Category Archives: Computer games
Screen play ideas: A speculative look at trends in video game addiction
Gaming addiction has become a topic of increasing research interest. Over the last decade there has been a significant increase in the number of scientific studies examining various aspects of video game addiction. This has resulted in a wide-ranging selection of review papers focusing on different aspects of the topic. These include general literature reviews of video game addiction, reviews of online (as opposed to offline) gaming addiction, reviews of the main methodological issues in studying video game addiction, reviews of structural characteristics and their relationship with video game addiction, reviews of video game addiction treatment, reviews of video game addiction and co-morbidity/convergence with other addictions such as gambling addiction and Internet addiction, and miscellaneous review papers on very specific aspects of video game addictions such as social responsibility, screening instruments, or reviews refuting that video game addiction even exists.
Furthermore, the amount and the quality of research in the gaming addiction field has progressed much over the last decade but is still in its infancy compared to other more established behavioural addictions, such as pathological gambling. Today’s blog briefly provides a considered (and somewhat speculative) examination of what might happen in the gaming addiction field from a number of different standpoints (e.g., methodological, conceptual, technological). These are taken from a paper I recently published in Current Psychiatry Reviews with Dr. Daniel King (University of Adelaide, Australia) and Daria Kuss (Nottingham Trent University, UK). These trends were loosely modeled on a 2011 paper I wrote on the technological trends in gambling and published in Casino and Gaming International.
- There is likely to be an even bigger increase in empirical research into problematic video game playing and video game addiction. This will of course be dependent on both appropriate funding streams and/or whether gaming addiction ends up being included in future psychiatric disorder classifications (e.g., Diagnostic and Statistical Manual, International Classification of Diseases, etc.). Future research is likely to include more epidemiological and/or general population data on media use, leading to better insights into the onset and course of problematic video game play and addiction.
- Given the many different screening instruments that have been developed over the last decade, there is likely to be a refinement of video game addiction measures and greater consensus on its conceptualization, either as a single disorder and/or incorporated into other known disorders (e.g., impulse control disorder). This is also likely to lead to improved assessment tools based on such conceptualization(s).
- Measures of gaming use and subsequent behaviour are likely to diversify in terms of media use, including social networking sites (SNS) and associated Internet resources. Already, games such as Call of Duty and Battlefield 3 are being released with their own SNS (e.g., COD Elite) that track player behaviour and provide feedback to players as to how to improve their game (thus functionally reinforcing video game play and thus have implications for excessive and/or potentially addictive play).
- Given the pressure on media enterprises to ‘monetize’ their business and look for different revenue streams, there is likely to be even greater media convergence between gaming and other more profit-making activities such as gambling. Given the well established addictive potential of gambling, this may also have implications for the incidence of video game addiction.
- Gaming on the move is likely to be a big growth area that may have implications for excessive gaming via ‘convenience’ hardware such as handheld gaming consoles, PDA devices, mobile phones, tablet computers, and MP3 players.
- Given the fact that the Internet is gender-neutral, there is likely to be increasing feminization of gaming where increasing numbers of females not only engage in the playing of online games, but also develop problems as a result. Casual gaming online is already popular among females. However, the biggest difference between male and female gaming is likely to be content-based (e.g., males may prefer competitive type gaming experiences whereas females may prefer co-operative type gaming experiences).
- Given the increasing number of research teams in the gambling field being given direct access to gambling companies behavioural tracking data, there is likely to be an increasing number of such collaborations in the gaming studies field.
- Given the increased importance of additional research into the structural and situational characteristics of consumptive behaviours (e.g., smoking nicotine, drinking alcohol, gambling, etc.), it is likely that research on design features within games and their psychological impact (including potential addiction) will increase as well. Such research has already begun (including quite a few studies by our gaming research unit).
- As the diagnosis of video game addiction becomes more legitimate in psychiatric and medical circles, it will lead to better randomized control trials on interventions for problematic video game play than the ones already carried out. There is also likely to be an increase in the online medium itself being used as a treatment channel. The reasons that people like to engage in some online leisure activities (i.e., the fact that the online environment is non-face-to-face, convenient, accessible, affordable, anonymous, non-threatening, non-alienating, non-stigmatizing, etc.) may also be the very same reasons why people would want to seek advice, help and treatment online rather than in face-to-face situations.
