The cycle of love: Another look at objectum sexuality
In previous blogs I have examined (a) whether in some individuals excessive cycling can be addictive, and (b) some individuals who have sexual relationships with inanimate objects – so-called objectum sexuality, that also appears to have various sub-types such as mechanophilia (individuals who derive sexual pleasure from computers, cars, robots or androids, domestic appliances, etc.) and robot fetishism (individuals who derive sexual pleasure and arousal arising from humanoid or non-humanoid robots). Today’s blog is arguably an intersection of these previous blogs takes a look at one individual that I was made aware of when I was interviewed about him for the television series Forbidden (broadcast on the Discovery Channel). The case involves Dutchmen Kees van Voorst (KVV) has “a special love for bikes”. He claims to be in love and have sexual relationships with thirty bicycles.
Compared with other objectum sexuals, KVV is not unique. For instance, in previous blogs I recounted the cases of American man Edward Smith who has who has had sex with over a 1000 cars, and the British man Robert Stewart who ended up in court after being caught having sex with a bicycle. I also made reference to a paper published in 2000 by Dr. Steven Thompson in the journal Technology and Culture. Thompson argued that some types of cycles (i.e., motorcycles) are often portrayed as sexualized fetish objects by their owners.
The television documentary about KVV films him in his hometown of Lunteren. The story shows not only how much KVV loves riding bicycles but also shows how much he is romantically and sexually in love with bicycles. He appears ecstatic as he rides his favourite bicycles. He introduces the documentary makers to each bicycle by name. The production notes for the television programme highlighted that:
“His favourite [bicycle] is Aunt Ann who he sleeps with at night. He shows us how he dotes on them daily, oiling their chains, pumping up their tyres and polishing their shafts. He reads bike magazines as if they were adult magazines, Kees really does love bikes. In the film we follow Kees as he introduces a new member to his bike family. But his house is so packed full already, he’ll have to sell one of his bikes to make room for the new member, an emotional moment. He still doesn’t know which bike will go. Once he’s decided, he’ll say goodbye and then sell his bike to a local person who has answered an ad in the local paper…We’ll see him walk through gigantic bike parking lots with literally thousands of bikes – he’ll say hello to them as he walks past. He’ll then enter a massive bike store and be weak at the knees with the sexy selection of bike babes hanging from the ceiling. He’ll then choose his new love and take her home to meet her new family. After introducing the new bike to her new bike brothers and cycling sisters – the moment of truth, the first ride on the new bike – how will they get on? Will she be as good a ride as she looks? Will he take her off road straight away or build up to it? The film will end with Kees and his feelings about his new bike”.
There is little doubt that KVV is one of the world’s few genuine objectum sexuals. KVV wasn’t aware that his sexual love of bicycles had a name but confirmed that the scientific description of the condition matched his own feelings and experiences (i.e., strong feelings of love, commitment and attraction to inanimate items). He was quoted in the documentary as saying “I see my love as the same as men and women but with bikes…I tried to love women but they just don’t love me back like a bike can”. Of the 30 bicycles KVV owns, eight of them have names and his true love is a bicycle he named ‘Aunt Ann’. He currently cycles around 10,000 kilometres a year on his various bicycles. His “special desire” for bicycles began when he was 12 years old.
“His neighbour was visiting with her bike and [KVV] was fixated on it, he pleaded with her to be able to borrow the bike but she wouldn’t let him. He was heart broken. But it wasn’t till he was 16 [years old] that he had his first real love. it was then that he really could grasp that his love for bikes went far beyond what could be considered normal – but for [KVV] this is exactly what it was, absolutely normal. He did try to have relationships with women, he has had two so far in his life but both failed miserably”.
To KVV, ‘Aunt Ann’ is “his everything”. This particular bicycle sleeps in his bedroom, gets kissed good night, and is the bicycle that KVV wants to take with him to his grave. KVV claims that he cannot imagine a life without his beloved bicycles. The sensation of riding them is unlike anything else he has experienced. He says:
“When I am on one of my bikes and I’m thinking only about that bike, that is when I feel real love”.
KVV’s appearance in the Forbidden documentary isn’t the first television programme that he has appeared in. A local Dutch programme profiled KVV and his bicycle love after which he gained a level of notoriety that did not endear him to the Dutch public. Local residents claim he has brought shame to his hometown of Lunteren. Outside of his bicycles, KVV has only one human friend who didn’t want to be filmed in the documentary. The only other human that KVV has any kind of regular contact with is a local photographer who takes photos of KVV with his bicycle lovers.
As I noted in my previous blog on OS, it is only recently that academics have started to carry out research. In a 2010 issue of the Internet Journal of Human Sexuality, Dr. Amy Marsh described what she claims is the first ever research study conducted on a group of 40 ‘objectophiles’. On US television, Marsh revealed that she supported OS as a legitimate sexual orientation and said that her research doesn’t appear to indicate childhood trauma being a factor in the development of the condition. KVV’s story highlights that while rare, objectum sexuality (OS) exists and that some human beings can (and do) have loving sexual relationships with inanimate objects.
Dr Mark Griffiths, Professor of Behavioural Addiction, International Gaming Research Unit, Nottingham Trent University, Nottingham, UK
Aggrawal A. (2009). Forensic and Medico-legal Aspects of Sexual Crimes and Unusual Sexual Practices. Boca Raton: CRC Press.
Browne, R.B. (1982). Objects of Special Devotion: Fetishism in Popular Culture. Popular Press.
Ceilán, C. (2008). Weirdly Beloved: Tales of Strange Bedfellows, Odd Couplings, and Love Gone Bad. The Lyons Press.
De Silva, P. & Pernet, A. (1992). Pollution in ‘Metroland’: An unusual paraphilia in a shy young man. Sexual and Marital Therapy, 7, 301-306.
Marsh, A. (2010). Love among the objectum sexuals. Electronic Journal of Human Sexuality, 13, March 1. Located at: http://www.ejhs.org/volume13/ObjSexuals.htm
Nelson, S. (2012). Fetish spotlight: Mechanophilia. Located at: http://www.thehoneybunnys.com/fetish-spotlight-mechanophilia/
Schlessinger (2003). Mechaphilia: Sexual Attraction to Machines. Please Press.
Thompson, S.L. (2000). The arts of the motorcycle: Biology, culture, and aesthetics in technological choice. Technology and Culture, 41, 99-115.
Wikipedia (2012). Mechanophilia. Located at: http://en.wikipedia.org/wiki/Mechanophilia
Posted on February 8, 2016, in Addiction, Case Studies, Compulsion, Gender differences, Obsession, Paraphilia, Psychology, Sex, Sex addiction and tagged Bicycle fetishism, Bicycle love, Cycling addiction, Loving inanimate objects, Object sexuality, Objectum Sexuality, Sexual fetishism, Sexual paraphilia, Sexual perversion. Bookmark the permalink. 2 Comments.
I’ve been tangentially aware of the existence of mechanophiles (I’ve been calling them mechaphiles – it seems a lot of folks who have the fetish call it that too) since, unsurprisingly enough, getting into the Transformers franchise. It’s interesting to me that most of these folks that are being interviewed or volunteering for study are otherwise straight men – because I know of a LOT of women and transgender mechanophiles, some of them who experience an intensity similar to this KVV guy. Perhaps they (WE actually, as I’m a bit, shall I say, mechanoflexible) are just better at hiding it?
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