be forbidden seems to have shifted thanks to people getting better [sexually] educated”. Much of this has coupled the rise of the internet where there are now numerous ‘how to’ guides on almost every type of ‘adult’ sexual activity, and articles on sexual ethics. One of the interviewees for her article (Madeline) describes edgeplay (somewhat paradoxically) as a “consensual non-consent” where activities like ‘rapeplay’ do not involve ‘safewords’ (typically used by BDSM practitioners to signal for the activity to cease). Madeline “talks lovingly” about the rapeplay between her and her husband, and claims it keeps “their long-term relationship tender and fresh, and likewise, their trusting relationship allows them to do rape play”. The article also notes that:

“Rather than glorifying [edgeplay], the BDSM community might be headed in the direction of eradicating the idea of ‘edge’ altogether. That way, the focus can be on how to communicate consent – rather than labeling acts ‘good’ or ‘bad’”.

Another article on edgeplay published by The Dominant Guide by an edgeplay practitioner also made some interesting observations. For instance:

“To understand what edge play is you must first understand that there are actually two types of edge play, personal edge play and general edge play. Personal edge play is any activity that pushes one’s personal limits. It can be anything; there honestly is no limit to what someone might consider stretching their personal boundaries. If someone were afraid of single tail [whips], then using a single tail [whip] on them would be edge play to that individual. If someone were afraid of closed in spaces, then putting him or her in a cage would be considered edge play. So you see personal edge play is different for everyone, but one thing is true in all forms, this type of play is dramatic both mentally and physically. The second type of edge play is what most people refer to as edge play. This is any activity that by common consensus is to be considered pushing the limits of safety and or sanity. Normally people consider such activities as blood play, breath play, gunplay, fireplay, needleplay and knifeplay to be edgeplay”.

The article also discusses whether those into edgeplay are insane to do what they do. (I am well aware that ‘insanity’ is a legal terms and not a psychological one, but this was the word used in the article). The author of the article asserts:

“Can something be considered insane if you are aware of the risks and accept all the possible outcomes…ask a skydiver, or perhaps an astronaut, even a policeman or fireman. Every activity has some level of risk, it is only when one ignores the risks or does not logically think out all possible dangers that the action may be considered insane. If one enters into an activity informed, and educated of the risks then the activity should not be considered insane, but is should be considered dangerous, hence edge play”.

The author also claims that edgeplay is “an extremely fascinating type of BDSM” because it challenges participants mentally, physically and emotionally. I will leave you with this encapsulation of why edgeplay enthusiasts do what they do. They feel fear, pain, love, and trust takes them “to a level of experience that [they] can reach by no other manner. This activity will stretch all boundaries and affirm the relationship between two individuals in a way that no other activity can”.

Dr. Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK

Further reading

Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.

Caged Heart (2006). Canes & caning: Introducing Edgeplay into your relationship. Yahoo! Voices, August 2. Located at: http://voices.yahoo.com/canes-caning-introducing-edgeplay-into-bdsm-relationship-59477.html

London Fetish Fair (2014). Edgeplay Top 10 Medical Play Kit. Located at: http://www.londonfetishfair.co.uk/index.php/stands/137-top-10-essential-medical-play-items

Norische (2013). Standing on the edge: Is it edge play or not? Dominant Guide, April 26. Located at: http://dominantguide.com/172/standing-on-the-edge-is-it-edge-play-or-not/

Sir Bamm! (undated). Edge Play. Located at: http://www.sirbamm.com/edgeplay.html

White, R.R. (2012). Edgeplay isn’t your grandmother’s BDSM scene. Vice, September 12. Located at: http://www.vice.com/read/edgeplay-isnt-your-grandmothers-bdsm-scene

Wikipedia (2014). Edgeplay. Located at: http://en.wikipedia.org/wiki/Edgeplay