Based on our review paper there are several noticeable trends that can be drawn from our recent reviews of problematic video game play and video game addiction.
- There has been a significant increase in empirical research decade by decade since the early 1980s.
- There has been a noticeable (and arguably strategic) shift in researching the mode of video game play. In the 1980s, research mainly concerned ‘pay-to-play’ arcade video games. In the 1990s, research mainly concerned stand alone (offline) video games played at home on consoles, PCs or handheld devices. In the 2000s, research mainly concerned online massively multiplayer video games.
- There has been a noticeable shift in how data are collected. Up until the early 2000s, data about video game behaviour was typically collected face-to-face, whereas contemporary studies collect data online, strategically targeting online forums where gamers are known to (virtually) congregate. These samples are typically self-selecting and (by default) unrepresentative of the general population. Therefore, generalization is almost always one of the methodological shortcomings of this data collection approach.
- Survey study sample sizes have generally increased. In the 1980s and 1990s, sample sizes were typically in the low hundreds. In the 2000s, sample sizes in their thousands – even if unrepresentative – are not uncommon.
- There has been a diversification in the way data are collected including experiments, physiological investigations, secondary analysis of existing data (such as that collected from online forums), and behavioural tracking studies.
- There has been increased research on adult (i.e., non-child and non-adolescent) samples reflecting the fact that the demographics of gaming have changed.
- There has been increasing sophistication in relation to issues concerning assessment and measurement of problematic video game play and video game addiction. In the last few years, instruments have been developed that have more robust psychometric properties in terms of reliability and validity. However, there are still some concerns as many of the most widely used screening instruments were adapted from adult screens and much of the video game literature has examined children and adolescents. In other papers I have co-written with Dr. King, we have asserted that to enable future advances in the development and testing of interventions for video game-related problems, there must be some consensus among clinicians and researchers as to the precise classification of these problems. (In fact, we’ve just had a major review paper accepted on assessing video game addiction in Clinical Psychology Review which I examined in a previous blog).
Clearly, there exist a number of gaps in current understanding of problematic video game play and video game addiction. There is a need for epidemiological research to determine the incidence and prevalence of clinically significant problems associated with video game play in the broader population. There are too few clinical studies that describe the unique features and symptoms of problematic video game play and/or video game addiction. While the current empirical base is relatively small, gaming addiction has become a more mainstream area for psychological and psychiatric research and is likely to become an area of significant importance given the widespread popularity of gaming.
Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Additional input: Daria Kuss and Daniel King
Further reading
Griffiths, M.D. (2010). Online video gaming: What should educational psychologists know? Educational Psychology in Practice, 26(1), 35-40.
Griffiths, M.D. (2011). Technological trends and the psychosocial impact on gambling. Casino and Gaming International, 7(1), 77-80.
Griffiths, M.D., Kuss, D.J. & King, D.L. (2012). Video game addiction: Past, present and future. Current Psychiatry Reviews, 8, 308-318.
King, D.L., Delfabbro, P.H. & Griffiths, M.D. (2009). The psychological study of video game players: Methodological challenges and practical advice. International Journal of Mental Health and Addiction, 7, 555-562.
King, D.L., Delfabbro, P.H. & Griffiths, M.D. (2010). Video game structural characteristics: A new psychological taxonomy. International Journal of Mental Health and Addiction, 8, 90-106.
King, D.L., Delfabbro, P.H. & Griffiths, M.D. (2010). The role of structural characteristics in problem video game playing: A review. Cyberpsychology: Journal of Psychosocial Research on Cyberspace. Located at: http://www.cyberpsychology.eu/view.php?cisloclanku=2010041401&article=6.
King, D.L., Delfabbro, P.H. & Griffiths, M.D. (2010). The convergence of gambling and digital media: Implications for gambling in young people. Journal of Gambling Studies, 26, 175-187.
King, D.L., Delfabbro, P.H. & Griffiths, M.D. (2010). Cognitive behavioural therapy for problematic video game players: Conceptual considerations and practice issues. Journal of CyberTherapy and Rehabilitstion, 3, 261-273.
King, D.L., Delfabbro, P.H., Griffiths, M.D. & Gradisar, M. (2011). Assessing clinical trials of Internet addiction treatment: A systematic review and CONSORT evaluation. Clinical Psychology Review, 31, 1110-1116.
King, D.L., Delfabbro, P.H. & Griffiths, M.D. (2012). Clinical interventions for technology-based problems: Excessive Internet and video game use. Journal of Cognitive Psychotherapy: An International Quarterly, 26, 43-56.
King, D.L., Delfabbro, P.H., Griffiths, M.D. & Gradisar, M. (2012). Cognitive-behavioural approaches to outpatient treatment of Internet addiction in children and adolescents. Journal of Clinical Psychology: In Session, 68, 1185-1195.
King, D.L., Haagsma, M.C., Delfabbro, P.H.,Gradisar, M.S. &, Griffiths, M.D. (2013). Psychometric assessment of pathological video-gaming: A systematic review. Clinical Psychology Review, 33, 331-342.
Scaling up: A brief look at the latest tool to assess addictive gaming
To date, there has been a lack of agreement among researchers as to the precise name and definition of video game addiction (both online and offline). However, there is a general consensus that excessive gaming can lead to a wide range of physical and psychological problems, and therefore necessary to explore the nature and the scale of the phenomenon. In doing so, it is important to use psychometrically validated measurement tools. Unfortunately, there is lack of these in the literature so far. Along with some colleagues (led by Dr. Daniel King), we recently published a paper examining all the instruments that have been used to assess problematic video gaming in the journal Clinical Psychology Review.
Our paper noted that pathological video-gaming, or its proposed DSM-V classification of “Internet Use Disorder”, is of increasing interest to scholars and practitioners in allied health disciplines. Our systematic review was designed to evaluate the standards in pathological video-gaming instrumentation and guidelines for sound psychometric assessment. We assessed a total of 63 quantitative studies, including eighteen instruments (representing 58,415 participants). Our findings indicated that the instruments were generally characterized as inconsistent. The strengths of available measures included: (i) short length and ease of scoring, (ii) excellent internal consistency and convergent validity, and (iii) potentially adequate data for development of standardized norms for adolescent populations. However, the key limitations included: (a) inconsistent coverage of core addiction indicators, (b) varying cut-off scores to indicate clinical status, (c) a lack of a temporal dimension, (d) untested or inconsistent dimensionality, and (e) inadequate data on predictive validity and inter-rater reliability. An emerging consensus suggested that pathological video-gaming is commonly defined by (1) withdrawal, (2) loss of control, and (3) conflict.
Most of the tools in current use have been modified from other questionnaires without their reliability and validity being tested. This includes those based on internet addiction (e.g., Kimberley Young’s Internet Addiction Test), pathological gambling (using the DSM–IV criteria), or behavioural addictions. An additional problem is that many of the measures focus exclusively on Massively Multiplayer Online Role Playing Game (MMORPG) users. In order to cover the whole range of online gamers, I recently helped co-develop an empirically based questionnaire consisting of 18 items called the Problematic Online Gaming Questionnaire (POGQ) that we published in the journal PLoS ONE.
In a recent 2011 study, some of my Hungarian colleagues (led by Dr. Koronczai) claimed in the journal Cyberpsychology, Behavior and Social Networking that a suitable measure should fit the following six criteria. It should have: (i) comprehensiveness (i.e., examining more, possibly all, aspects of problematic online gaming); (ii) brevity (in order to assess the more impulsive population as well and to facilitate incorporation into time-limited surveys); (iii) reliability and validity for different methods of data collection (e.g., online, paper-and-pencil self-rating, face-to-face); (iv) reliability and validity for different age groups (e.g., adolescents and adults); (v) cross-cultural reliability and validity; (vi) been validated on clinical samples. The measure should also serve as a basis for defining cutoff scores for dependence.
The POGQ is a short comprehensive measure and therefore fits to the first two requirements. It was also found to be a psychometrically adequate measure in a large convenience sample of adult online gamers. However, there is great need for a measure that is also suitable for survey type research in an offline data collection setting, and is reliable and valid for adolescents. Therefore, we modified the original POGQ to a 12-item version and applied it to an offline adolescent sample using pen-and-pencil data collection method (and published the findings in the journal Cyberpsychology, Behavior and Social Networking). This way both the third and the fourth points of the six criteria above were fulfilled.
The aim of or most recent study was twofold. The first goal was to explore the psychometric properties of the POGQ on a nationally representative adolescent sample as until recently it had only been used on adult gamer samples. The second goal was to assess the prevalence of problematic online gaming in a nationwide adolescent sample, as there have been only two nationally representative studies carried out on adolescents in the US and Germany.
The results of or study showed that the 12-item POGQ-SF had appropriate psychometric properties according to the statistical analysis performed on a nationally representative sample of adolescents. The analysis showed that 8.2% of gamers (4.6% of the whole sample) belonged to the at-risk group. We also found an additional 13.3% of adolescents (23.9% of gamers) showed symptoms of problematic online gaming above the average. Gamers belonging to the at-risk class were more likely to be male, more likely to play for five or more hours a day, have lower grade point average, have lower self-esteem, and higher depression score than gamers belonging to the other two classes. All these results are in line with findings of other studies confirming the validity of the measurement tool.
Despite the robustness of the study, an important limitation was that it was only carried out among Hungarian adolescents. For generalizability it must be applied and psychometrically tested on cross-cultural samples as well (see the aforementioned Criterion 5). It is also a future goal to confirm the POGQ on clinical samples (Criterion 6). This would allow all the six criteria requirements presented in the introduction to be met. The current POGQ is both short (Criterion 2) and comprehensive (Criterion 1), and assesses problematic online gaming in different age groups (Criterion 4) with different data collection methods (Criterion 3). We hope that the POGQ will facilitate future research and will serve as an adequate tool for assessing problematic online gaming.
Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Further reading
Demetrovics, Z., Urbán, R., Nagygyörgy, K., Farkas, J., Griffiths, M.D., Pápay, O. & Oláh, A. (2012). The development of the Problematic Online Gaming Questionnaire (POGQ). PLoS ONE, 7(5): e36417. doi:10.1371/journal.pone.0036417.
Gentile, D. (2009). Pathological video-game use among youth ages 8 to 18: A national study. Psychological Science, 20, 594-602.
Gentile, D.A., Choo, H., Liau, A., et al. (2011). Pathological video game use among youths: A two-year longitudinal study. Pediatrics, 127, E319-E329.
King, D.L., Haagsma, M.C., Delfabbro, P.H.,Gradisar, M.S., Griffiths, M.D. (2013). Toward a consensus definition of pathological video-gaming: A systematic review of psychometric assessment tools. Clinical Psychology Review, 33, 331-342.
Koronczai, B., Urban, R., Kokonyei, G., et al. (2011). Confirmation of the three-factor model of problematic internet use on off-line adolescent and adult samples. Cyberpsychology, Behavior and Social Networking, 14, 657–664.
Kuss, D.J. & Griffiths, M.D. (2012). Online gaming addiction in children and adolescents: A review of empirical reearch. Journal of Behavioral Addictions, 1, 3-22.
Pápay, O., Urbán, R., Griffiths, M.D., Nagygyörgy, K., Farkas, J. Kökönyei, G., Felvinczi, K., Oláh, A., Elekes, Z., Demetrovics, Z. (2013). Psychometric properties of the Problematic Online Gaming Questionnaire Short-Form (POGQ-SF) and prevalence of problematic online gaming in a national sample of adolescents. Cyberpsychology, Behavior, and Social Networking, doi:10.1089/cyber.2012.0484.
Rehbein, F., Kleimann, M, & Mossle, T. (2010). Prevalence and risk factors of video game dependency in adolescence: results of a German nationwide survey. CyberPsychology, Behavior and Social Networking, 13, 269–277.
Altered states: The psychology of distraction in gambling
I’m sure that most of you are aware that nearly all casinos around the world do not have clocks or windows. Casino operators don’t want their customers to think about time or give them external cues such as whether it’s night or day. By doing this, a gambler’s temporal perception is altered and gamblers may lose track of time and reality (and hopefully spend more money!). Although this may not be good from a financial perspective, from a psychological perspective, losing track of time and reality may not necessarily be such a bad thing.
Psychologists believe that gambling is an excellent ‘distractor task’. What we mean is that playing slot machines, roulette or poker, has the capacity to engage much of a gambler’s individual active attention because of the cognitive and motor activity that is needed. Continuous gambling also allows the possibility to sustain achievement because of the level of difficulty and skills involved in most games. In short, they provide a challenge that uses a lot of mental energy.
One positive benefit of gambling may be a temporarily higher pain threshold. Research studies have shown that cognitive and attentional distraction has the capacity to block the perception of pain. The reasoning behind this is that distractor tasks (such as gambling and videogame playing) consume some degree of the attentional capacity that would otherwise be devoted to pain perception. Although gambling has never been tested in this way experimentally, research into videogame playing and pain perception has shown that those who play videogames after treatment for things like chemotherapy need significantly less painkillers than those who don’t play videogames. However, one of the problems with this type of “snapshot” research is that there has been no long-term follow-up and it is unclear whether players eventually tire of such games. Therefore other factors need to be explored such as novelty of the activity, game preference, and relative level of challenge.
There has also been an increasing amount of research showing that gamblers who play for long periods of time can enter “dissociative states” of mind. Dissociation is a form of altered state of consciousness. These behaviours lie on a continuum and range from losing track of time, feeling like your someone else, blacking out, not recalling how you got somewhere or what you did, and being in a trance like state. In its most extreme form it can include multi-personality disorders.
Dissociation also needs to be differentiated from distraction although it could be the case that they are at opposite ends of the same continuum. For example, a person may use gambling as a distracting activity but over time may progress into a dissociative one. Distraction usually involves a person’s attention being pulled somewhere other than where he or she wants it to go although some people may deliberately engage in some activities (like drinking alcohol, gambling, smoking etc.) as a way of shifting their thoughts away from something they do not want to think about. Distraction can be born out of boredom, lack of interest, melancholy and creativity. More generally it can be viewed as a low-level state of avoidance. It may also be a symptom of depressive or mood disorders and high levels of stress. On the whole, losing track of time because of distraction is normal when you are having fun. Blacking or going into a dissociative trance like state is not!
There is also the possibility that the medium of gambling influences distraction capacity. For instance, some of my own research has suggested that the Internet may provide immersive and dissociative feelings for its users and may facilitate feelings of escape. I also believe that the anonymity of the Internet allows users to privately engage in activities like gambling without the fear of stigma. The anonymity may also provide the gambler with a greater sense of perceived control over the content, tone, and nature of the online experience.
Anonymity can also increase feelings of psychological comfort since there is a decreased ability to look for, and thus detect, signs of insincerity, disapproval, or judgement in facial expression, as would be typical in face-to-face interactions. For activities such as gambling, this may be a positive benefit particularly when losing as no-one can actually see your face. However, one of the consequences of technology and the Internet has been to reduce the fundamentally social nature of gambling to an activity that in many cases is asocial. Most problem gamblers report that at the height of their problem gambling, it is a solitary activity. Gambling in a social setting has the potential to provide a kind of “safety net” for over-spenders as friends will often notice excessive and ‘out of character’ behaviour. This is lost when gambling alone on the Internet.
The interactivity of the Internet may also be psychologically rewarding and different from other more passive forms of entertainment (such as television). Psychological research has consistently shown the increased personal involvement on a gambling activity can increase the illusion of control that in turn may facilitate increased gambling. The interactive nature of the Internet may therefore provide a convenient way of increasing such personal involvement.
Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Further reading
Griffiths, M.D. (2003). Internet gambling: Issues, concerns and recommendations. CyberPsychology and Behavior, 6, 557-568.
Griffiths, M.D. (2005). The therapeutic value of videogames. In J. Goldstein & J. Raessens (Eds.), Handbook of Computer Game Studies. pp. 161-171. Boston: MIT Press.
Griffiths, M.D. (2005). Video games and health. British Medical Journal, 331, 122-123.
Griffiths, M.D. (2007). Gambling psychology: Motivation, emotion and control, Casino and Gaming International, (3)4 (November), 71-76.
Griffiths, M.D. (2009). Casino design: Understanding gaming floor influences on player behaviour. Casino and Gaming International, 5(1), 21-26.
Griffiths, M.D. (2010). Gambling addiction on the Internet. In K. Young & C. Nabuco de Abreu (Eds.), Internet Addiction: A Handbook for Evaluation and Treatment. pp. 91-111. New York: Wiley.
Griffiths, M.D. & Parke, J. (2003). The environmental psychology of gambling. In G. Reith (Ed.), Gambling: Who wins? Who Loses? pp. 277-292. New York: Prometheus Books.
Griffiths, M.D., Wood, R.T.A., Parke, J. & Parke, A. (2006). Dissociative states in problem gambling. In C. Allcock (Ed.). Current Issues Related To Dissociation. pp.27-37. Melbourne: Australian Gaming Council.
Parke, A. & Griffiths, M.D. (2012). Beyond illusion of control: An interpretative phenomenological analysis of gambling in the context of information technology. Addiction Research and Theory, 20, 250-260.
Wood, R.T.A., Griffiths, M.D. & Parke, A. (2007). Experiences of time loss among videogame players: An empirical study. CyberPsychology and Behavior, 10, 45-56.
The cultural influence of females in video games
As someone who has been researching in the area of video games for almost a quarter of a century, I have witnessed first hand the significant impact that video games have had in popular culture. Almost everywhere you look, you can see their influence on films, television, and popular music.
From the early 1970s to the mid-1990s, most people would probably agree that video game playing was the domain of a mainly male adolescent subculture. But that is not to say there haven’t been pivotal moments where videogames crept into more general consciousness. After Pong’s introduction in 1972 we saw more and more iconic videogames and characters flirt with the cultural mainstream, including Space Invaders in the late 1970s, Pacman in the early 1980s, and the Mario Brothers in the mid-1980s. This even spawned a film, Super Mario Bros., in 1993, which although a critical disaster marked the first real foray of videogames into big-budget movies.
For some though, the real point at which videogames became part of the cultural mainstream was the success of Lara Croft in the Tomb Raider series. When it comes to computer games, cyber-icon Lara Croft was one of the most psychologically interesting phenomena of the late 1990s. With her exaggerated bombshell figure and assertively aggressive attitude, Lara was the first sex-symbol of the digital age as well as a symbol of change within the videogame industry and wider culture.
In the UK she coincided with the rise of the ladette, the Spice Girls and Grrrl Power. She represented fearless femininity combined with a traditionally masculine drive to succeed and conquer which made her both a pin-up and a non-traditional female role model. Traditionally, cultural pastimes open up to the involvement of women thanks to torch-bearers, strong role models who inspire others in their path such as Patti Smith, Debbie Harry, Sandra Bernhardt, and Vivienne Westwood. We also witnessed this in Hollywood blockbusters with strong leading female roles for Sigourney Weaver as Ellen Ripley in the Alien films, and Linda Hamilton as Sarah Connor in The Terminator films and television series.
Then came the turn of video games. Female video gamers needed strong female icons to bring them into the fold and Lara was created partly in response to this absence. However, it was suggested that far from liking Lara, most women felt intimidated by her because she was the ultimate male fantasy. What’s more, others say that Tomb Raider was another example of men manipulating women to become their creation, their plaything – albeit digitally.
However, this is too simple a view of such a powerful cultural icon. To say that she is the ‘Page 3 girl’ of the cyber world is to look merely at the surface. Most Tomb Raider players weren’t lusting adolescents. Lara was unlike any other female that appeared in videogames before her. Up until Tomb Raider, females tended to be cast as victims of violence (e.g. Night Trap), victims to be rescued, and/or diversions from the action (Sonic the Hedgehog’s girlfriend, the princess in Super Mario). Lara on the other hand was the all-English action heroine and good-time girl. She didn’t rely on super-human powers – she was someone who worked hard and achieved more. Later versions of Lara – such as Tomb Raider: Legend – featured a less sexualised version.
Her femininity enhanced her, it neither hampered nor defined her. Although we could not now imagine Lara without her pneumatic figure, she is not labeled solely by it. She is the woman who broke away from the female whilst embracing it, a cyber-dichotomy who broke free of the perceived limitations of her sex while still retaining her femininity through her body. She achieved what women still struggle with, accepting her body in all its freakish proportions (and they are freakish) and still solving the riddle and defeating the bad guy.
Despite Lara’s influence, there are still a few video games where the female characters are ancillary, a sidekick, and/or cast in the victim role (such as the princess in Prince of Persia that has to be rescued, or sidekicks such as Mona Sax in Max Payne or Sheva Alomar in Resident Evil 5). However, there is now an abundance of strong female protagonists.
Historically, the bounty hunter Samus Aran (from the Metroid games) is held up as a positive role model in video games. In fact, most players were unaware that the lead protagonist was female until the end of the game because she wore mechanical armour. In this instance, her female characteristics were not emphasized over her viability as a video game character. Post-Lara, this is further reflected in characters such as Chun Li (Street Fighter), Nariko (Heavenly Sword), Cate Archer (No-one Lives Forever), Jill Valentine (Resident Evil), Faith (Mirror’s Edge) and Chell (Portal). Perhaps the new breed of immensely powerful female protagonists is best exemplified by Bayonetta Her character has been described as a “hardcore badass brimming with sexual energy” and a “Lara Croft without the prudishness”.
Why should women in videogames be ugly and frumpy? Gaming is a form of escapism, not a reality. We construct our fantasies with what we actually desire, not what we think we should. Look at films, look at music. The unattractive women in dowdy clothes and unflattering haircuts are nowhere to be found. Pop is full of nubile nymphets, straight out of Lolita, or vamps with Monroe-esque curves. We want to look at beauty, at sex. We want to look at Bayonetta, at April Ryan, at Cammy.
Lara Croft was the first and the original cyberbabe and brought video games into the cultural mainstream. She was (and arguably still is) highly popular not only because she was the first, but more importantly because Tomb Raider itself is a good game. That is not to say that the portrayal of women in video games has ceased to court controversy. Violence against women (such as particular scenes in the Grand Theft Auto franchise) is still present but appears to be diminishing. Therefore, digital media creators need to realize (if they don’t already) that their character representations have the power to engage or disengage their audience and players. Online games have the potential to take things to a different level. Players can create their own avatars and gender swap. They can experiment with different parts of their personalities. Some real time strategy games include women as a prominent part of the story line (such as Warcraft III, Command and Conquer). Additionally, they include female fighting units that can be created, recruited, and controlled by the player.
Strong females like Lara and Bayonetta, help shape represent modern femininity. Often described as “tough chicks” and “action girls”, they display hybrid attributes that are both masculine and feminine. These new visions of female role models offer female empowerment. However, there are clearly many different gaming audiences, and everything associated with a game and game character is subjective. Gaming has grown up and it is now possible to create unique and/or distinctive characters that have a generally broad appeal across gender, age, and gamer types – not just adolescent boys. Recent research has also shown there is a desire among many gamers to see more varied female characters in games. The significant increase in the number of strong female characters within mainstream games is not only a sign of the times but something to be applauded and built on.
Dr Mark Griffiths, Professor of Gambling Studies, International Gaming Research Unit, Psychology Division, Nottingham Trent University, UK.
